A Double Life
- APPROVED
- Year:
- 1947
- 104 min
- 496 Views
He looks just like he did
in the other play.
Remember?
Isn't he gorgeous?
Adorable.
Hiya, fellas.
Looking sharp, boy.
Looking sharp.
New hat.
Oh, fine.
Who done it for you,
Lily Dache?
I done it myself.
What a great guy.
You can say that again,
son.
The meeting will come to order.
Hello, Barry.
How are you,
Mr. John?
Dirty heel.
Everybody says.
He's a good actor.
Yeah, but he's no good.
Tony!
Oh, hello, Ellen.
Hello!
I haven't seen you
since, um...
Sands point.
Yes, that's right.
I lost your number.
I knew it was that.
What are you geniuses up to?
We're in the Freedley musical.
How does it look?
Chaotic.
Well, good luck.
Thanks. Good-bye.
I'll be seeing you.
Good-bye, Tony.
What a darling.
Stinker.
What?
What?
Hello, mr. John.
Hello, Anna.
Hello, Max.
Enter Anthony John -
tall, handsome, charming.
Shakes hands with his
dearest friend and mentor
and sits.
How did it go last night?
Fine, fine.
"A riot. A veritable funfest."
This play agrees with you.
Ah, good old Anna -
never forgets.
If it were possible,
I'd have you only in
comedy always, so help me.
Well, why isn't it?
I read a play,
every night before I go to bed,
and out of the lot,
if one turns up
that can be produced
and that's got a part
for you, I'm lucky.
Listen. Do me a favor.
you're an actor.
You don't say.
A great actor.
I bow.
You got a responsibility.
You can't stop. You
can't limit yourself.
All right.
Don't get so excited.
Well,
I'm an excitable fellow.
Come on.
Let's have it.
What is all this?
Othello.
Oh! Ho ho! No!
I was looking over
that old Othello
scheme of yours.
You don't know
how good that is.
Yes, we did have some
good notions, all right.
Good?
Do you remember that thing
you figured out
for the ending?
Yes.
Where you strangle
Desdemona with a kiss?
Yes. Oh, it sounds
ridiculous now.
You're wrong.
It's brilliant,
and it's believable,
isn't it, Victor?
Isn't what?
Isn't it brilliant?
Also believable.
The Othello thing.
How are you, Tony?
Blooming -
blooming in spite of Max.
He's been giving me
a scream-by-scream description
of my own idea.
Want to do it, Tony?
Do you want to direct it?
I asked you first.
I don't know.
I don't know. I?
I know some parts
give me the willies,
on the stage and off.
Where's your ambition?
All used up, Max.
Well, almost all used up.
Well, I've come
a long way with it.
Remember when I was
that handsome juvenile
dashing on with white flannels
and a tennis racket?
"I say, tennis anyone?
Right-o. Let's have
another go at it."
Yes, and before that,
the chorus of the student prince.
I tell you, I was
Vocabulary of 7 words.
Funny, I remember
my father even then,
coming backstage for a touch.
And telling me
to get the best of it.
"Get the best of it, boy-boy.
never made it, see,
but you can do it, kid.
You can do it
For the two of us."
So I'd slip him a fin,
and he'd mosey off.
I never listened
to anyone but Brita.
That's when I got
ambition, my boy?
When I married Brita.
That's when I wanted
to be something better
than I was,
to be an actor, a real actor.
I had to teach myself
to talk, do you know it?
And move and think.
I had to tear myself apart
and put myself together
again and again.
The leftover pieces
are all scattered
somewhere between here
and a thousand one-night stands.
Oh, sure, I lost plenty?
Fun and rest and friends
and privacy,
and in that cockeyed way
things have of working out,
it's even cost me Brita.
Would you like to hear
the story of my life?
He was a good actor,
your old man.
Oh, thank you, Max,
but you and I both know
he died a doorman.
Look, I wish you'd drop in
and see the show tonight.
It's all right,
but it's not bouncing along
the way it used to.
Who's letting down?
All of us except Brita,
of course.
Of course.
She's always wonderful.
There's something
interests me, Tony,
because it's none
of my business.
You and Brita,
you've been divorced now,
how long is it, 2 years?
And 4 months.
All right.
And you're both
still in love, aren't you?
So?
Why don't we marry again?
Yeah.
We love each other
too much for that.
I see.
See you later, friends.
Now, what about
The Othello thing?
Uh, look,
don't count on me
too much for this, Max.
I've got a feeling it
isn't the sort of thing
I ought to do,
great or no.
Think it over.
We'll talk about it later.
All right.
We ought to think
about it, too.
Why?
A sensation.
For someone
who's been exposed to it
as much as you have,
it's a wonder you don't
know more about acting.
What is there to know?
It's a talent.
Some got it, some ain't.
No, no.
When you do it
like Tony does,
it's much more.
The way he has
every night,
for just a few hours,
so completely...
No, don't tell me
that his whole system
isn't affected by it.
I swear I never
saw such a thing.
Here I bring up
a great proposition,
and everybody's as gloomy
as closing in New Haven.
I don't like trouble.
We'll see.
Yeah, all right.
We'll see.
Hello, Bill.
Max.
Victor here?
Yeah.
Right over there.
I just got the proofs
of Brita's new pictures
for the sunday edition.
Fine. Wait till you hear
the next publicity campaign
you're gonna do...
knock you on your ear.
Something new?
New, old.
Tell you tomorrow.
Excuse me, mr. Lasler.
I'm going to marry
the most wonderful man
in the world:
Martin.My valet?
Coffee, miss?
Thank you, Martin.
Just when did all this
happen, Martin?
Miss Cole did me the honor
of accepting my
proposal of marriage
on may 14th last,
sir.
On may 15th,
a fortnight ago...
Thank you.
Not at all, sir.
I gave you my 2-weeks notice
and informed you that I
was going to be married.
You didn't say it was to
my girl.
It didn't seem proper
to do so, sir.
Proper!
What cheek.
But what charm.
It's no surprise
to me. After all,
he's a gentleman's
gentleman.
Beginning now,
he's a lady's
gentleman.
I'm not going to cry.
Ah, ducky.
Honey.
Martin!
But my dear sir,
my time was up when
the clock struck.
I hope I've given
complete satisfaction.
Good-bye.
Good-bye.
Good-bye.
Mother!
Was I a bit over tonight?
Oh, Max, I've been
looking for you.
Hello,
mr. Lasler.
Drop over the office.
Hello, Victor, dear.
That's you, sweetheart!
Oh, Tony!
There's something
I want to talk to you about.
Yes. Oh, a little later.
Max, are you
going to the party?
No. I'll be...
One more.
Oh, leave 'em hungry,
is what I say.
What do you think?
How did it go?
Oh, it impressed me.
There were a couple spots
I wanted to talk to you about.
Oh, look who's here?
Shakespeare's agent, eh?
Yes?
Hello,
Brita.
Bill, come on in.
Is it all right?
If you don't stay too long.
Hi, Gladys.
Your new pictures.
Oh, good.
Oh, I better look them over
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Double Life" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/a_double_life_7171>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In