A Face in the Crowd

Synopsis: "A Face in the Crowd" charts the rise of a raucous hayseed named Lonesome Rhodes from itinerant Ozark guitar picker to local media rabble-rouser to TV superstar and political king-maker. Marcia Jeffries is the innocent Sarah Lawrence girl who discovers the great man in a back-country jail and is the first to fall under his spell.
Genre: Drama, Music
Director(s): Elia Kazan
Production: Warner Bros.
  1 win & 1 nomination.
 
IMDB:
8.2
Rotten Tomatoes:
92%
NOT RATED
Year:
1957
126 min
3,134 Views


OLD MAN (to Sheriff:

Somebody's looking for you.

SHERIFF:

Miss Jeffries!

MARCIA:

Morning, Sheriff.

SHERIFF:

We've got what you want; we always

get a good haul on the 4th of July.

MARCIA:

Good. Come on, let’s go.

MAN:

Here she comes, Bill.

SHERIFF:

Come in, and see what we've got.

MARCIA:

Wait, I forgot my tape recorder.

SHERIFF:

Boys, this is Miss Marcia Jeffries.

MARCIA:

How do you do?

SHERIFF:

1

þÿ

Her uncle owns the radio station

in town, KGRK.

She's been doing a program,

maybe you've heard it...

"A Face in the Crowd". A mighty nice

program it is, too.

I know this is a little unusual...

but this morning she's going

to do her program from here.

Miss Jeffries, the jail of Tawny

Hawk County is at your disposal.

MARCIA:

It’s very simple; you just talk into

this microphone in a natural voice.

We'll just chat back and forth.

This is completely informal...

so if anybody wants to sing a song

or tell an anecdote...

a funny story...

SHERIFF:

Let me see. Beanie,

last time you were here...

I heard you sing something.

2

BEANIE:

I ain't got my teeth with me

this time.

MARCIA:
(into the microphone)

This is Radio KGRK, the voice

of North East Arkansas...

bringing you its morning feature,

"A Face in the Crowd".

Whose face?

It could be yours.

Or yours. People are fascinating

wherever you find them.

This is Marcia Jeffries,

looking for more faces...

this time from the county jail.

Say something. (She holds the microphone up to Beanie)

BEANIE:

Don't worry, Ma,

everything's fine.

Nicest jail I've been in

in this part of the country.

SHERIFF:

Hey, you, you can do something.

MAN IN CELL:

I got black skin,

but I ain't no minstrel.

3

SHERIFF:

I'm sorry, Miss Jeffries,

they're just an ordinary bunch.

Where's the drunk from last night

with the guitar? What’s his name?

DEPUTY:

Rhodes. That’s him lying there...

SHERIFF:

Go and wake him up.

BEANIE:

Watch him, he's mean.

DEPUTY:

Miss Jeffries, we'll wake him up.

Hey, wake up!

MARCIA:

Morning, Mr. Rhodes,

I'm from Radio...

LONESOME:

Get away! Get away!

DEPUTY:

The sheriff's here.

LONESOME:

I don't care if the president

is here.

If a man can't get a little

decent sleep in jail...

4

Who are you?

MARCIA:

I'd like to introduce you

to our radio audience.

LONESOME:

Radio?

MARCIA:

Join me in a little chat...

LONESOME:

Wait a minute!

Quit racing your motor.

What do I get out of it?

I mean, Me, myself, and I.

MARCIA:

Sheriff?

SHERIFF:

What’s he in here for?

DEPUTY:

A week, drunk and disorderly.

SHERIFF:

If you'll co-operate, I might

let you out in the morning.

BEANIE:

Me too, I'm his manager.

LONESOME:

The boys say you don't keep

your word any too good.

SHERIFF:

You keep your end of the bargain,

I'll keep mine.

LONESOME:

Well, okay.

5

It’s a deal, tomorrow morning. I'll sing you a song.

MARCIA:

I went to Sarah Lawrence College,

I majored in music.

I learned that real American

music comes from the bottom up.

When Gershwin played at the New York

it was black tie music...

but the real beginning of it

was in folks that never owned a tie.

I just bumped into a fella you

never heard of, Rhodes.

What’s your first name?

LONESOME:

Jack, or Mack,

what’s the difference?

MARCIA:

Calls himself "Lonesome Rhodes".

LONESOME:

Lonesome?

Don't be rushing me,

cut that thing off a minute.

Give me a chance to lubricate

my Adam's apple. (He takes a swig from the bottle in his guitar case)

Nothing like a little medicine

to put you in the mood.

Ain't mamma a beauty?

A guitar beats a woman

any time! I never have seen a woman

I could trust like this old guitar.

I love my mamma guitar.

She's always waiting for me

to pick her up and hold her.

Never asks me for money or goes

cheating around when I ain't looking.

If she gets a little sour, I just

give her a little twist like so...

and we're right back

in tune together.

PRISONERS:

Hey, Lonesome,

sing "Rye Whiskey".

6

Lonesome.

"Hallelujah, I'm a Bum."

LONESOME:

She can see that plain enough.

Whenever a bunch of fellas

like us...

outcasts, hobos, nobodies,

gentlemen loafers...

one time or all time losers,

call us what you want to...

Whenever we get together,

we tell funny stories...

me and Beanie

and the rest of these...

hand-to-mouth tumbleweed boys

like you see in here.

If whisky don't get us,

then women must...

and it looks like...

I'm never gonna cease...

my wandering.

But, deep down,

when we get ready...

to tuck our heads under our wings

and go to sleep...

we ain't kidding ourselves.

We're so low-down lonely...

the fella we couldn't stand

the sight of this morning...

tonight, when the guards

douse the lights...

and plunge us into darkness...

why that same fella seems like

our nearest, dearest buddy.

(He sings the next three lines.)

Ten thousand miles

away from home.

And I don't even know my name.

But I ain't crying.

No, I ain't crying, because I'm

gonna be a free man in the morning.

You hear that, fellas?

A free man!

The sheriff's gonna open up

his cage...

and I'm gonna be as free

as a bird in the morning.

Hey, maybe I can try putting

a couple of rhymes together...

SHERIFF:

7

Sing something dependable

like "Home on the Range".

LONESOME:

I ain't gonna sing no

"Home on the Range".

No, sir, not if it means

I rot in here another month.

I'm gonna sing

what I'm gonna be...

a free man in the morning.

Oh, good night, moon.

Moon, you just fade,

fade, fade away.

Oh, good night, moon.

Moon, you just fade away.

And hurry on, Mr. Sun...

bring on the new day.

Oh, bring on the sheriff...

with his great big old key.

Yeah!

Bring on old Big Jeff,

the sheriff of Pickett, Arkansas...

with his big old fat key.

To open up this nasty,

filthy jailhouse...

and make a free man of me.

You got any objections to

being a free man in the morning?

PRISONER :

No, sir, I ain't.

LONESOME (sings):

Gonna be a free man

in the morning...

free man in the morning...

free man in the morning...

or know the reason...

All right, I'm ready.

MARCIA:

Thank you, Lonesome Rhodes,

that was just fine.

LONESOME:

You mean to tell me you

8

had that going all the time?

MARCIA:

I'm a sneaky type.

LONESOME:

Well, lock me up...

(Cut to:
Radio Station, J.B.’s office, where Marcia, J.B., and a shoe

shine boy are listening to Marcia’s tape of Lonesome. They all laugh.)

Rate this script:3.5 / 2 votes

Budd Schulberg

Budd Schulberg (March 27, 1914 – August 5, 2009) was an American screenwriter, television producer, novelist and sports writer. He was known for his 1941 novel, What Makes Sammy Run?, his 1947 novel The Harder They Fall, his 1954 Academy Award-winning screenplay for On the Waterfront, and his 1957 screenplay for A Face in the Crowd. more…

All Budd Schulberg scripts | Budd Schulberg Scripts

1 fan

Submitted by acronimous on March 19, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Face in the Crowd" Scripts.com. STANDS4 LLC, 2024. Web. 3 Dec. 2024. <https://www.scripts.com/script/a_face_in_the_crowd_1396>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Face in the Crowd

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does "FADE IN:" signify?
    A The end of the screenplay
    B The beginning of the screenplay
    C A transition between scenes
    D A camera movement