A Family Thing Page #5

Synopsis: Earl Pilcher, Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a black woman who died in childbirth. Plus, he has a half-brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
Genre: Comedy, Drama
Director(s): Richard Pearce
Production: MGM Home Entertainment
  3 wins & 2 nominations.
 
IMDB:
7.0
Metacritic:
71
Rotten Tomatoes:
73%
PG-13
Year:
1996
109 min
519 Views


and I want you to tell me

what this is all about.

You don't tell me, boy.

You don't tell me what I'm going to do.

And it's true what she's

saying, like it or not.

I don't want to hear it, ok?

Y'all are both cracking up.

Now, just straighten it out.

I'm going to take a shower.

I already drove over by Stoney Island,

and I didn't see you.

I know you didn't

have time to get far,

so I figured you were

going the wrong way.

I know I'm goin' the right way.

You hear me?

You're walking right into the bad part.

Keep going the way you're going,

going to get knocked in the head again,

maybe worse.

Listen, my son's talking

out of his ass.

It's my house, and I say

who stays and who goes.

Between you and him, and I ain't deaf,

I heard how much I'm welcome.

We want you to stay.

Now we got to talk, you and me.

I don't really give a sh*t to talk to you.

I might as well be on Mars

as to be up here with y'all people.

What do you mean, "Y'all people"?

Don't give me that "Black me" sh*t.

Get out of my way before

I knock you on your butt.

Don't threaten me, you old fool.

Get in the car. Kiss my ass!

You get in your damn car.

You know, I'm trying

to be nice to you.

You're not making it easy.

I don't aim to make it easy.

I don't give a sh*t. And your

boy don't want me around,

he can kiss my ass.

He can kiss mine, too.

I make the rules in my house.

Yeah, well, you don't enforce 'em too good.

Aw, f*** you!

F*** you! You want

me to call the police?

No, ma'am.

We're just, uh,

we're just talkin'.

You don't ever think anything's funny,

do you? No. Not anymore.

I don't have a lot to laugh about.

Yeah, poor, pitiful black you, huh?

You got a smart mouth, don't you?

I ought to knock you on your

butt again. Yeah, sure.

You didn't do it the first time.

Where are you now? Look at you.

To hell with you.

Ho on, then, if you so rough.

I was just trying to help you.

I don't know why.

'Cause you're scared of

your blind aunt, I guess.

Yeah, well, go on.

Be a big man.

I will.

I'm not afraid of you

or any other n*gger on the street.

I didn't mean it like that.

There's only one way to mean it.

If you need help, don't call me.

I'm through helping you.

Fine with me.

Yeah. Don't need his help.

He's somebody, somebody big.

Well, he can kiss my ass.

Sh*t.

Yeah, Pop is here.

Pop, say hello.

Aunt Frances,

guess who else is here.

Uncle Russell's here.

Yeah, here he is.

Hello.

No, there's no gene here.

Ok. That's ok.

Hey, aunt Frances. Yeah.

Uh-huh.

Yeah, uh-huh.

Oh, cousin Betty was...

Aunt T., quit staring at me.

Now, how am I gonna stare at you?

Uh... uh-huh.

Uh-huh.

Ah, yeah, uh-huh.

Ray, why don't you leave

your pride on that couch

and go find him?

I ain't studyin' that fool.

Damned old bastard,

messing up my friday night.

The son of a b*tch.

How you doing?

Hey! Hey!

Are you the birthday girl?

How old are you?

She's 50 today.

Oh, stop telling the world about it.

I'm sure glad to find some people more

my age. I was starting to think

that nobody but kids

went to bars around here.

Now, are you the husband?

Yes, I am.

I'm sure you're a proud man.

Yeah. Yeah.

Do you care if I, uh...

take her for a spin

on the dance floor,

you know, kind of

a birthday dance?

Uh... look, sir, we're just

trying to celebrate.

James, it's ok.

I'll dance with him.

Just once.

It's your birthday.

Yeah, Frank, hi.

This is Ray Murdock.

How you doing?

Listen, I wonder if you

can do me a favor.

I'm looking for somebody.

Maybe you can just kind of

put the word out.

Yeah. White male.

Earl Pilcher. White male.

Um, about 6'.

Last seen on foot

in the vicinity of 39th and Grand

wearing, uh, blue jeans, plaid shirt,

and a baseball cap.

Oh, yeah, yeah. He walks

kind of bowlegged.

All I'm saying is that they

got all these quotas.

You got to hire blacks and women,

so it discriminates,

if I want a job as a white man,

I can't get it even if

I'm more qualified.

Supposin' I was, that is.

But with me it's even worse,

because I'm black as a

coal miner's drawers,

and I still can't get

on the quota wagon

'cause I look like a white man.

Anyhow, forget all that.

I want to buy a round for the house

to celebrate.

miss, i want to buy

a round for the house.

where's she at?

Is everything all right over here?

Everything's fine, thank you.

Now where'd that gal go?

I want to buy a round

for everybody.

Do you have the money,

my friend?

Yes, of course I got the money.

I had the money.

All right. It's time to leave, my friend.

Let's go.

Get your goddamn hand off of me.

It is time to leave, my friend.

Kiss my ass.

Move it!

Get out of the way,

you son of a b*tch!

Hey, yo, man.

What's up?

Well, all right.

Hey, old man, you hear me

talking to you?

You deaf or something?

I'm talking to you.

All right.

Listen, what do you want?

You want this? Yeah?

Ok, hold on.

You want this?

Show me what you got, baby.

Hold on. You want this?

Hey, yo, man. F*** you.

F*** you, too.

Hello.

Who is it, Virgil?

Hold on.

It's a security guard

from the railroad.

I think he's found Earl.

You look like something

the cat drug in.

Yeah, well...

I...

I had a long night.

Well, I want to apologize

for something for yesterday.

I was out of line.

Damn right you were out of line.

Well, I said I was, didn't I?

Anyway, I apologize.

Well, I guess every man's entitled

to make a complete and

total fool of himself

every now and then.

Yeah.

What the hell

you laughing about?

You're not going nuts, are you?

No, no.

I'm all right now,

but last night I believe

I was going out of my gourd.

I think I was hoping

I wouldn't wake up this morning,

but I did.

I did,

and that, I think,

means that the good Lord

wants me to stay up here

and do what I been doing.

You mean looking

for your truck.

Yeah, yeah.

Whatever.

Hey, batter, batter,

batter, batter!

Hey. Wake up, Aunt T.

I ain't asleep.

Well, I see you're

working up an appetite.

Bring any wings?

Oh, yeah.

You know, I only like wings.

I got the wings.

I don't know how come you spending good

money on store-bought chicken anyhow.

There they are, an hour late.

Now don't you start with her, Virgil.

You just mind your business.

Daddy! Daddy! Daddy!

Hey.

Come here.

Oh!

Damn, Danielle,

You've gotten bigger since last week.

Me, too! Me, too!

I'm too big, too.

You, too, you, too.

That hurts.

Hi, Ann.

Hello.

No, it didn't. I'm just kidding.

Hey!

Sorry we're late, Ray.

You're going to sit here

and eat with us, aren't you?

Oh, no.

This is Virgil's day

with the girls.

Come on. Let's act like

a family for a change.

What do you say, Virgil?

Come on over here and

give me a great big hug.

- I don't mind. - That's settled.

Let's put the feedbags on.

I'm Ann.

Earl. Pleased to meet you.

Danielle,

I really like those pictures

you drew me.

I put them up on the refrigerator.

Thank you.

Yeah. Danielle Murdock-

Rate this script:4.3 / 3 votes

Billy Bob Thornton

Billy Bob Thornton (born August 4, 1955) is an American actor, filmmaker, singer, songwriter, and musician. Thornton had his first break when he co-wrote and starred in the 1992 thriller One False Move, and received international attention after writing, directing, and starring in the independent drama film Sling Blade (1996), for which he won an Academy Award for Best Adapted Screenplay and was nominated for an Academy Award for Best Actor. He appeared in several major film roles in the 1990s following Sling Blade, including Oliver Stone's neo-noir U Turn (1997), political drama Primary Colors (1998), science fiction disaster film Armageddon (1998), the highest-grossing film of that year, and the crime drama A Simple Plan (1998), which earned him his third Oscar nomination. In the 2000s, Thornton achieved further success in starring dramas Monster's Ball (2001), The Man Who Wasn't There (2001), and Friday Night Lights (2004); comedies Bandits (2001), Intolerable Cruelty (2003), and Bad Santa (2003); and action films Eagle Eye (2008) and Faster (2010). In 2014, Thornton starred as Lorne Malvo in the first season of the anthology series Fargo, earning a nomination for the Outstanding Lead Actor in a Miniseries or TV Movie at the Emmy Awards and won Best Actor in a Miniseries or TV Film at the 72nd Golden Globe Awards. In 2016, he starred in an Amazon original series, Goliath, which earned him a Golden Globe Award for Best Actor – Television Series Drama. Thornton has been vocal about his distaste for celebrity culture, choosing to keep his life out of the public eye. However, the attention of the media has proven unavoidable in certain cases, his marriage to Angelina Jolie being a notable example. Thornton has written a variety of films, usually set in the Southern United States and mainly co-written with Tom Epperson, including A Family Thing (1996) and The Gift (2000). After Sling Blade, he directed several other films, including Daddy and Them (2001), All the Pretty Horses (2000), and Jayne Mansfield's Car (2012). Thornton has received the President's Award from the Academy of Science Fiction, Fantasy & Horror Films, a Special Achievement Award from the National Board of Review, and a star on the Hollywood Walk of Fame. He has also been nominated for an Emmy Award, four Golden Globes, and three Screen Actors Guild Awards. In addition to film work, Thornton began a career as a singer-songwriter. He has released four solo albums and is the vocalist of the blues rock band The Boxmasters. more…

All Billy Bob Thornton scripts | Billy Bob Thornton Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Family Thing" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/a_family_thing_7985>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    A Family Thing

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "cold open" in screenwriting?
    A A scene set in a cold location
    B A montage sequence
    C The opening credits of a film
    D An opening scene that jumps directly into the story