A Family Thing Page #8

Synopsis: Earl Pilcher, Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a black woman who died in childbirth. Plus, he has a half-brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
Genre: Comedy, Drama
Director(s): Richard Pearce
Production: MGM Home Entertainment
  3 wins & 2 nominations.
 
IMDB:
7.0
Metacritic:
71
Rotten Tomatoes:
73%
PG-13
Year:
1996
109 min
519 Views


hugged you so hard,

I thought your little eyes

was going to pop out.

I was certain of it-

your mama knew she wasn't

going to never see you again.

Maotis said we was gonna

have to get a white doctor

from up in town,

and I knew there wasn't

much chance of that.

That's why I sent

Junior up to town

for your daddy, Earl.

It was his mess

that caused all this to start with.

But your daddy said

he wouldn't come,

said he wasn't going down to niggertown

in the middle of the night.

And besides, he didn't have

nothing to do with all that.

That was that gal's problem.

Miss Carrie lit into Mr. Pilcher

like a water moccasin,

told him to get over

and get Dr. Parks

and get down there

and save that little child of his.

Well, he did go get Dr. Parks,

and they all showed up together-

Earl Pilcher, Dr. Parks,

Carrie, and Junior.

But Earl wouldn't come in.

Just sat out front in that car.

I'd look out every now and then.

I could see his cigarette burning.

But Carrie, she come in.

She loved your birth mother.

They was friends,

real good friends.

Willa Mae asked to speak

to Carrie alone for a minute.

I don't know what they

talked about in there

at the time, but I pretty

much got it figured out

Over the years.

Got my own ideas, anyhow.

Well, old Dr. Parks

went to work,

and somehow or another,

he started getting you

straightened out a little

and on your way out.

Your poor mama was

in so much pain,

she just wore out so bad,

she couldn't make a sound.

And finally you came

in all your glory, heh heh...

face up, eyes wide open,

and white as bed linen.

I was standin' right there,

and I looked at you,

and your little eyes

was looking at me.

Yes, son,

I was the first person you ever saw.

Well, the doctor cut you loose

and handed you to your mother.

And she looked at you

like you was...

I don't even know how to say it...

like you was a angel.

And then the doctor

started in working on her.

She was real bad off,

and she was bleeding,

so he had me take you

after a minute

and told me I better

go in the other room

with you and Raymond

and let him work.

so I bundled you up in a blanket,

took you two and Miss Carrie,

and went in the kitchen.

Heh heh...

and then, Ray,

I put that baby in your arms.

Ray, when you saw that baby,

you said, "That's my baby. "

"That's right.

Yhat's your baby," I said.

"He's your brother. "

Then the doctor come in the room.

I took one look at his face,

and I knew Willa Mae was gone.

Carrie went in the bedroom

with Dr. Parks

to help him clean up.

And the three of us

was left alone there in the kitchen.

Ray, you held this boy

in your arms

right after he was born.

Ain't that something?

Oh, God...

your mama wanted to stay.

She just didn't have the strength.

Sure do wish I could see you.

Bless your heart, boy.

You gonna go out the

same way you come in.

Heh heh heh...

Well, hope that truck

of yours will run

with all those bullet holes in it.

Guess I'll go home

lookin' like I tangled with Al Capone.

Heh heh heh. Yeah.

Well...

Virgil, tell your wife and kids

I was glad to meet 'em.

I was glad to meet you, too.

Take care, Earl.

You bet.

Ma'am,

I want to thank you

for everything.

Now, don't you forget

your old Aunt T.

I don't think I could

hardly do that, now, could I?

You take care, now.

Bless your heart.

Going home to Poorville, huh?

Yep.

Well, I haven't been back there

since I left it... 60 years ago.

Probably hasn't changed much.

Oh, it's grown up a little, I guess.

Always wanted to get

down there someday

And visit mama's grave.

Well, you ought to come

on down sometime and do it.

One of these days.

The police impound yard

is right up there.

This it?

This is it.

Yeah, you ought to come

on down sometime.

You sure this is it?

I'm sure.

Well, we'll see.

"Father... "

"Sarah... Sarah. "

Here it is.

Willa Mae...

Mother.

Kind of a nice morning.

Yeah, it is.

Willa Mae...

Want a snort?

Go on.

Won't bite ya.

Hoo-hah.

I never could drink that scotch.

Heh. Shoot.

Well, I tell ya...

I guess the folks are up

and out, probably.

Yeah.

Now, listen, this is not going to be

like a sunday picnic,

let me tell you that right now.

Tuby and my girl will be

all right, I guess,

but that nephew of mine makes

your boy look like Mahatma Gandhi.

Whoo...

He might take a shot at you...

or even maybe both of us.

# Tell me, sister

# How do you feel?

# Tell me, my brother,

brother, brother

# How do ya feel?

# If ya feel like dancin'

# Get up and let's

start dancin'

# Start gettin' the spirit

Start gettin' the spirit

# The spirit in the dark

# In the dark

Doot-doot

# It's like sally walker

Doo doo doot-doot

# Sittin' in a saucer

Doo doo doot-doot

# That's how ya do it

Doo doo doot-doot

# Now, get on out to it

Doo doo doot-doot

# Ri-i-ide, Sally, ride #

# Put your hands on your hips

Cover your eyes

# And move

With the spirit

# Darlin', move

Move with the spirit

# With the spirit

Ah, move #

# Move with the spirit,

now, now, now

# Move with the spirit

# Are you gettin' the spirit?

Yeah

# Are ya gettin' it in the dark?

Yeah

# I wonder how you're gettin' the spirit

Yeah

# The spirit in the dark

Yeah

# People movin'

# Yeah, everybody's groovin'

# Just gettin' the spirit

# Start gettin' the spirit

# Are ya gettin' it in the dark?

In the dark

# I think I got it

All of my brothers

# All my sisters

Move

# With the spirit

Keep on movin'

# Keep on groovin'

Gotta move

# Keep on groovin'

Gettin' out of hand

# Let's get on that movin' thing

Gotta move your feet

# And stay on the beat

Ah, move

# Move

Ah, move

# Move... #

sync, fix:
titler

Rate this script:4.3 / 3 votes

Billy Bob Thornton

Billy Bob Thornton (born August 4, 1955) is an American actor, filmmaker, singer, songwriter, and musician. Thornton had his first break when he co-wrote and starred in the 1992 thriller One False Move, and received international attention after writing, directing, and starring in the independent drama film Sling Blade (1996), for which he won an Academy Award for Best Adapted Screenplay and was nominated for an Academy Award for Best Actor. He appeared in several major film roles in the 1990s following Sling Blade, including Oliver Stone's neo-noir U Turn (1997), political drama Primary Colors (1998), science fiction disaster film Armageddon (1998), the highest-grossing film of that year, and the crime drama A Simple Plan (1998), which earned him his third Oscar nomination. In the 2000s, Thornton achieved further success in starring dramas Monster's Ball (2001), The Man Who Wasn't There (2001), and Friday Night Lights (2004); comedies Bandits (2001), Intolerable Cruelty (2003), and Bad Santa (2003); and action films Eagle Eye (2008) and Faster (2010). In 2014, Thornton starred as Lorne Malvo in the first season of the anthology series Fargo, earning a nomination for the Outstanding Lead Actor in a Miniseries or TV Movie at the Emmy Awards and won Best Actor in a Miniseries or TV Film at the 72nd Golden Globe Awards. In 2016, he starred in an Amazon original series, Goliath, which earned him a Golden Globe Award for Best Actor – Television Series Drama. Thornton has been vocal about his distaste for celebrity culture, choosing to keep his life out of the public eye. However, the attention of the media has proven unavoidable in certain cases, his marriage to Angelina Jolie being a notable example. Thornton has written a variety of films, usually set in the Southern United States and mainly co-written with Tom Epperson, including A Family Thing (1996) and The Gift (2000). After Sling Blade, he directed several other films, including Daddy and Them (2001), All the Pretty Horses (2000), and Jayne Mansfield's Car (2012). Thornton has received the President's Award from the Academy of Science Fiction, Fantasy & Horror Films, a Special Achievement Award from the National Board of Review, and a star on the Hollywood Walk of Fame. He has also been nominated for an Emmy Award, four Golden Globes, and three Screen Actors Guild Awards. In addition to film work, Thornton began a career as a singer-songwriter. He has released four solo albums and is the vocalist of the blues rock band The Boxmasters. more…

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Submitted on August 05, 2018

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    "A Family Thing" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/a_family_thing_7985>.

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