A Fork in the Road Page #2

Synopsis: Will, an escaped convict, inadvertently takes refuge in a barn the same night the owners, April and Martin, get into a terrible fight. A gun shot goes off inside the house. April drags Martin's body outside and discovers Will. He convinces her that he is not there to harm her but has witnessed the murder so they must cooperate or both go to prison. The two take out to dispose of the body only to find out he is not dead. The task of disposal turns into a kidnapping nightmare and, as the two try to navigate the turn of events, they find they must make some hard choices to keep from losing it all.
 
IMDB:
6.1
NOT RATED
Year:
2009
105 min
125 Views


as not much as a threat.

-Well, I can't just let him go.

What is he given Carl to

show the photographs?

Well, don't expect me

to kill of you.

You have a reason and I have doubts.

-Well, I don't want to kill him

I just want him dead.

So, what should we do?

-I don't know.

Sh*t, I thought you

just dud your husband.

If I knew is going be

so complicated,

I would just temp on going.

Where we gonna go?

What we gonna do? -I just

want to hell out from here.

We got to keep moving.

How do you meet this

a**hole anyway?

Carl bought some life

insurance from him.

That's why I knew him

when he come up to us.

I was with my sister and

some girlfriends that I barnt he.

bought us some drinks, I thought he

just try to pick up one of my friends

and then next thing I know invaing

on the back sit of my car

three o'clock in

the morning and...

I will kill your bones.

Do you hear that?

You are already dead

and you don't know...

Shut up, a**hole! -No, you shut

up. I will get rip off your head...

Let's see what you gonna do from

the trunk of the car, Marty?

Yeah, Marty. -You already in

bag bodies. You even know,

how good when

I can get you.

What are you doing?

-You b*tch.

Do you think is all right?

Yeah.

Safety tape.

All right. I don't wanna stay

any longer then I have to.

So, you go in and you write

the room in Marty's name.

What is there

somebody I know him?

If you can shut the guy,

drag him into the hole and burry him,

you can rent the motel room.

Hurry, close the trunk.

Shut up! You will talk,

when we will be ready for listen.

I'm not the only one. They

just one he took of me.

Where you get them?

-In the trunk.

He have lots of them.

But how they get

into your car?

That's is not my car,

it's his car.

We're driving his car? -Why

can't take it if he lives us car?

Yeah, but it not given to me.

You need it a car,

I can't give you mine.

How can explain this to Carl.

Here, just let me

show you something.

Yeah, yeah, yeah.

They were all taken

in the same motel.

Actually, they were

taken in the same room.

Look at this. Is the same

bed, the same wall,

the same picture over the bed. You

know where this motel is? -No.

Oh, my God. That's Carol Ramzy.

She's a friend of mine.

And Ann... this one is a checker

abursin. They know her to.

This is a picture of you.

-Oh, God.

Even if you get rid of all this,

his probably kind of store them

in computer somewhere.

Look at this.

Jesus, a lot of women here.

Look at all those numbers.

It's probably how much

must to paying him.

It's kind of scary, I think.

-I think, I can kill him now.

No, no.

Look, look.

If he tail's on you,

you tail on him.

This book and this photos,

you kind a big time,

you can put him

away for years.

And what about me?

What'll happened with all others

women? What'll happens

when all this comes out?

Can you just focus on you

first, all right, and me?

I get some food,

you stay with him.

I'm not staying here with him by

myself. -I'm not gonna call with him.

He's your problem. I have

enough at my own, thank you.

How do I know

you'll come back?

How do I know you will not

call the cops, as soon as

I walk out the door?

-What if he gets loose?

I think, is not

go anywhere now.

Feel better?

Yeah.

I'll be back in

half of hour, OK?

What do you want?

-I don't care.

You got to eat something.

I'm not hungry.

-Yeah, but you gonna be hungry

and I don't want to stop again.

I want out of here in two hours.

Then get me a salad.

What kind a dress on?

-No, dress on.

I'm not gonna back

for salad dresser.

Well, then get me a sari

thousand alen and sari buchy

that one is crmy Italian.

Why you just make

up your mind now?

I mix them all together.

Well, you'll not get you

enough anyways.

You are good now?

-Yeah.

Oh, and don't

take the wrong car.

Wait.

Now what?

I have to pee.

So, pee.

Somebody using the toilets.

Nobody using the bath tub.

I'm not pee in the bath

tub with that brub.

He can't see you. -I know,

but I can see him.

Well, put the

towel over his head.

At last.

I'm alone.

It's OK.

Is everything OK?

-Yeah.

How much food did you buy?

Some for you, some for me

and some for him.

You buy food for him?

I'm not gonna starving

him to death.

What do you watch it?

-I don't know.

Here, you can turn

if you want.

What did you do?

What you mean?

Did you need the

water running?

Where?

In the bathroom.

Oh, sh*t.

Cloe is dead. -Yeah,

but we didn't kill him.

It doesn't matter. It's gonna

look like we killed him.

So, let's go. -You can't

just leave him here.

Why is the worse of the dead

body in the trunk then alive one?

It doesn't really

look either way.

I can't find them at all.

Get the door.

My God, he is even

heavier than before.

Probably cus all the

water he swallow.

Oh, my God.

I'm gonna puke.

Where are we?

Middle of nowhere,

I hope.

Like solid rock.

Have to find another place.

What if somebody

missing him by now?

Well, you know, if he did, it gonna

take a while to find us here.

What if they looking for him,

they gonna looking for his car?

I mean, if we will put over,

how we'll explain that?

How even prove who you are? You don't

even have a driving license. Do you?

We can't get caught

in a car. It ties us to Martin,

whether they find him

or not. -Well,

see, I can't dig a hole big

enough for both of them.

So, what we gonna do?

I don't know.

We can't go back up on the

highway. We can get spotted.

If they looking for him.

-Well, they looking for you.

I can't walk to Mexico.

Sh*t.

What if we just leave

him in the car up here?

What if someone

drives out here, a?

They'll see a car park

and they gonna stop.

And if they stop... -Yeah.

This is like a real hot spot.

Got to be a lot of cars

ride in past years.

That's been here forever.

Makes sure you get

the door handle.

I was the one

in prison, OK?

You just on the half way.

Make sure you get a window.

Can survive then sleeping,

if they find one of your hear.

Oh, sh*t.

Oh, my God.

It's my husband.

Don't answer it.

-I have to answer it.

If I'm not answer it, he gonna

think something is wrong.

He's probably doubt already.

-Fine, answer him but

make sure you'll tell him...

-I know, I know. It's time.

Hi, honey. No, I'm

not home right now.

No, I'm just running

some ear.

I should be home in

couple of hours.

When you think

you will be home?

A hard to say,

I'm still time to lose ends here.

OK, well, you make sure you

call me before you come home

so, I can make something

special for you.

You are all the

special I need, honey.

Yeah, I'll call you when

I'm out of here.

I love you.

-I love you.

I'm so good.

Jesus.

All right. We have

everything?

OK.

What happened?

How should I know.

Oh, my God.

He's still alive.

Can't be.

I got him.

I got him.

How far can it go?

Couple of hundreds of miles

is kind a have to leak.

Well.

Is that's all right?

Rate this script:0.0 / 0 votes

Jim Kouf

Jim Kouf (born July 24, 1951) is an American screenwriter, director, and producer. He received the 1988 Edgar Award for Best Motion Picture Screenplay for his work on Stakeout (1987). more…

All Jim Kouf scripts | Jim Kouf Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A Fork in the Road" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/a_fork_in_the_road_1898>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "The Godfather"?
    A Robert De Niro
    B Al Pacino
    C Marlon Brando
    D Jack Nicholson