A Matter of Life and Death Page #4

Synopsis: Returning to England from a bombing run in May 1945, flyer Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the USAAF, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mixup in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him 20 hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate.
Genre: Comedy, Drama, Fantasy
Production: Universal Pictures
  1 win & 2 nominations.
 
IMDB:
8.1
Rotten Tomatoes:
96%
PG
Year:
1946
104 min
3,461 Views


- You know a good deal.|- Like to know more.

All right.

Now, these headaches,|when did they start?

- Six months ago.|- Bad?

- Not at first.|- Where?

- Here.|- Frontal and temporal.

Did you ever have|a rather nasty bang on the head?

- I don't think so.|- Sure?

The usual one - dropped as a baby.

Has that spoilt everything for you?

- Yes, I'm afraid it does.|- I'll see what I can cook up.

- Do you mind if I try something?|- No, go ahead.

Now... er... just face this way. Don't move.

Now, don't move your eyes,|look straight ahead.

- Check.|- What are you looking at?

- The girl with red hair and legs!|- Right, I've got her.

- Don't take your eyes off her.|- Easy!

Without moving your eyes,|what can you see on the extreme right?

- Fireplace.|- In the centre?

- Girl.|- Extreme left?

Windows?

- Curtains?|- Yes.

- Colour?|- Red.

Right, that'll do.

If you've quite done staring|at that girl's legs...

You've got to do as the doctor says.

Confidentially,|they're rather knock-kneed.

Hmm.

- Any loss of appetite?|- No.

- Nor of thirst?|- No fear.

You've been eating and drinking|more than usual.

- You've just seen my mess bills!|- And you've... seen something.

- Someone.|- Clearly?

As clear as I see you.

- Had such an hallucination before?|- No, thanks.

Do you believe in the survival of|human personality after death?

I thought you said you read my verses.

Do you?

I don't know, I've never thought about it.|Do you?

I don't know.|I've thought about it too much.

- I thought I was asked to tea.|- It isn't time yet.

Past my time. One last question.

It may sound silly,|but have you imagined recently...

.. that you've smelt something|that couldn't be there?

What an extraordinary thing!

- What is?|- How did you know?

A long shot. You have?

Yes. It was so silly,|I'd never have told you.

It might explain everything abnormal|you've seen and heard.

But it still can't explain how I can jump|without a parachute and be alive.

No, but there might be a possible|explanation even of that.

Now, this heavenly messenger,|you saw him quite clearly?

I told you, as clear as I see you.

This smell you imagined|was at the same time?

Yes, it was particularly strong.

- A pleasant smell?|- Yes.

- Could you place it?|- Fried onions.

And this messenger,|he hasn't turned up again?

- No, but he will.|- When?

- He picks his own time and stops it.|- Peter's appealed against his call-up.

- That's the spirit. Don't give in.|- I won't.

I'm lucky June knew you.|Thank you for coming.

June has lucky friends. I've got bad news.

- Why the grin?|- You're going with me.

- Where?|- My house. For two reasons.

I want to meet this chap next time...

.. and I like a nice girl in the house.

She only comes to borrow a book|and she's a slow reader!

- What about my CO?|- I've fixed it with him.

Besides, until we get this settled,|I'm your CO.

At my house, you get your tea at 4.30.

(man) Tea break!

Here you get it at five.

Sinkers, Doc?

Thank you.

We're shaping, Frank, we're shaping!

(ping-pong game in progress)

(rhythmic batting of the ball)

(Dr Reeves) Ohhh!

(batting stops)

(batting resumes)

Ah-ha! 20-all!

21-20. Sorry.

- You're sorry, my foot! Ready?|- Ready.

- Nearly.|- Nearly doesn't count. 21-all.

- I'll be...|- Count 10.

I wonder if Peter's a good player.

- Ask him when he wakes.|- He's been asleep 21/2 hours.

- He'll wake at 11.|- How do you know?

- I gave him a tablet.|- How can you tell?

- I know the patient.|- Do you know him?

- I think so.|- Tell me about him!

Are we playing table tennis|or are we not?

- All right, your serve.|- Ready?

- Ready.|- Ohh!

Your game.

Now tell me what you think about him.

- I think he's fascinating.|- So do I.

Not biologically. Medically.

- Have a drink?|- Love one.

What do the books say, Doc?

I see a dark stranger in his life.

Do you know what's wrong with him?

Yes, I think I do.

Is he... going to be all right?

He'll be all right. Here's your drink.

Will he have any more hallucinations?

- Yes.|- How do you know?

Because this conductor|promised to come back.

- Will that make him worse?|- Why should it?

I don't know. Seeing things,|arguing about his own life.

- Talking to a non-existent man...|- He does exist for him.

He's not going mad?|His brain isn't being affected?

It is, but not in the way you mean.

That's why I asked him|about his sense of smell.

I saw it was important.

He's having highly organised|hallucinations...

.. comparable to an experience|of actual life.

A combination of vision,|hearing and idea.

To a neurologist, it points directly|to the sense of smell or taste.

Once that connection's established,|we know where to look.

I want to find out one thing more|in his history. I'll find it out later.

Now...

- I'm not going to tell you any more.|- Thanks.

- But how did he survive the jump?|- I don't know.

If we could find out and tell him,|it would save him.

It would help, but the main thing|is for him to win his case.

- Are you serious?|- Perfectly serious.

- We must help him to win it.|- How?

It depends on what message|the conductor brings.

But... suppose he loses his case?

Oh, that's absurd!

If we see he's losing|or we think he's going to lose,...

.. we'll find out the reason he survived|or we'll invent one.

We'll have a couple of drinks...

.. and we'll invent the greatest lie|in medical history.

- Care for another game?|- I don't mind.

- Don't worry. See that bell?|- Yes.

He'll ring it if he gets another visit.

- Fine.|- Come on, your serve.

- Ready?|- Uh-huh.

One-love.

(no sound)

(no sound)

Doc, he's here! June!

Doc?

Eh bien, mon cher, comment a va?

Not too good.

Not too good. Ah.

I would not bother to ring that bell|if I were you. Nothing will happen.

A little trick of mine. You remember?

After all,...

.. what is time?

(wind whistles violently)

(thunder)

A mere... tyranny.

Let me know if you're|going to do that again.

- Looks good.|- Very good. Know the author?

No, but I often have a game with Philidor.

- Philidor?|- The greatest chess master ever.

A Frenchman.|Come along and I'll introduce you.

- Good.|- Splendid!

- You've got good news for me.|- How did you guess?

You wouldn't entice me with Philimor...

- Philidor.|- .. if you had the right to conduct me.

- True.|- Well?

Speaking officially,|I have good news for you.

Good!

- You can appeal to the High Court.|- Splendid!

The trial will be trs chic. In three days|so you can prepare your case.

Better and better.

- Do not be too pleased.|- Is there a catch?

The prosecuting counsel.

I am not permitted to offer advice|or give a personal opinion but...

- Who is this counsel?|- Be prepared.

- For what?|- A shock.

- Tell me the worst. Who is it?|- Abraham Farlan.

- Come again?|- Abraham Farlan!

- Never heard of him.|- No?

- Never.|- He lives in Boston.

- I've never been.|- Massachusetts.

- I've never been there!|- Abraham Farlan died in Boston in 1775.

Does that date convey anything to you?

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Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English film director, celebrated for his partnership with Emeric Pressburger. Through their production company "The Archers", they together wrote, produced and directed a series of classic British films, notably 49th Parallel (1941), The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946, also called Stairway to Heaven), Black Narcissus (1947), The Red Shoes (1948), and The Tales of Hoffmann (1951). His later controversial 1960 film Peeping Tom, while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged.Many film-makers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the British Film Academy can give a filmmaker. more…

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Submitted on August 05, 2018

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