A Monster Calls Page #10
GrandMA
Pick up your rucksack, please.
Don’t want your father to think I’m
keeping you in a pigsty.
ConOR
(muttering)
Not much chance of that.
His Grandma opens a front closet, puts on a coat.
GrandMA
Now, Conor, when you go to the
hospital, your father may not
notice how tired your mum’s been
getting, okay? So we’re going to
have to make sure he doesn’t
overstay his welcome.
Final check in the mirror.
GranDMA (CONT’D)
(to herself)
Not that that’s historically been a
problem.
She gives one last appraising look at Conor.
Grandma (CONT’D)
If you get hungry before your dad
gets here, there’s steamed broccoli
in the fridge. No eggs. You’ve
already had eggs twice this week.
(frowns, sighs)
Be good.
And lets herself out.
116.
68 InT. granDMA’S Kitchen - moments LATER 68
Montage as Conor looks around his Grandma’s house for
something to do. First in her spotless kitchen, cupboards
full of nothing a boy might like to eat.
117.
69 InT. grandma’s kiTCHEN - momENTS LATER 69
Conor now stands on the counter-top, digging deep into a
cupboard. He finds a packet of cookies.
CONOR:
Get in.
118.
70 InT. grandma’s TV room - momentS LATER 70
Conor in a sterile TV room, eating the cookies. Only dull
channels (BBC, Living) are available. Every channel he wants
to watch blocked by a PIN code.
119.
71 InT. grandma’s guEST ROOM - momENTS LATER 71
Conor opens the door to his temporary bedroom. His suitcase
is open, clothes removed, but the room is bright white,
pictures of sailboats on the wall. It could be a hotel room.
120.
72 EXT. grandma’s back garden - momentS LATER 72
Conor steps out into his Grandma’s back garden which has no
green space at all, just stone paths, sheds and an office
she’s had built in the back.
No hilltop on the horizon. No tree to be seen anywhere.
121.
73 InT. grandma’s CORRIDOR, upstairs - momenTS LATER 73
Conor climbs the steep steps up to the door of Grandma’s loft
conversion. It’s locked. He can’t believe it.
He tries to look through the keyhole, but can only see
glimpses of a room inside.
Then Conor JUMPS at the sound of the DOORBELL. He hurries
down the stairs to...
122.
74 InT. granDMA’S FRONT HALLWAY - conTINUOUS 74
...the front door. He opens it on: HIS DAD, late thirties,
handsome, slightly too boyish for his own good.
Conor’s gives him a genuinely free smile.
123.
75 InT. CHINESE Restaurant - later that EVENING 75
Conor and his Dad sit at a table, waiting for their food. Dad
has a glass of RED WINE, Conor a clear soft drink. Dad isn’t
quite sure how to talk to this son he doesn’t see very often.
His accent is HALF-IRISH/HALF-AMERICAN.
DAD:
How you hanging in there, champ?
ConOR
“Champ”?
DAD:
Sorry. America is almost a whole
different language.
Dad fidgets with his wine glass. Conor drums lightly with his
chopsticks.
Dad (CONT’D)
Your mom seemed pretty good
tonight. A real fighter, that one.
Conor shrugs.
DAD (CONT’D)
You look tired, Con. How are you
holding up?
ConOR
That’s like the eight hundredth
time you’ve asked me that.
DAD:
Sorry.
CONOR:
I’m fine. Mum’s on this new
medicine. It’ll make her better.
she’s...
He stops. Takes a drink.
DAD:
“Everyone”?
CONOR:
Grandma. Wants me to come live with
her.
DAD:
You mean when your mum
124.
CONOR:
If.
DAD:
(takes the correction)
If your mum...
CONOR:
But that’s not going to happen.
DAD:
Still. You’re going to need to be
brave for her. You’re going to need
to be real, real brave.
CONOR:
You talk like American television.
Dad takes this in good humour.
DAD:
Your sister’s doing well. Almost
sitting up by herself.
CONOR:
Half-sister.
DAD:
I can’t wait for you to meet her.
I’ve been talking to your grandma
about getting you out to LA.
Conor looks up surprised and with nascent hope.
ConOR
You want me to come to LA?
DAD:
Absolutely! Would you like that? I
was thinking maybe over Christmas,
so we can get you back in time for
school...
Dad smiles, pleased he’s connected. Then he blows it.
CONOR:
(suspicious)
But... you mean... just for a
visit, then.
DAD:
Yeah, it’ll be great...
Beat as he realizes that’s not what Conor was hoping for.
CONOR:
I don’t want to live with Grandma.
It’s an old lady’s house.
(MORE)
125.
CONOR (CONT'D)
You can’t touch anything or sit
anywhere and you can’t leave a mess
for even two seconds.
DAD:
We can talk to her about that. I’m
sure there are plenty of ways to
make you comfortable-
CONOR:
I don’t want to be comfortable! I
want my own room in my own house.
DAD:
(wincing)
You wouldn’t have that in America.
We barely have room for the three
of us. Besides, your school is
here, your life is here. It’d be
unfair to take you out of it.
CONOR:
Unfair to who?
DAD:
(sighing)
This is what I meant. When I said
you were going to have to be brave.
conor
(pouring cold water)
Can we talk about the visit when
mum gets better?
Dad, resigned, can’t find the strength to talk to Conor
honestly. Gives in.
DAD:
Of course, champ. That’s exactly
what we’ll do.
A WAITRESS sets their meals down in front of them. Neither of
them make a move to eat.
126.
76 ExT. Grandma’s House - later that EVENING 76
Conor and his Dad pull up outside his Grandma’s house in his
father’s rental car.
Dad
Doesn’t look like your Grandma’s
home yet.
ConOR
She sometimes goes back to the
hospital after I go to bed. The
nurses let her sleep in a chair.
DAD:
Your Grandma may not like me much,
but that doesn’t mean she’s a bad
lady.
CONOR:
She says you’re all start and no
finish.
DAD:
(laughs, wounded)
That might be true.
CONOR:
How long are you here for?
DAD:
As long as I can.
CONOR:
How much is that?
DAD:
(sighing)
We don’t have a ton of money. And
Americans don’t get much holiday.
CONOR:
You’re not American.
DAD:
But I live there now. You’re the
one who made fun of my accent all
night.
CONOR:
Why did you come then?
DAD:
Because your Mum asked me to.
Beat, as seriousness of this is absorbed.
127.
Dad (CONT’D)
I’ll come back, though. You know,
when I need to. And you’ll visit us
at Christmas!
ConOR
In your cramped house, where
there’s no room for me.
DAD:
Conor-
CONOR:
(again)
Why did you come?
Dad doesn’t answer. Reaches out to put a hand on Conor’s
shoulder, but Conor avoids it and gets out of the car.
DAD:
(through open door)
Conor, wait. I’ll see you tomorrow,
yeah? There’s still plenty of time.
Conor doesn’t really believe this. He shuts the car door.
128.
77 INT. GRANDMA’S SITTING ROOM - EVENING - MOMENTS LATER 77
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Monster Calls" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/a_monster_calls_548>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In