A Monster Calls Page #19
ConOR (CONT’D)
(angry, frightened)
This is when I wake up. This is
when I always wake up.
MonSTER
The tale is not yet told.
CONOR:
Get me out of here. I need to see
my mum!
MONSTER:
She is no longer here, Conor. You
let her go.
CONOR:
This is just a nightmare. This
isn’t the truth.
220.
The Monster leans forward, scaring Conor into falling back.
MONSTER:
It is the truth. You let her go.
ConOR
She fell. I couldn’t hold on to her
any more.
MonSTER
You let her go.
ConOR
She fell!
The Monster leans over him, as terrifying as it’s ever been.
MonSTER
You must speak the truth or you
CONOR:
Let me go!
MoNSTER
Speak the truth!
ConOR
What truth?! I don’t know what you
mean!
The Monster’s face surges down close to his, punching its
hands either side of Conor, causing the ground to CRACK all
around him.
MONSTER:
You do know.
A sudden quiet. Conor does know. He’s always known.
CONOR:
(quietly)
No. I can’t.
MONSTER:
You must.
CONOR:
I can’t.
There’s a sudden note of kindness in the Monster’s voice.
MONSTER:
You can. You let her go!
Conor begins to cry.
221.
CONOR:
(shaking his head)
Please-
MONSTER:
You let her go, Conor O’Malley.
Didn’t you?
Conor squeezes his eyes shut tight.
MoNSTER (CONT’D)
You could have held on for longer,
but you let the nightmare take her.
Didn’t you?
ConOR
No.
MONSTER:
YES! You allowed her to fall.
CONOR:
No!
MONSTER:
You must tell me the fourth tale,
Conor O’Malley. You must!
CONOR:
It’ll kill me if I do!
MoNSTER
It will kill you if you do not!
The Monster pounds the ground again, terrifying. More cracks
form, until Conor’s trapped on a broken shelf above the hole,
teetering above it.
MONSTER (CONT’D)
You let her go. Before it’s too
late! Tell me WHY!
Beat, as Conor struggles.
ConOR
No-
The ground collapses more, the shelf teeters.
MoNSTER
(pleading)
Speak the truth!
CONOR:
No.
MONSTER:
Speak the truth Conor O’Malley!
222.
CONOR:
NO!
MONSTER:
SPEAK THE TRUTH!
CONOR:
NOOOOO!
MONSTER:
Until, finally...
Conor can’t fight it any longer...
He speaks the truth.
ConOR
I want it to be over! I can’t stand
knowing that she’ll go! I want it
to be finished! I let her fall! I
let her die!
He collapses to the ground. The shelf gives way beneath him,
and he falls-
Screaming into the hole-
The Monster disappearing above him-
Until-
WHOOMP! He hits something, landing on it.
It’s the MONSTER’S OUTSTRETCHED HAND. It has caught him. It
lifts him gently up out of the hole and deposits him:
223.
134 ExT. POST NIGHTMARE (hilLTOP) - SUNSET - momentS LATER 134
Back on the ground on the hilltop behind his house. The
Monster stands above him. Conor sits up, his face beyond sad,
helpless tears coming.
ConOR
Why didn’t it kill me? I deserve
punishment. I deserve the worst.
MonSTER
Do you?
ConOR
I’ve known forever she wasn’t going
to make it. She said she was
getting better all the time because
that’s what I wanted to hear. And I
believed her.
(beat)
Except I didn’t.
MONSTER:
No.
CONOR:
And I started to think how much I
wanted it to be over. I couldn’t
stand how alone it made me feel.
MONSTER:
A part of you wished it would end.
ConOR
(whispering)
I let her go. I could have held on,
but I always let her go.
MONSTER:
And that, is your truth, Conor
O’Malley.
CONOR:
I didn’t mean it, though! And now
it’s for real! Now she’s going to
die and it’s all my fault!
MONSTER:
And that, is not the truth at all.
Conor gives into grief. The Monster gently takes him up in
two huge hands, making a comforting bed out of them.
MONSTER (CONT’D)
You were merely wishing for an end
of pain. Your own pain. It is the
224.
CONOR:
I didn’t mean it.
MONSTER:
You did, but you also did not.
Conor looks up at the big face in front of him.
CONOR:
How can both be true?
MONSTER:
How can a prince be a murderer and
a saviour? How can an apothecary be
evil-tempered but right-thinking?
How can invisible men make
themselves more lonely by being
seen?
ConOR
(shrugs, exhausted)
I don’t know. Your stories never
made any sense to me.
MONSTER:
Because humans are complicated
beasts. You believe comforting lies
while knowing full well the painful
truths that make those lies
necessary. It is a wonder you can
survive at all.
Conor isn’t sure he buys this, as much as he might want to.
MonSTER (CONT’D)
In the end, Conor, it is not
important what you think, it is
only important what you do.
Long beat as Conor considers this.
ConOR
So what do I do?
MONSTER:
What you did just now. You speak
the truth.
ConOR
That’s all?
MONSTER:
You think it’s easy? You were
willing to die rather than speak
it.
CONOR:
Because what I thought was so wrong
225.
MONSTER:
It was not wrong. It was only a
thought. One among millions.
Conor takes a long breath, he’s exhausted. In fact, he’s
fighting to keep his eyes open.
CONOR:
I’m so tired. So tired of all of
this.
MONSTER:
Then sleep. There’s time.
ConOR
Are you sure? I need to get back to
my mum.
MonSTER
You will. I promise you.
Conor considers this.
ConOR
Will you be there?
MONSTER:
Yes. It will be the final steps of
my walking.
Conor nestles into the monster’s hands.
ConOR
How does the fourth story end?
MONSTER:
Shhh... Sleep...
But he hears no answer as he can no longer fight off sleep.
226.
135 ExT. CHURCHYARD HILLTOP - niGHT - laTER 135
Conor is asleep on the hilltop. The Monster is now just a
tree, but there’s still a suggestion that it’s cradling him.
Conor’s phone buzzes in his pocket but he doesn’t wake. We
hear a car pull up and a door open.
GranDMA (o.S.)
(faintly)
Oh, thank God!
Conor blinks himself awake. He looks up.
GranDMA (o.S.) (CONT’D)
Conor! CONOR!
He sees his Grandma running towards him from where she’s left
her car (lights on, engine running, door open) by the church
next to the graveyard. She’s putting away her phone,
obviously the one who’s been calling him.
GranDMA (CONT’D)
CONOR!
He stands, bracing himself, but when she reaches him she
grabs him in a hug so vigorous they almost tumble over.
She releases him and, being who she is, starts shouting.
GRANDMA (CONT’D)
Where have you BEEN? I’ve been out
of my MIND trying to find you!
ConOR
There was something I needed to-
But she’s already dragging him towards the car.
GraNDMA
No time! We have to go now!
She sprints off away from him, back to the car, and what this
means sinks in for Conor. He races after her.
227.
136 InT/ext. grandma’s car/city streets TO TRAIN CROSSING - night
136
-moments LATER
Grandma drives at extremely high speed, cutting corners,
running red lights. It would be funny if it weren’t so
desperate. Conor sits in the passenger seat, shy of how much
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"A Monster Calls" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/a_monster_calls_548>.
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