A Most Violent Year Page #5
ABEL:
We are working on it.
ARNOLD KLINE:
Thirty day close I hear, you better
be.
ABEL:
We are, thanks for your concern.
26
BARBER JIMMY finishes ABEL, and he stands up to leave. ABEL
has his back to KLINE as he pays.
ARNOLD KLINE:
I saw a couple of your trucks over
in Rego Park the other day.
This brings ABEL around to look at him square.
ABEL:
Really? When was that?
ARNOLD KLINE:
A couple times.
ABEL:
It’s possible.
ARNOLD KLINE:
Is it?
ABEL:
Yes.
ARNOLD KLINE:
That’s a tough market.
ABEL:
It is.
ARNOLD KLINE:
before he broke in there.
ABEL:
Any new market is a tough one. I’ll
see you.
ABEL walks out of the shop and looks around. It is now dark
outside.
EXT. COUNTRY ROAD - NEXT MORNING
ABEL is jogging again but this time he is deep in the woods.
He runs along the road. We then hear a car coming from behind
him. The car noise then turns into more of a truck noise. He
stops and turns around as we see a large truck coming towards
him.
He gets himself over to the side of the road. We have a
slight fear it might hit him. But as it passes we see it’s a
large moving truck. There’s a second one following right
behind it.
27
As the trucks pass it registers on ABEL’s face. He cuts into
a path in the woods.
EXT. DRIVEWAY
ABEL walks up to his house, and we see the moving trucks
preparing to unload. ANNA gets out of her car with the kids,
and they run around and check out the house as ANNA directs
the movers.
ABEL comes up and stands next to her. They smile a protected
smile at their new home. ABEL gives her a kiss.
INT. DINING ROOM OF NEW HOUSE - NIGHT
The whole family sits around the table in candlelight. They
are eating takeout, but with a mismatch of formal and
everyday tableware that has been unpacked. There are boxes
all around them.
ANNA:
I know it has been a long road, and
that not all of you wanted to do
this, but thank you. For me...
ABEL:
A toast.
All six raise a glass.
ABEL (CONT’D)
A toast to our new home. It’s as
beautiful as my wife and daughters
and as strong as me...(kids laugh)
May we be happy, prosperous and
safe here. Cheers.
INT. GYMNASIUM GIRLS YOUTH SOCCER GAME - NEXT MORNING
ABEL is standing watching the game as he waits for his coffee
to come out of the snack bar. Over his shoulder we hear...
PETER FORENTE:
So you made the move?
ABEL turns and sees PETER FORENTE standing there. He’s in his
mid-forties, very well-dressed, and handsomely bald.
ABEL:
Peter... it’s official as of
yesterday.
28
COUNTER PERSON:
Sir.
ABEL picks up his coffee, and they both walk back over to the
sideline together. Although they are standing a bit off to
the side from everyone else.
PETER FORENTE:
So I heard about your rig getting
picked off again.
ABEL:
Yes.
PETER FORENTE:
We should probably get together to
discuss this and go over some of
the preventative measures that
we’ve been taking. We haven’t had
an incident since November. It
doesn’t do any of us any good to
have this kind of attention brought
to us.
They both stare out at the court for beat.
PETER FORENTE (CONT’D)
So I think I may have seen one of
your new trucks the other day.
They look at each other.
PETER FORENTE (CONT’D)
Out near here, at the Miller Road
diner?
ABEL:
That’s possible.
PETER FORENTE:
The driver looked like a member of
the Hitler Youth. I haven’t seen a
teamster that blond and blue-eyed
since I was a kid.
ABEL:
He’s from Ohio. Played football. I
like my drivers to fit in with the
neighborhood...
PETER FORENTE:
That’s new territory for you, no?
This brings them both back in to look at each other.
29
ABEL:
Just picked up a few new accounts
over there. Weekend houses of some
old clients from in the city.
PETER gives a bit of a stronger look. Then finally turns back
towards the field.
PETER FORENTE:
Which one is yours?
ABEL:
Right there.
They look out.
PETER FORENTE:
She’s beautiful.
ABEL:
Thank you.
PETER FORENTE:
Welcome to the neighborhood. You
should be proud.
ABEL:
Proud?
PETER FORENTE:
Yes.
INT. GARAGE OF THE NEW HOUSE - DAY
The garage is filled with boxes. ABEL stands in the middle of
a few that are partially unpacked. He has set up an old radio
in the corner of the garage, and it is playing a New York
Giants football game. ABEL takes an object out of one of the
boxes and looks at it with significance.
Coming from the main house we hear the doorbell ring. ABEL’S
oldest daughter, ANNIE, comes to the door of the garage.
ANNIE:
Dad. Mr. Walsh is here.
ABEL looks around behind ANNIE to see ANDREW standing there.
He waves him into the garage. The boxes are stacked almost
to the ceiling around them.
ANDREW WALSH:
I’m sorry for the dramatic drop in
but your phone doesn’t seem to be
working.
ABEL:
It’s not set up yet... So I am
guessing this isn’t good news here
on a Sunday night.
ANDREW WALSH:
No... It looks like they are coming
after us.
ABEL:
That describes many people at this
point.
Slight smile.
ANDREW WALSH:
The D.A.
ABEL:
How bad?
ANDREW WALSH:
I still haven’t seen it yet. But my
guy in his office just gave me a
heads up an hour ago. It’s not
good.
ABEL:
Where are we exposed?
ANDREW WALSH:
I’m not sure, a couple places
probably.
ABEL:
A couple places?
This hits ABEL. He thinks for a beat than goes over to the
door to the house and calls for his wife.
ABEL (CONT’D)
Anna... Anna!
They wait. She enters, she is a bit surprised to see ANDREW
in her garage.
ANNA:
Andrew.
31
ANDREW WALSH:
Anna... sorry you’ve got no phone.
ABEL:
As of tomorrow I’ll have my new
should be able to reach me wherever
I am...
He is making light of the situation, but as she looks at
their faces she knows there is a problem.
ANDREW WALSH:
The D.A. is going to bring down
charges on us tomorrow.
ANNA:
For what?
ANDREW WALSH:
We don’t know yet.
ANNA:
Who else?
ANDREW WALSH:
Right now they are just saying us.
ABEL:
Where are we exposed?
ABEL looks at his wife. She looks at ANDREW.
ANNA:
We follow standard industry
practice on every front.
They all give each other a long look, as this means they have
been bending the rules in several places, as do all their
competitors.
ABEL:
What does that mean?
ANNA:
You know what that means.
ANDREW WALSH:
It means we may have some
accounting exposure where we have
pushed things a little too far.
ABEL:
How far?
ANDREW WALSH:
You always told us to push until we
couldn’t push any further. Well, we
may have hit that line. So we will
handle it and move on.
ABEL:
Anna?
ABEL shoots her a stinging worried glance.
ANNA:
I need to know what they are saying
we did.
ANDREW WALSH:
Let’s not get ahead of ourselves
here. You have always followed
standard industry practices. We
aren’t even sure what this is yet.
I just wanted to make sure you had
all the information I do. This is a
badge of honor, it means we are big
enough to give a sh*t about now.
Don’t worry.
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"A Most Violent Year" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/a_most_violent_year_549>.
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