A New Leaf Page #7

Synopsis: Henry Graham is a man with a problem: he has run through his entire inheritance, and is completely unequipped to provide for himself. His childhood guardian, Uncle Harry (a deliciously mean-spirited James Coco), refuses to give him a dime, and Henry, completely unwilling to exercise the only solution he sees--suicide-- devises a plan with the help of his imaginative butler: he can make money the old-fashioned way--he can marry it. With a temporary loan from Uncle Harry to tide him over, Henry has six weeks to find a bride, marry her, and repay the money, or else he must forfeit all his property to his uncle. With only days remaining, Henry meets clumsy, painfully shy heiress Henrietta Lowell (played by director Elaine May). She's the answer to his prayers--if only Henry can overcome the obstacles placed in his path by Uncle Harry, Henrietta's lawyer, and Henry's own reluctance to wed.
Genre: Comedy, Romance
Director(s): Elaine May
Production: Howard W. Koch Productions
  Nominated for 2 Golden Globes. Another 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
100%
G
Year:
1971
102 min
1,373 Views


longer again after the ceremony.

Oh, I'll kill her.

Henrietta, it's not too late.

I love you, Henrietta.

Please don't do this insane thing.

Oh, Henrietta, I just talked to his uncle ...

I'll kill myself, Henrietta ...

Would you step back just half a step,

so Henry can stand next to Henrietta?

Dearly beloved.

We are gathered together here

in the sight of God ...

and in the face of this company ...

to join together this man and

this woman in holy matrimony ...

which is an honorable estate

instituted of God ...

signifying unto us the mystical union

which is betwixt Christ and his church ...

- I'll be leaving now.

I hope you'll enjoy your stay.

Thank you. Thank you.

Erm, Henrietta, I will use this chest

and you can use that one.

Or would you prefer that I use

that chest and you use this one?

That one will be fine.

And I will unpack my own things.

I have a certain way

that I unpack my things.

And if anyone touches anything

I get mixed up.

- Yes, Henry.

- Alright. Then shall we unpack?

I'm just going to dig up this specimen ...

and take it home for classification.

It's probably been classified for years ...

but I might as well just try it anyway.

Why not?

This is really incredible.

I know this isn't a Cyathea.

I know it's an Alsophila but ...

it seems to have some kind of

vestigial indusium.

Whoops!

Henry?

Commonly found in gardening sheds.

Perfect.

Spreading and emulsifying agents.

Soap, saponins, gelatin ...

Sticking agents, defloculating agents ...

Get poison from gardening shed.

Toxides:
arsenic acid, sodium arsenite,

boron compounds, cyanides ...

cyo-cyenates and

related compounds ...

Oh, Henrietta, I meant to ask you ...

which, er ... which bed do you prefer ?

This one or that one?

Either one is fine for me.

This one is fine.

Fine. Then I will take that one.

And when we both use the same

bed, we'll use this one.

- Champagne?

- Thank you.

Henrietta, where is your other arm?

It's in the nightgown.

It's a Graecian-style nightgown.

It fits over one shoulder and

the other one goes inside.

It's very uncomfortable. I can barely

move my head all the way around.

Fine ... I just think you have

your head through the arm-hole.

If you'll just stand up for a minute.

That's it. There you are ...

I think ... You see, you have

your head through the arm-hole.

Now, pick your arm up ...

No, not that one.

Put that one down.

That arm down. Let's pick

this arm up. Thaaaat's it.

That's it.

Now, here we are.

- Just get this ... over here ...

- Let me put my glasses ...

Oh, here. Let me put

your glasses down here.

Alright. Now, hold it ...

No, just a minute.

See, you have your ...

you have your head through the arm-hole.

We have to get your head out ...

out of the arm-hole.

See, both of the holes look very similar.

Where ... where is your head-hole?

Well, I thought my head was in it.

No. You had your head in the arm-hole.

Where are you now?

I'm still where I was.

- Where ...?

- Just a minute.

Oh. Here. That's it.

Here you are.

- I'll get your arm ...

- This arm?

Yes. Get this arm through ... through ...

No, wait a minute. You have ...

There. That's it.

Now put this arm ...

through here.

This is a head-and-left-arm hole.

Here. There you are.

- That's it. That's it!

- Oh, I see.

Now, there! That's the way ... it's

supposed to ... It still looks strange.

I'm sorry to be so much trouble to you.

That's alright. It's not for long ...

- Harold, Harold!

- Welcome home.

- Where is Mrs Graham, sir?

- Who?

Is she not with you, sir?

Where is she, sir?

Hello.

Oh, there you are, Madam.

Oh, welcome home, Mrs Graham.

May ... may I express my great

joy at seeing you ... again.

Thank you, Harold. Heavens.

Harold, where is the chauffeur?

I couldn't find him, sir.

He disappeared just as

I was about to leave.

- Couldn't find him ?

- No.

John is a little forgetful, dear.

That's why I usually take the bus.

- Who's John?

- John is the chauffeur.

His memory lapses.

I ... I think you ought to

prepare yourself, sir.

Mrs Graham's household is

incredibly democratic.

Couldn't find the chauffeur?

Chauffeur? Chauffeur!

Well, you're early.

Well, welcome home and

congratulations.

Mrs Traggert, I'd like you to meet

my husband, Henry Graham.

How do you do?

Henry, this is the housekeeper,

our housekeeper, Mrs Traggert.

May I ask where the chauffeur is?

Well, didn't he pick you up at the airport?

No, he did not.

Oh, well ...

I guess, er, his car broke down.

I'll have to look into that.

Will you ... you're wanting dinner

at home this evening?

Henry, would you want dinner

at home this evening?

Yes, supper for two, Mrs Traggert.

Very good.

Thank you, Mrs Traggert.

You're welcome.

- Well, how do you like it so far, dear?

- Well, I've only seen the foyer.

Oh, well, this is the main hall.

Oh, baby. Oh, I need you.

Oh, I want you. Aah ... ooh ...

Oh, who ... who are they?

Erm, one of them was a maid and

the other ... er ... was the chauffeur.

- John, the chauffeur?

- Yes.

Tell me, Henrietta, on what basis

do you hire your servants?

Efficiency or personal charm?

Both, actually. I mean,

I don't actually hire them.

Mrs Traggert does now

do the hiring, but I, er ...

When I did hire them,

I used both criteria.

Oh, er, madam?

Are you a guest in ...?

Is she ...?

Madam, would you mind using

the servants' staircase?

This is Mrs Blair.

This is the cook's daughter, Mandy.

Er, Madam, would you mind

letting us through? We ... Harold!

- Harold?

- Yes, sir?

Harold, get the household accounts

from Mrs Traggert immediately ...

and meet me in the

drawing room in ten minutes.

You can finish the luggage later.

- You may go now, Harold.

- Yes.

This is insane. Absolutely astonishing.

I thought it might be, sir.

She keeps it under the mattress.

Hm. Look at this, Harold.

There are 17 servants in this house,

including a cook's daughter ...

who gets $200 a week

as her mother's helper.

The food bills average out to $130 a day.

And there are no receipts.

Miscellaneous:
$6,000 a month.

Harold, after dinner ...

I want all the servants in this room ...

and be sure that Mrs Graham

is not present.

Copy this ledger exactly and put it

back under the mattress.

Certainly, sir.

Harold, do you happen to know

where the gardening shed is?

Yes, sir. It's in the back of the garden.

Oh, good. Well, I guess I'll take

a stroll around the grounds.

We don't have anything like that,

Mr Graham.

Mrs Graham wouldn't allow it.

She's a strict believer

in the organic method.

But surely some of the

more basic pesticides ...

arsenic, strychnine ... that kind of thing.

No. A healthy plant in a healthy soil.

That's the organic method.

It works, too.

Oh, really?

Well ... if it really works,

why change it?

Mr Graham, on behalf of the entire staff,

I would like to welcome you aboard ...

and drink a toast to your success.

Thank you very much, Mrs Traggert.

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Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

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Submitted on August 05, 2018

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