A NEW WORLD episode 3 : THE NEW WORLD Page #3

THEY GRAPPLED WITH EACH OTHER IN THE PUBLIC SQUARE; DOORPOSTS TREMBLED AND WALLS SHOOK.

Scene 22

Tight shot of LALUZ's bloody face - he bends his knee and falls to the ground on his chest as M.ANU releases the hold. The music stops.

Scene 23

A tight shot - a bloodied LALUZ gasping for air.

EA (voiceover) :

LALUZ WAS DEFEATED; BY ACCLAIM M.ANU WAS HAILED AS KING.

Scene 24

A tight shot - M.ANU being carried to the palace by ENLIL and others.

EA (voiceover) :

M.ANU TO THE PALACE WAS ESCORTED;

Scene 25

Cut to where LALUZ laid ; He is no longer there.

EA (voiceover) :

LALUZ TO THE PALACE DID NOT RETURN, FROM THE CROWDS HE STEALTHILY ESCAPED; HE WAS FEARFUL OF DYING LIKE LAHMENT .

Scene 26

Cut to a shot from behind ; we watch as EA sees a bloodied, limping LALUZ fleeing. LALUZ never looked back.

EA (voiceover) :

UNBEKNOWNST TO OTHERS, TO THE PLACE OF THE CELESTIAL CHARIOTS HE HURRIEDLY WENT.

FADE TO BLACK  

IMMIGRANT SONG - KAREN O WITH TRENT AND ATTICUS (:15 TO 1:15)

A BRIGHT WHITE LIGHT CONSUMES THE SCREEN THEN WORDS APPEAR.  

STARRING:

A :
00 LALUZ

B :
05 M.ANU

C :
10 ENLIL

D :
15 NINMAH

E :
20 DAMKINA

with F :
25 MARDUK

and G :
30  EA

WRITTEN FOR TELEVISION BY :35 FREDDY GÓMEZ

DIRECTED BY :
40 FREDDY GÓMEZ

CREATED BY :
45 FREDDY GÓMEZ

---- A NEW WORLD ----

:50 - 1:00

HOLD FOR 10 SECONDS

 5 SECONDS IN  

EPISODE  3

. THE NEW WORLD .

HOLD FOR 5 SECONDS

FADE TO BLACK:

FADE IN:
 EXT. NORTHWEST COAST OF AFRICA - DAY

Scene 27

A wide, green lush, and colorful landscape stretches out, bathed in an ethereal silence. The tranquility of the scene is suddenly interrupted by a bright light appearing in the sky, growing larger as it descends rapidly. The camera zooms in, revealing the crystal chariot piloted by LALUZ falling from a gaping hole in the sky, from which salt water also pours, cascading down like a surreal waterfall. The descent is swift and chaotic. The camera captures the frantic movements inside the chariot as LALUZ struggles to control the vehicle. Suddenly, a loud crash echoes across the terrain. 

FADE TO BLACK :

ABOVE AND BEYOND - SUN IN YOUR EYES (:45) 28-30

FADE IN:
INT. CHARIOT - DARK

Scene 28

Fade in- a close-up of LALUZ already awake - with his thoughts in complete darkness. The camera zooms in on LALUZ's face, his expression inscrutable as he contemplates the enormity of his task. He takes a deep breath. Yawns. Hopefully so does the viewer.

LALUZ (voiceover) :

HOW LONG I SLEPT I COULD NOT REMEMBER;

The scene cuts to a wide shot of the chariot, bathed in bright sunlight. As the camera focuses on the chariot and LALUZ, the sunlight gradually engulfs the surroundings, creating an ethereal and awe-inspiring effect.

LALUZ (voiceover) : 

A BRIGHTNESS EMANATED FROM THE OUTSIDE, A BRILLIANCE NOT WITNESSED ON NEVERMORE.

The camera captures the serene yet captivating atmosphere as the sunlight illuminates the chariot and LALUZ, casting a radiant glow. The scene emphasizes the significance of this newfound illumination and the impact it has on LALUZ's journey. LALUZ awakens, rising from his resting position and gracefully stretching his body. He proceeds towards the command center with purpose, his movements filled with determination.Scene 29

INT. CHARIOT - COMMAND CENTER - DAYLALUZ stands at the command center, the sleek, futuristic design of the controls illuminated by the soft glow of the interface. He taps a series of commands into the holographic display, his fingers moving with practiced ease.LALUZ (to the computer) :

ACTIVATE THE NANO-SONIC ELECTROMAGNETIC REPLICATOR. TARGET: DOME BREACH. INITIATE REPAIR SEQUENCE.

The computer responds with a calm, synthesized voice.COMPUTER(LYLA) :

VOICE RECOGNITION CONFIRMED. ACTIVATING NSER. TARGET ACQUIRED. INITIATING REPAIR SEQUENCE.

EA (voiceover) :
THE NANO-SONIC ELECTROMAGNETIC REPLICATOR (NSER), COMBINES CUTTING-EDGE NANOTECHNOLOGY, SOUND WAVES, AND ELECTROMAGNETIC FIELDS TO REPAIR AND MODIFY THE FRACTURED DOME.

Components:
Nano-Bots: Microscopic robots capable of scanning, analyzing, and replicating the molecular structure of the existing solid ozone (O3) material.Sonic Waves: High-frequency sound waves used to break down and rearrange molecular bonds with precision, allowing for seamless integration of new material.Electromagnetic Fields: Controlled electromagnetic fields to stabilize the material during replication and ensure structural integrity.Process:Scan and Analyze: NSER deploys nano-bots to scan the existing dome material, creating a detailed molecular blueprint.Material Collection: Nano-bots gather raw materials from the surrounding environment to match the composition of solid ozone.Sound Wave Manipulation: High-frequency sound waves are used to break down and rearrange molecular bonds, allowing the nano-bots to seamlessly integrate new material with the existing structure.Electromagnetic Stabilization: Electromagnetic fields are applied to stabilize the material during replication, ensuring that the new section maintains the same strength and integrity as the original dome.Door Formation: The NSER uses the collected material to create a door that perfectly matches the dome’s composition and properties. The door is designed for controlled access, allowing LALUZ to enter and exit as needed without compromising the dome’s integrity.Scene 30

LALUZ watches the progress on a holographic display, the real-time data streaming across the screen. He nods with satisfaction as the NSER seamlessly integrates new material, forming a door within the dome.

The camera cuts to the exterior of the dome. The NSER extends from the chariot, a sleek, advanced apparatus bristling with tiny, shimmering nano-bots. The NSER begins its work, emitting a series of high-frequency sound waves that resonate through the air. Close-up shots show the nano-bots swarming around the breach, meticulously scanning and analyzing the molecular structure of the solid ozone. Electromagnetic fields stabilize the area as the nano-bots start replicating the material with precision.

COMPUTER(LYLA) :

REPAIR SEQUENCE COMPLETE. DOME INTEGRITY RESTORED. ACCESS DOOR FUNCTIONAL.

The camera shows the newly repaired section. The door blends perfectly with the existing material, a testament to the precision and effectiveness of the NSER.

The camera pans out, capturing the chariot and the restored dome.

Scene 31

The camera cuts to a medium shot of the spacecraft from the outside, capturing the sleek and futuristic design. Then, it transitions to a close-up shot of a device silently extending from the ship, showcasing the intricate technology at play. Finally, the camera returns to a close-up shot of LALUZ, capturing his focused expression and determination. The camera maintains its focus on LALUZ as he continues his purposeful journey.

Scene 32Computer(LYLA) :

AIR IS BREATHABLE, CONTAINING A MIXTURE OF OTHER GASES.

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