A NEW WORLD episode 3 : THE NEW WORLD Page #5

Season #1 Episode #3
Synopsis: The story of "The Lost Book of Enki" revolves around the ancient Sumerian gods known as the Anunnaki, who arrived on KI to mine gold and were responsible for creating a civilization. Enki, one of the Anunnaki, is the main protagonist and is depicted as a wise and cunning god who often clashes with his jealous and power-hungry half-brother Enlil. Enki is also enamored with his half-sister Ninmah, who is envious of her brothers' power and resents being left out of their inner circle. The story follows Enki's attempts to navigate the complex power dynamics of the Anunnaki while also trying to protect his new creation from Enlil's wrath. A true template of human existence exploring the darkest recesses of the human psyche, offering a chilling glimpse into the depths of our collective unconscious. An admission detailing the dangers of jealousy and envy, the ethical implications of playing god, and the consequences of seeking power at all costs.
Original Story by: Freddy Gomez
Year:
2024
161 Views


LALUZ (voiceover):

A COOLNESS DID THE WATER HAVE, A TASTE FROM NEVERMORE'S WATER DIFFERENT. ONCE MORE I DRANK, THEN WITH FRIGHT I ASUNDER JUMPED

Scene 55

Suddenly, the music comes to a halt, creating a moment of suspense. The camera shifts its focus to a long snake-like creature slithering towards LALUZ with menacing intent. LALUZ's eyes narrow as he senses the danger approaching.

LALUZ (voiceover):

A HISSING SOUND I COULD HEAR; A SLITHERING BODY BY THE POOLSIDE WAS MOVING!

Scene 56

A wide shot from behind - LALUZ turning in the direction of the sound and blasting it with his weapon.

LALUZ (voiceover):

MY CARRIED WEAPON I SEIZED, A BLAST OF ITS RAY TOWARD THE HISSING I DIRECTED. THE MOVING STOPPED, THE HISSING ENDED.

Scene 57

Cut to an overhead shot through the dense foliage, capturing a mysterious figure perched stealthily on a sturdy tree branch. Their gaze is fixed unwaveringly on LALUZ, observing his every move with an air of intrigue.

Scene 58

The camera switches to a medium shot of LALUZ cautiously navigating his way around the lifeless creature sprawled on the ground, his senses alert to the potential danger that lies ahead.

LALUZ (voiceover): 

THE DANGER I STEPPED FORWARD TO EXAMINE.

Scene 59

Focus on a close-up shot of LALUZ delicately lifting the motionless creature and carefully examining its peculiar features.

LALUZ (voiceover): THE CREATURE'S BODY LAY STILL, DEVOID OF LIFE'S VITALITY.  A SIGHT MOST STRANGE : ELONGATED LIKE A ROPE, YET LACKING ANY DISCERNIBLE LIMBS.

Scene 60

Zoom in on the dead creature held in LALUZ's hand, capturing its fierce eyes and protruding tongue.

LALUZ (voiceover):

ITS SMALL HEAD BORE EYES FILLED WITH FEROCITY, WHILE ITS TONGUE EXTENDED FROM ITS MOUTH IN A PECULIAR MANNER. NEVER BEFORE HAD SUCH AN EXTRAORDINARY CREATURE BEEN WITNESSED ON NEVERMORE. IT WAS UNDOUBTEDLY A BEING FROM ANOTHER REALM, A TESTAMENT TO THE UNFATHOMABLE WONDERS OF THE COSMOS.

Scene 61

Close-up of his hand as he lets the creature go.

LALUZ (voiceover) :

WAS IT THE ORCHARD'S GUARDIAN? WAS IT THE WATER'S MASTER? BY MYSELF I PONDERED.

HAZY - COSMOS 5:
05 62-68

Scene 62

Cut to a close-up shot of LALUZ's face, his expression turning wary as if sensing an unseen presence. He scans the surroundings, his eyes darting from one point to another, searching for any signs of observation. However, there is nothing out of the ordinary to be seen. Yet, a feeling of unease washes over him as he continues his journey, mindful of the unseen eyes that have fixed upon him.

Scene 63

The setting sun casts long shadows behind LALUZ, stretching across the ground as he moves forward. He squints, trying to discern shapes and forms in the fading light. The camera follows his gaze, capturing the dimly lit landscape.

Scene 64

LALUZ (voiceover): 

COLLECTING WATER FROM MY FLASK, I CONTINUED MY COURSE WITH HEIGHTENED ALERTNESS. THE SWEET FRUITS OF THE ORCHARD ALSO FOUND THEIR PLACE IN MY POSSESSION. GUIDED BY A SENSE OF PURPOSE, I MADE MY WAY TOWARDS THE WAITING CHARIOT.

Scene 65

Darkness envelops LALUZ as he reaches the chariot, and the camera pans across the empty landscape, highlighting his isolation and vulnerability. LALUZ's face is illuminated by the faint glow of the stars above, revealing a mix of wonder and astonishment.

LALUZ (voiceover) :

DARKNESS IT WAS AS I REACHED THE CHARIOT. THE SHORTNESS OF THE DAY I PONDERED. THE CYCLE OF LIGHT AND DARKNESS, A CONSTANT REMINDER OF THE EVER-CHANGING NATURE OF OUR EXISTENCE.

Scene 66

Laluz reaches for the flask at his side and takes a swig of water. The refreshing liquid invigorates him, and he feels renewed energy coursing through his veins.

LALUZ (voiceover) :

THE TRUTH IN THE ACCOUNTS OF THE BEGINNING, MY EYES COULD NOW SEE: THE CELESTIAL BODIES AND THEIR CIRCUITS, THE HAMMERED BRACELET, WERE ALL CREATED AND NAMED!

Scene 67

Cut to a close-up of LALUZ.

LALUZ (voiceover) :

IN MY HEART I KNEW ONE MORE TRUTH A BEHOLDING NEEDED: THE GOLD, THE MEANS OF SALVATION, TO BE FOUND WAS NEEDED.

As he ponders the truth of the beginning tales, the camera zooms in on his face, highlighting the determination and focus.

LALUZ (voiceover) :

IF TRUTH BE IN THE BEGINNING TALES, IF BY THE WATERS THE GOLDEN VEINS OF TIAMAT WERE WASHED, IN THE WATERS OF KI, IT'S CUT-OFF HALF, GOLD MUST BE FOUND!

Scene 68

The camera zooms in as the moon rises slowly, its bright, white light illuminating the scene.  The camera zooms in closer on the moon, creating a sense of awe and wonder. Cut to LALUZ's astonished expression as he witnesses a cool, luminous light emerging on the horizon, emanating a soft white glow. 

LALUZ (voiceover): 

FROM THE DIRECTION OF THE MARSHES, A CELESTIAL PHENOMENON UNFOLDED BEFORE MY EYES. THE EARTH'S OTHER COMPANION, KINGU, REVEALED ITSELF IN THE NIGHT SKY, ITS RADIANT PRESENCE CAPTIVATING AND AWE-INSPIRING.

The camera pans upward, capturing the majestic sight of Kingu as it continues its ascent, casting a gentle glow upon the surrounding landscape. LALUZ stands in awe, realizing the significance of this celestial encounter, and how it intertwines with his journey.

The scene ends with LALUZ gazing up at Kingu, a sense of wonder and purpose reflected in his eyes, as he contemplates the profound connection between the heavens and the task that lies ahead. The camera zooms in on the sky and the moon until it covers the screen.

Cut to EXT. ROYAL PALACE - NIGHT

BLACK LIGHT SMOKE - TAKE ME OUT (CABARET NOCTURNE REMIX) (:33) 69

Cut to INT. ROYAL PALACE - CORRIDOR - NIGHT

Scene 69

Camera cuts to a tale of the tape style description every time a new character is introduced.

EA(voiceover):

NINMAH 19, SHINY WHITE SKIN, LONG BLOND CURLS, BLUE EAGLE EYES WITH WINGS 6’10 235. Blue dress 

Cut to - She is standing in a dimly lit corridor, resembling moonlight, as she speaks with ENLIL

Camera cuts to a tale of the tape style description every time a new character is introduced.

EA(voiceover):

ENLIL 13, SHINY WHITE SKIN, BLOND “MAN BUN”, THIN MUSTACHE, BLUE EAGLE EYES WITH WINGS. 6'9 250.

Blue super suit with a white cape

NINMAH (ELITE English accent) (seductively)  : ENLIL, DO YOU EVER THINK ABOUT WHAT COULD BE BETWEEN US?

ENLIL (English accent) (nervous) : WHAT! WHAT DO YOU MEAN, NINMAH?

She approaches ENLIL and starts running her hand over his chest.

NINMAH (ELITE English accent) (seductively) : I WANT TO GIVE YOU A SPECIAL BIRTHDAY GIFT.

She grabs his hand and walks him to her chamber.

ENLIL (English accent) (breathlessly) : NINMAH, I CAN'T BELIEVE THIS IS HAPPENING.

Rate this script:0.0 / 0 votes

Freddy Gomez

I am. I was born. I write. I will die. I am. more…

All Freddy Gomez scripts | Freddy Gomez Scripts

0 fans

Submitted by Freddy_G. on August 03, 2024

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "A NEW WORLD episode 3 : THE NEW WORLD" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/a_new_world_episode_3_:_the_new_world_27537>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "The Social Network"?
    A Christopher Nolan
    B Aaron Sorkin
    C Quentin Tarantino
    D David Fincher