A Nutcracker Christmas Page #6
- TV-G
- Year:
- 2016
- 86 min
- 260 Views
When help eludes you,
call on love
Oh oh well
Above the road
Hold me aloft
Yeah
Ah! Ah!
Argh! Cramp, cramp,
cramp, cramp. Cramp.
Ugh! Argh!
(Mark exhaling forcefully)
Just keep the energy
under your arms.
- There you go. Nice.
- Thank you.
(indistinct chatter)
- Hey.
- Hey.
- How did it go?
- Went well, thanks.
So, is that just something
you don't talk about?
I can give you my rank,
name and serial number.
Anything more, you'll have
to buy me a drink.
(snigger)
Well, Sadie is going
to the movies
with the other girls, so...
(smooth jazz version
of Silent Night)
(indistinct chatter)
When you left New York,
I was hurting.
I needed change.
I wasn't sure
what to do.
My family's
military history,
knowing what was
going on overseas;
enlisting just felt
like the right thing for me.
That was a big change.
Yeah. It was rough.
I lost some friends.
And that's why
I don't talk about it.
So sorry.
Must have been hard
coming home.
Felt disconnected.
For the first time,
I began to regret
I had lost my chance to dance.
So how did you
end up here?
Dance is really
the only thing I know.
But you're not dancing.
Yeah.
Directing just sort of
came naturally.
I guess I got used to bossing
people around in the service.
So what were you?
Like an officer
- or something?
- I was a gunnery sergeant.
Oh!
Well, Gunnery Sergeant Anders...
...how would you like
to come over to our place
for Christmas dinner
after the show?
I mean, since we're across
the hall and all.
I'll be there.
Deck the halls
with boughs of holly
Falalala lala lala
- What?
- What's going on with you?
Nothing. What?
I'm just feeling good.
OK.
I had a good night's sleep.
Just a good night's
sleep? Really?
- Uh-huh.
Nothing else with a guy
who maybe you knew
- a long time ago and had a-- ?
- OK,
knock it off,
wise guy.
I'll see you
after rehearsal.
- Bye.
- (chuckling):
Bye.- (woman):
Hi.- (Sadie):
Hi.- Hi there.
- Hi.
Look. Maybe it
was wishful thinking
that I could keep my
relationship with Mark a secret,
But this idea that Sadie got
the role of Clara
because of that relationship
is just hurtful.
Especially to Sadie.
I'm sorry.
I hope so. Because it
really needs to s--
(siren wailing)
Uh-oh.
You're kidding, right?
I don't have
anyone else, Lily.
I can't just step into a lead role cold.
You know it doesn't work that way.
If you don't dance
the Sugar Plum, there's no show.
I don't want to embarrass
myself. Or the company.
- I'll work with you.
- That's great, but you're not
the first time in eight years.
You can do this. I wouldn't ask you
if I didn't know you could do it.
OK. I love that you're
so sure, but if I'm going
to be up on that stage,
it's important that I'm sure.
What's going on?
Mark's asking me to dance
the Sugar Plum Fairy.
- (giggling)
- Oh. Wait. This is for real?
Yeah! It's for real.
What?
If you don't do it, you'll
never know what might have been.
Yes!
It's beautiful.
We have it all to ourselves
until opening night.
(she sighs)
Feel free to embarrass yourself.
I haven't felt butterflies
like this in a long time.
It's magical in here,
isn't it?
I miss the feeling.
Well. Wanna mark
through the pas?
Let's do it.
Well, this is awkward.
Why? It's only been
eight years.
- Shall we start from the top?
- Yeah.
OK.
(tender piano music)
(makes whooshing noise)
And a million pirouettes.
Nice.
Ow! Ow!
- Did I hit you?!
- Yeah.
- Are you OK?
- Oh, it's fine.
I'm totally fired.
It wasn't your fault.
Umm... Let's try
the diagonal.
(emotional music)
If I didn't know any better,
I'd think you've been dancing
alone every night
in the gym around 11.
- (scoffing)
- And if I didn't know
any better, I'd think
you'd been spying on me!
You know, there are dancers
who would pay a lot of money
- to have you coach them.
- Yeah. I don't think
any of them live
in Marietta, Georgia.
I'm not saying you should
do it in Georgia.
- Oh. Tennessee?
- Hmmm. A little further north.
- Kentucky?
- Higher.
- Oh, I know. Maryland.
- Uh-huh.
I can't even think
about that right now.
I just need to get through
Saturday night and...
What's wrong?
I mean, it's one thing
an actual live audience.
That's...
a little scary.
- Hold that thought.
- Where are you going?
Hey. Can you guys
turn it up a little bit?
- What are you doing?
- Come on! What do you say?
- (Latin music)
- No!
- Come on. Come join me.
- Right here?
- Yeah!
- Oh... OK...
Get those hips working.
Now we're talking.
That's not so bad.
(crowd exclaiming)
You're a natural!
Yeah!
(crowd clapping and cheering)
Stage fright, huh?
Let's go
from the dvelopp.
Alright.
Not like that.
Mark's the director, Darren.
Make sure you're far enough
from him that you can get
that nice bend
in your back. Last time.
- Is that what you're gonna do?
- Well, if you're gonna hold me
- like that, I think I have to.
- Alright.
Let's leave this for now,
move on to the next section.
This production is
falling apart.
I'm going to speak to the board
about having him replaced
- after it's over.
- Hold on a second. No,
the production is not falling
apart. And Mark is actually
the only one who's
keeping this thing going.
First, her niece gets
the role of Clara,
and now Lily
as the Sugar Plum Fairy?
I'm sorry.
I'm not buying it!
I know! I'm pinching myself
that Sadie and I get to dance...
on the same stage together.
- And Mark?
- [He's changed, Mom.]
And yet, he hasn't changed
at all. You know what I mean?
Well, it sounds like maybe
you've changed a little, too.
Maybe. It's been
the strangest few days.
But in a good way.
Sounds great.
Now, aren't you glad
you listened to your wise old
mother for a change?
- Yes, Momma.
- [So,]
[when are you seeing Mark next?]
I asked him to Christmas
dinner to our place.
I was thinking I'd make
my holiday shepherd's pie.
Only if you're trying
to get rid of him.
What's going on?
- No one told you?
- Told me what?
I forgave Mark for his
temporary lack of judgement,
- and came back to do the show.
- You forgave Mark.
You didn't really think
as Sugar Plum?
Hey! Where are you going?
I can't believe you did this
to me again.
- What are you talking about?
- I trusted you.
Lily, wait!
What happened?
Juliette?!
Hey Mark! I called Juliette last night--
- Hold on. What are you doing here?
- You were right. I overreacted.
- But the good news is, I'm back!
- No. You don't get to walk out
on everybody then stroll back in
the day before the show.
You need to leave. Now.
- Hold on, Mark--
- Not now, Darren.
You quit the company,
and you've been replaced.
Wait a second--
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Nutcracker Christmas" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/a_nutcracker_christmas_1990>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In