A Serious Man Page #5
Larry stares at her. A long beat.
At length, trying to digest:
Larry
. . . Sy Ableman!
Judith
This is not about Sy.
Larry
You mentioned Sy!
Judith
Don’t twist my words. We—
Larry
A divorce—what have I done! I haven’t done anything—
What have I done!
Judith
Larry, don’t be a child. You haven’t “done” anything. I
haven’t “done” anything.
Larry
Yes! Yes! We haven’t done anything! And I—I’m
probably about to get tenure!
Judith
Nevertheless, there have been problems. As you know. Nevertheless, there have been problems. As you know.
Larry
Well—
Judith
And things have changed. And then—Sy Ableman. Sy has
come into my life. And now—
Larry
Come into your—what does that mean?! You, you, you,
you barely know him!
Judith
We’ve known the Ablemans for fifteen years.
Larry
Yes, but you—you said we hadn’t done anything!
Judith suddenly is stony:
Judith
I haven’t done anything. This is not some flashy fling.
This is not about woopsy-doopsy.
Larry stares at her.
Larry
. . . Sy Ableman!
From down the hall, a knock on a door. A muffled voice:
Arthur
Out in a minute!
Judith
Look, I didn’t know any other way of breaking it to you.
Except to tell you. And treat you like an adult. Is that so
wrong?
Larry does not seem to be listening. His eyes roam the room as he thinks.
Larry
Where do I sleep? Where do I sleep?
Judith narrows her eyes.
Judith
What?
Larry
Arthur’s on the couch!
Judith
Look. Sy feels that we should—
Larry
Esther is barely cold!
Judith
Esther died three years ago. And it was a loveless
marriage. Sy wants a Gett.
This derails the conversation. Larry stares, trying to pick up the thread.
Larry
. . . A what?
Judith
A ritual divorce. He says it’s very important. Without a
Gett I’m an Aguna.
Larry
A what? What are you talking about?
She turns to go, peeved:
Judith
You always act so surprised.
As she leaves:
. . . I have begged you to see the rabbi.
FADE IN:
Larry has fallen asleep at the kitchen table, face-down in a pile of blue books. Cold blue
light sweeps across him and he looks up.
A short, balding middle-aged man in flannel pyjamas and an old flannel dressing gown is
in front of the open refrigerator holding an open jar of orange juice. He tips the jar back
to drink, his free hand holding a balled-up towel to the back of his neck
Larry stares at him.
FADE OUT:
BLEGEN HALL:
Larry enters the departmental office. His eyes are red-rimmed and dark-bagged. He has
beard stubble.
The department’s secretary wheels her castored chair away from her typing.
Secretary
Messages, Professor Gopnik.
He takes the two phone messages.
HIS OFFICE:
Larry looks at the messages:
WHILE YOU WERE OUT Dick Dutton
CALLED.
REGARDING:
“2nd attempt. Please call.”CALLED.
REGARDING “Let’s have a good talk.”
Larry
Yes—thanks for coming, Clive.
Clive Park enters the office.
. . . Have a seat.
Larry uses a key to open the top desk drawer. He takes out the envelope holding cash.
. . . We had, I think, a good talk, the other day, but you left
something that—
Clive
I didn’t leave it.
Larry
Well—you don’t even know what I was going to say.
Clive
I didn’t leave anything. I’m not missing anything. I know
where everything is.
Larry looks at him, trying to formulate a thought.
Larry
Well. . . then, Clive, where did this come from?
He waves the envelope.
. . . This is here, isn’t it?
Clive looks at it gravely.
Clive
Yes, sir. That is there.
Larry
This is not nothing, this is something.
Clive
Yes sir. That is something.
A beat.
—thanks for coming, Clive.
Clive Park enters the office.
. . . Have a seat.
Larry uses a key to open the top desk drawer. He takes out the envelope holding cash.
. . . We had, I think, a good talk, the other day, but you left
something that—
Clive
I didn’t leave it.
Larry
Well—you don’t even know what I was going to say.
Clive
I didn’t leave anything. I’m not missing anything. I know
where everything is.
Larry looks at him, trying to formulate a thought.
Larry
Well. . . then, Clive, where did this come from?
He waves the envelope.
. . . This is here, isn’t it?
Clive looks at it gravely.
Clive
Yes, sir. That is there.
Larry
This is not nothing, this is something.
Clive
Yes sir. That is something.
A beat.
. . . What is it.
Larry
You know what it is! You know what it is! I believe. And
you know I can’t keep it, Clive.
Clive
Of course, sir.
Larry
I’ll have to pass it on to Professor Finkle, along with my
suspicions about where it came from. Actions have
consequences.
Clive
Yes. Often.
Larry
Always! Actions always have consequences!
He pounds the desk for emphasis.
. . . In this office, actions have consequences!
Clive
Yes sir.
Larry
Not just physics. Morally.
Clive
Yes.
Larry
And we both know about your actions.
Clive
No sir. I know about my actions.
Larry
I can interpret, Clive. I know what you meant me to
understand.
Clive
Meer sir my sir.
Larry c*cks his head.
Larry
. . . Meer sir my sir?
Clive
Meer sir my sir.
Larry c*cks his head.
Larry
. . . Meer sir my sir?
Clive
(careful enunciation)
Mere. . . surmise. Sir.
. . . Very uncertain.
A hand lays it onto a slowly spinning vinyl record.
Through scratches and pops, an unaccompanied tenor starts a mournful Hebrew chant.
Close on the sleeve:
Rabbi Youssele Rosenblatt Chants Your Haftorah Portion
Volume 12
Rabbi Youssele wears a caftan and a felt hat and has sad eyes that peer out, like an owl in
foliage, from the dark beard that covers most of the rest of his face.
Wider, on Danny, in his bedroom, evening. He lifts the tone arm on the portable
turntable.
He chants the passage.
He drops the tone arm at the same place; Rabbi Youssele chants the passage again.
Danny listens, eyes narrowed. He lifts the tone arm and chants the passage again.
He replays the passage again but before he can lift the tone arm to echo it once more, his
door bursts open. Rabbi Youssele continues to chant.
Sarah
You little brat f***er! You snuck twenty bucks out of my
drawer!
You little brat f***er! You snuck twenty bucks out of my
drawer!
Danny
Studying Torah! A**hole!
Sarah
You little brat! I’m telling Dad!
Danny
Oh yeah? You gonna tell him you’ve been sneaking it out
of his wallet?
Sarah
All right, you know what I’m gonna do? You little brat? If
you don’t give it back?
We hear the thunk of the front door opening. Danny stands, calling:
Danny
Dad?
FOYER:
Larry is entering with his briefcase. As he stows it in the foyer closet Danny’s voice
continues, off:
Danny
Dad, you gotta fix the aerial.
Judith emerges from the kitchen.
Judith
Hello Larry, have you thought about a lawyer?
Larry
Honey, please!
Danny emerges from the hall.
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"A Serious Man" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/a_serious_man_550>.
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