A Stolen Life
- APPROVED
- Year:
- 1946
- 109 min
- 323 Views
EXCUSE ME.
WOULD YOU MIND:
TELLING ME:
WHEN THE NEXT BOA GOES TO THE ISLAND?
7:
00.TONIGHT?
NOPE, MORNING.
OH. COULD I HIRE
A BOAT?
DON'T KNOW OF ONE.
WELL, SURELY THERE
MUST BE SOMEONE:
WHO'S GOING OVER TO
THE ISLAND TONIGHT.
THAT LAUNCH DOWN THERE.
OH...
THANK YOU.
I BEG YOUR PARDON.
ARE YOU GOING TO
THE ISLAND TONIGHT?
I BEG YOUR PARDON.
ARE YOU GOING OVER
TO THE ISLAND TONIGHT?
I MISSED THE STEAMER.
THAT'LL TEACH YOU
NOT TO BE LATE.
COULD YOU TELL ME
WHETHER OR NO YOU'RE GOING
ANYWHERE NEAR IT?
I'M GOING TO
THE ISLAND,
BUT I DON'T TAKE
ANY PASSENGERS.
OH, I'D BE VERY INDEBTED TO YOU.
MY COUSIN'S EXPECTING ME ON THE STEAMER.
PLEASE, I PROMISE I
WON'T BE ANY TROUBLE.
CAN'T YOU SEE
I'M FULL UP?
LET GO OF:
THOSE LINES, TOM.
I'M NOT VERY LARGE.
WELL... OK, HOP IN.
OH, THANK YOU!
DID YOU SAY SOMEBODY WAS SUPPOSED
TO MEET YOU AT THE STEAMER?
YOU'D BETTER TELEPHONE AHEAD,
LET THEM KNOW YOU'RE ON YOUR WAY.
HEY, GEORGE!
WILL YOU PHONE:
THE ISLAND FOR ME?
FRED LINDLEY! HE'S
RENTING THE CRAVEN COTTAGE!
YOU GOT THAT?
THE CRAVEN COTTAGE.
TELL THEM:
I'M BRINGING THE GIRL.
SHE MISSED THE STEAMER.
OK, BILL!
I'VE NEVER BEEN
TO THE ISLAND BEFORE.
YOU'LL LIKE IT.
HOW LONG A TRIP:
IS IT?
OH, ABOUT TWO HOURS.
COULD I USE A PIECE
OF THIS PAPER?
SURE. HELP YOURSELF.
THANK YOU.
YOU LIKE THE SEA,
DON'T YOU?
MM-HMM. I GUESS I COME BY IT NATURALLY.
ALL MY ANCESTORS WERE
WHALERS FROM PORTLAND.
MAINE OR OREGON?
TO A YANKEE, THERE'S ONLY ONE PORTLAND
- MAINE.
WELCOME TO:
NEW ENGLAND, YANKEE.
HOW ABOUT LETTING ME SEE
WHAT YOU DID THERE?
WELL, I'M NOT THE WORLD'S GREATEST.
HEY, THAT'S GOOD.
YOU MAY HAVE IT,
IF YOU LIKE.
WELL, THANKS.
THANK YOU VERY MUCH.
YOU CAN SEE:
THE ISLAND NOW.
EBEN FOLGER,
SHE'S PULLING IN!
WELL,
HERE YOU ARE.
HIYA, BILL!
HI.
HEY, THE PORTUGUESE ARE REALLY
WHOOPING IT UP TONIGHT, HUH?
TO GET MARRIED TOMORROW.
YEAH. HEH HEH!
OH, THANK YOU.
HERE YOU ARE.
YOU TO BRING ME OVER.
TRIP MUCH MORE PLEASANT.
THANK YOU.
HERE, TAKE IT, BILL.
WHO ARE YOU?
I'M KATE BOSWORTH.
WELL, HE AIN'T SUPPOSED
TO CARRY PASSENGERS.
YOU AIN'T RUNNING
NO FERRY, BILL.
AW, TAKE IT EASY,
EBEN.
OH, DON'T BLAME HIM.
I MADE A NUISANCE
OF MYSELF.
I WAS VERY GLAD:
TO DO IT FOR YOU.
YOU AIN'T GOT NO RIGH TO BE GLAD ABOUT NOTHING.
THANK YOU:
VERY MUCH.
ALL RIGHT.
SO LONG.
BYE!
BOTHER YOU NONE, MISS.
HE AIN'T AS CUSSED
AS HE SOUNDS.
WHO'S EBEN FOLGER?
HE'S A LIGHTHOUSE
KEEPER ON DRAGONHEAD.
DRAGONHEAD?
BEEN THERE:
21 YEARS.
DOES THE BOY THA BROUGHT ME OUT ON THE BOA LIVE THERE, TOO?
BILL?
RIGHT NOW HE DOES.
KATE!
KATE!
FREDDIE.
HELLO, FREDDIE.
AM I GLAD:
TO SEE YOU!
WELL, WHAT HAPPENED
TO YOU?
YOU GAVE ME:
AN AWFUL SCARE.
AND NO SIGN.
I'M SORRY, FREDDIE. I MISSED
THE STEAMER BY ONE MINUTE.
OH, HAVE I HAD
A TIME OF IT!
I'LL CARRY THOSE BAGS, THANK YOU.
THANK YOU VERY MUCH.
WE HAD SOMEONE:
TELEPHONE YOU.
WELL, OF COURSE I GO THE MESSAGE EVENTUALLY,
AFTER I'D PACED
BACK AND FORTH:
ON THIS CURSED DOCK
FOR HOURS.
IS PAT HERE?
YES, SHE'S HERE.
YOU'LL BE HAPPY
TO KNOW, KATE,
THAT I'VE BEEN
SCOUTING AROUND:
FOR LIKELY SUBJECTS
FOR YOU TO PAINT.
OH, THAT'S
VERY SWEET OF YOU.
FREDDIE,
WHERE'S DRAGONHEAD?
DRAGONHEAD? WELL, THAT'S
A MILE AND A HALF OFFSHORE.
OH, THE DRAGONHEAD
DO YOU KNOW:
THE KEEPER?
WELL, I'VE SEEN HIM,
BUT I'VE NEVER MET HIM.
NOW, YOU MUST TELL ME WHA YOU'RE GOING TO DO TOMORROW, KATE.
DOES HE COME ASHORE
EVERY DAY?
HE WHO?
THE LIGHTHOUSE:
KEEPER.
WELL, OF COUR-MAYBE-
I DON'T...
KATE, YOU DO HAVE
A STUBBORN STREAK.
COME ON, COME ON.
HURRY UP, MIND YOU.
ALL RIGHT.
MORNING, MARTHA.
MORNING, EBEN.
YEAH?
I WAS SORT OF TOOK ABACK
THAT'S RIGHT.
FOR SALE, EBEN.
NOW, MARTHA, YOU KNOW DRUSCILLA
ALWAYS SAID I WAS TO HAVE IT.
I DON'T KNOW
ANY SUCH A THING.
YES, YOU DO,
MARTHA,
NOW, GO ON,
SET YOUR MIND.
DRUSCILLA'S SISTER WRI ME RIGHT AFTER THE FUNERAL
THAT I WAS TO SELL EVERYTHING,
THE BEST PRICES:
I COULD GET.
TARNATION, WOMAN,
YOU'RE HOLDING ME UP.
HOW MUCH YOU ASKING
FOR IT?
150?
I'LL GIVE YOU
$50 CASH.
YOU'RE ONLY
WASTING YOUR TIME.
75, THEN. IT'S HIGHWAY ROBBERY, BUT-
ALL RIGHT, MARTHA, IF
THAT'S THE WAY YOU WANT IT,
YOU JUST KEEP:
THAT MODEL.
BUT YOU LET ME:
TELL YOU SOMETHING.
IF'N YOU EVER SELL THA TO ANYONE ELSE AFORE I DIE,
I'LL HAUNT YOU
INTO YOUR GRAVE!
MR. FOLGER!
PLEASE, COULD I ASK YOU
SOMETHING?
I AIN'T TALKING
TO NO ONE.
WOULD YOU SI FOR ME?
SIT FOR YOU?
WHAT ARE YOU:
TALKING ABOUT?
I MEAN, COULD I PAINT YOUR PORTRAIT?
I AIN'T SETTIN'
FOR NO ONE!
I'LL PAY YOU
I WOULDN'T BE FOUND DEAD
A- SETTIN' FOR NO
TOMFOOL PORTRAIT!
NO VISITORS!
NO VISITORS:
ALLOWED!
THIS IS GOVERNMEN PROPERTY!
NO VISITORS!
NO VISITORS!
I SAID NO VISITORS.
I KNOW YOU DID.
YOU'RE THE ONE WHO WANTED
TO PAINT ME, AIN'T YOU?
THAT'S RIGHT.
DIDN'T HANKER AFTER IT,
AND I DON'T NOW.
OH, BUT YOU SEE,
I CAME FOR:
A DIFFERENT REASON.
WELL, TALK.
I UNDERSTAND YOU'RE AN
EXPERT WITH SHIP MODELS-
IN FACT, THE ONLY ONE WHO KNOWS
WHETHER THEY'RE GENUINE OR NOT.
DON'T MAKE SENSE.
I KNOW IT'S A GREA IMPOSITION, MR. FOLGER,
BUT, YOU SEE, I DON'T KNOW
AND I DON'T LIKE THE IDEA
THAT I MAY HAVE BEEN ROOKED.
WELL, I DON'T RIGHTLY
KNOW AS I'M A JUDGE.
OH, WON'T YOU LOOK AT IT,
MR. FOLGER?
I UNDERSTAND:
IT'S PART OF A SET.
MAYBE.
EBEN...
WELL, HELLO.
WHY, HELLO.
BRUNG FROM THE MAINLAND.
YES.
YOU SEE, MR. FOLGER, I
WANT TO START A COLLECTION.
I GOT THE REST OF
THE SET, SO...
NOW, YOU'RE PRETTY
SMART FOR A WOMAN.
NOW, JUST A MINUTE!
JUST WHAT ARE YOU AIMING FOR OUT HERE?
LOOK OUT, EBEN.
SHE'S A YANKEE.
HA HA! I WANT TO STRIKE
WHAT KIND?
YOU'LL DO SOMETHING FOR ME.
WHAT?
NO.
HE WHO HESITATES
IS LOST, EBEN.
FOR YOUR BRITCHES, SON.
ALL RIGHT.
YOU BE HERE EACH DAY
AT 4:
00.BUT NOT SUNDAYS.
SUNDAYS, TOO.
SUNDAYS, THEN,
DOGGONE IT!
TOMORROW AT 4:
00 SHARP,HE'S A TOUGH
CUSTOMER.
YOU'RE PRETTY
SLIPPERY YOURSELF.
HA HA! I KNOW.
WELL, NOW THAT I'VE
LURED HIM INTO POSING,
I GUESS I'D BETTER GO.
YOU'RE BUSY.
YES. I'VE GOT A COUPLE
OF HOURS' WORK LEFT.
I'M SURE YOU HAVE.
WELL, SEE YOU
TOMORROW.
SURE THING.
SO LONG.
BYE!
MR. FOLGER, COULDN'T YOU
STOP FIDGETING?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"A Stolen Life" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/a_stolen_life_2030>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In