A Woman Under the Influence Page #11

Synopsis: Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed.
Genre: Drama, Romance
Director(s): John Cassavetes
Production: Criterion Collection
  Nominated for 2 Oscars. Another 9 wins & 5 nominations.
 
IMDB:
8.2
Rotten Tomatoes:
95%
R
Year:
1974
155 min
3,900 Views


Weather. Conversation.

[ Margaret ] Conversation.

Look what's talking about conversation.

He doesn't know how to

put two words together.

[ Nick ] Conversation. ''How are you?'

It's conversation. ''What have you been doing?'

- [ Zepp ]jokes are conversation.

- ''Who did you see?'It's conversation.

Yes. Oh, she likes pretty clothes.

- Normal conversation.

- [ Margaret ] What normal conversation?

- Stay out of this.

- I will not.

- Normal talk. Conversation. Weather.

- Let her tell jokes. She's good.

- ''How are you?'' ''Where you been?'' ''Hello.''

- Let her tell stories.

- ''Too hot.'' ''Too cold.''

- Don't you understand?

I don't know how to make it. At the hospital,

they come in every morning and give you a shot.

[ Margaret ]

Please, Mabel, don't talk about those things.

[ Mabel ] Then the nurse takes you

to the toilet, and they, uh-

Then you, uh, go to, uh, uh...

work therapy,

where they teach you games...

and-and how to weave things.

And, uh, they gave us shock treatments...

which are- Those are where electricity goes

through your head and is supposed to-

[ Taps Table ]

Be yourself.

Be yourself.

Go ahead.

Go ahead.

Simple talk.

Dad...

will you stand up for me?

Sure.

No, I don't mean that.

Sit down, Dad.

Will you please stand up for me?

Mabel, I don't, uh,

know what you want me to do.

Honey, I - I don't understand this game.

Will you just stand up for me?

Don't you hear what she's saying?

Don't you understand

what she's trying to tell us?

- Sit down.

- Oh, Geor-

- Sit down. Sit down.

- Oh.

[ Whispers ]

I can't.

I can't.

- Please.

- [ Margaret ] Please, Mabel. Please, darling.

- Mama, make 'em go away, please.

- Please.

- I can't do it. I'm so tired.

- Please don't cry.

- Please. I think we all better go home, huh?

- Mama, make them go away.

[ Nick ]

All right.

- Good-bye, everybody.

- [ Margaret ] Please, everybody.

Adolph.

- Thank you very much for coming.

- Thank you.

- Mama, get the people's coats.

- Okay.

[ Nick ]

Angela, thank you very much.

[ Mabel ]

Come on.

- [ Zepp ] Oh, Mabel, please calm down.

- [ Mabel ] Leave me alone!

For God's sakes, enough.! Enough.!

[ Zepp ]

Mabel, please.

- [ Mabel Humming Swan Lake ]

- Mabel, get down off that couch,

or I'll pull you down.

Leave my daughter alone, you!

[ Humming Continues ]

It was nice having you here.

Excuse us.

Zepp, we're going to bed.

All right. I want everybody

out of this house this instant.

No long speeches, no good-byes.

Good-bye.

Mama, where's your clothes?

Get the coats. Help the people out.

[ Humming Continues ]

- Mabel.

- [ Tony ] Leave her alone.!

[ Nick ]

Get out.

Please get out.!

[ Humming Continues ]

Bye-bye, Nick. Bye.

[ Tony Speaks, Indistinct ]

Mama, what's the matter?

[ Humming Continues ]

Mabel.

Mabel, get off the couch.

- Hey. [ Snaps Fingers ]

- [ Snorts ]

- Get off the couch.

- [ Snorting ]

Come on.

[ Sputtering ]

Daddy, stop it. Dad.!

[ Children Screaming, Yelling ]

Mommy! Mommy!

[ Screaming, Yelling ]

Mommy!

Mommy.! Mommy.! Mommy.!

[ Children Yelling ]

- Mom.

- [ Angelo ] Mama, please.

- [ Angelo ] Mom. What's the matter, Mom?

- I don't understand.

- Mom?

- I don't understand.

Mom.

I don't understand, Mom.

I love you.

Mom?

- Mom?

- What's the matter?

- Mommy, what's the matter?

- Don't you hear me?

Mom?

- Stop what you're doin'.

- Mom?

Stop what you're doin'.

If you don't get down off the couch,

I'm gonna knock you down.

I don't wanna have to do that.

- Let go. I want my mom!

- You kids are goin' to bed.

- [ Children Yelling ]

- Angelo, come on. You're goin' to bed.

- I want my mommy!

- I want my mom!

Now stay here! Maria, come here.

- I want my mom.

- Mommy.! Mommy.!

Mommy.! Mommy.!

Mommy.! Mommy.!

Come on.

[ Groans ]

- [ Whimpers ]

- I'll kill you!

I'll kill ya!

I'll kill those sons-of-bitchin' kids!

[ Furniture Rattling ]

[ Nick ]

Relax.

[ Indistinct ]

I want you to grab my hand.

Come here.

Your mommy is all right.

- She's just resting here.

- [ Mabel ] Yeah.

- She's all right.

- I'm just resting.

- Go ahead. You can see that she's all right.

- I'm just resting.

[ Footsteps Thumping ]

[ Nick ]

Come on.

Tony. Come on.!

- Papa, put me down! Put me down!

- You kids are goin' to bed.

You're goin' to bed.

[ Footsteps Thumping ]

- Now stay here.!

- I want my mama.!

- Stay here!

- Mommy.

Mom.

They want to know

if you're all right.

Oh, s-s-s-sure.

I'm all right.

They, uh -

They want you to tuck 'em in bed.

Okay. Sure.

All right.

Okay, sweethearts.

I'm sorry I scared everybody. It just -

I was just... tired, you know.

How about pushing this old lady

up the stairs, huh?

That-a-boy.

- [ Angelo ] You're the best mommy I ever had.

- [ Maria ] Mommy, I'll help you up the stairs.

I'll help you up.

[ Tony ]

I like ya, Mom.

- [ Angelo ] I love you, Mom.

- [ Maria ] I'll help you up the stairs.

[ Chattering ]

[ Angelo ]

You're the best mom I ever had.

[ Mabel ]

I love you.

You know you look just like your father?

You're Daddy's girl.

I love you.

- Hi, angel.

- Hi, Mom.

You think you're gonna be able

to get to sleep?

I'm worried about you.

Aw, sweetheart,

don't worry about me.

I'm a grown-up.

I'm fine.

I'm happy. Really.

Okay. Okay.

I love you too.

I believe that.

- I'll see you tomorrow, okay?

- Okay.

Okay.

Hi, banana.

- Hi, banana.

- How you doin', banana?

How you doin', banana?

- I love you.

- I love you, banana.

Will you stay-

Will you come lie down with me?

Sure.

There.

[ Kisses ]

Spaghetti.

I love you.

I love you, Mom.

[ Mabel ]

I love you, spaghetti.

- All right, kids. Good night.

- [ Tony ] Good night.

We love ya. And we love each other,

and there's nothin' to worry about.

We got through the night.

It was a tough night.

Tomorrow's gonna be better.

Angelo.

- Good night, Tony.

- Good night.

[ Maria ]

Mommy, please don't turn off the light.

[ Nick ] Yeah, but no squirming around

and no talking and go right to sleep.

This is your father talking, so you obey me.

I remember before, when you were

punching me in favor of your mother.

[ Mabel Sighs ]

- You know, I'm really nuts.

- Oh.

Tell me about it.

I don't even know

how this whole thing got started.

- [ Sputters ]

- Don't worry about it. Let me see that hand.

I think I was just so tired, you know.

Do you love me?

I, uh -

I, uh -

Now let's go clean up that crap.

[ Mabel Sighs ]

Gotta get some food in this house.

Let's just leave it.

Okay.

[ Nick Humming Upbeat Tune ]

[ Piano And Kazoos Playing Upbeat Tune ]

[ Man Vocalizing ]

[ Continues ]

[ Phone Rings ]

[ Ringing Continues ]

[ Ringing Continues ]

[ Man Vocalizing ]

[ No Audible Dialogue ]

Yeah

[ Fades ]

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John Cassavetes

John Nicholas Cassavetes (; December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter. Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative. His income from acting made it possible for him to direct his own films independently.Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers. more…

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Submitted on August 05, 2018

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    "A Woman Under the Influence" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/a_woman_under_the_influence_23623>.

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