About Mrs. Leslie Page #2
- APPROVED
- Year:
- 1954
- 104 min
- 103 Views
How about what I want?
LAN, dear.
Now, look, I spent two years
and nearly a year in this place
jumping every time
he snapped his fingers.
I can't play bridge and golf
and scrabble
with him day and night
and accomplish anything.
I've got to work, do something.
I don't want to be kept.
You don't understand him,
darling.
Lewis is lonely.
They why did you break up
his home?
He had a family
Don't you talk that way to me.
Len, why do you fight
with us?
We love you.
I lie awake nights
wondering where you are.
Mother, you can know
where I am every night
if you'll come with me.
Get out of here.
Will you do it, mom?
- Mother.
- "Mother."
Yes, Lewis?
LAN, why don't you come up
and see mother's birthday gift
from all of us?
this year, thanks.
With what?
As long as you ask,
I hocked one of those
wristwatches you gave me.
And how do you plan living
after you've hocked
all the other things
you've gotten out of me?
I don't like the way
you put that...
Things I've gotten out of you.
LAN, dear.
When he's got his pockets
full of pawn tickets,
he'll come back here,
but he'll have
to change his attitude.
Or do you want
to start changing it now, son?
Oh, come on, Lewis.
You bought my sister,
and you've got a mortgage
on my mother.
But you can't write a check
big enough
to get even a piece of me.
I belong to myself.
One of these days,
I'll get your watch out of hock.
I'll come by then
and maybe get my mother
out of the pawn shop too.
Come on, mother.
Good-bye, mom.
I'll call you.
You sure scared the paint
off that bus, huh?
Did you dig the look
on the guy's face?
Do you want me
to help you, pixie?
- Don't you wish you could?
- Shake it up, pixie.
We got to get Diane yet.
- Hey, let me drive.
- No, no.
Aw, come on, come on.
- No.
- Let him drive, Steve.
Hey, come on, my cigarettes.
Hey, how long is it gonna take
that creep?
All she's got to do
is change her pants.
Thank you,
ladies and gentlemen.
Gosh, you're impatient.
It only took a minute.
Will you help me
pick these up, honey?
Well, I can't.
My friends are in a hurry.
But it's
for your dinner tonight.
You're eating with me, you know.
I know.
My mom left a note.
Well, Mrs. Leslie,
you sure rate high
with the hot rod set, don't you?
Fine way for kids to act.
In my day... my day.
These are my days
whether I like them or not,
because I made them
what they are.
When does a person
start building her future?
When did I start?
How did I start?
daddy,
let me stay out late
for tomorrow
is our wedding date
can't the baby kind
of celebrate?
kiss the boys good-bye
daddy, let me wear the mink
what's the difference
what the neighbors think?
let the baby linger
on the brink
kiss the boys good-bye
sentimentally
keep the liberal
point of view
because I'm breaking it
to them gently
that the heart
belongs to you
so, daddy,
please remember this
of bliss
let me show 'em
what they're gonna miss
kiss the boys good-bye
bye-bye.
byebye
kiss the boys good-bye
thank you.
Thank you very much.
Thank you very much,
ladies and gentlemen.
That's just a little ditty
I learned
at miss pringle's school
for young ladies
just before the cops
raided the joint.
I like her sexy stuff
the best, don't you, Barney?
Yes, baby, that's the stuff.
And now if the boys
of the band...
Band?
If Daniel and his musical lions
will oblige
with some background,
here's a song about which
the composer Beethoven
once said, "stop already."
You shouldn't have done
this, Barney.
It isn't for George.
Why not?
A night on the town,
it's good for him.
George?
Fine, thanks.
I'm in the mood for love
simply
because you're near me
funny,
but when you're near me
I'm in the mood for love
heaven is in your eyes
bright as the stars
we're under
oh, is it any wonder?
I'm in the mood for love
why stop to think of whether
this little dream
might fade?
we've put
our hearts together
now we are one
I'm not afraid
if there's a cloud above
- sing it, vivi.
- Hi, barn.
if it should rain,
we'll let it
but for tonight, forget it
I'm in the mood for love
vivi, come on over.
Barney.
Maybe we better call it a night.
Oh, it isn't even 3:00 yet.
What's the rush?
You don't get to New York
very often, do you, George?
Often enough.
Relax, Mr. Finley.
George is a big boy.
He can take care of himself.
Well, hi, Barney.
I haven't seen you
for a long time.
Well, you know Washington
keeps a man pretty busy
these days.
Say hello to jo and precious.
- Hi.
- Hi.
And may I present a couple
of friends of mine?
This is mort Finley,
vivien Keeler.
- Mr. Finley.
- And this is George.
- Uh, Leslie.
- George Leslie, vivien Keeler.
How do you do, Mr. Leslie?
We enjoyed your performance,
miss Keeler.
- Well, thank you very much.
- I'm glad we stayed.
Oh, come on, finney,
just one dance.
Sure, one at least.
Come on, jo.
Sit down, vivien,
and keep George out of trouble.
He doesn't dance.
Come on, sit down,
Mr. Leslie.
Barney's fun, isn't he?
That depends
on your definition of "fun."
- What's yours?
- I'm working on it.
Would you like a drink?
Oh, no, not for me.
Maybe not for you, either.
Is that what Barney meant
when he said
about my keeping you
out of trouble?
You have a nice laugh.
And you have a nice smile.
You don't look like the kind
that'd get in trouble.
Do you?
Get in trouble, I mean.
Depends on your definition
of "trouble."
- Are you working on that too?
- No.
Hi, Keith.
Long time, no see.
The language
of the local jungle.
I bet I can give you
a definition of trouble.
It's when you walk
into a nightclub,
one that you wouldn't have
picked yourself,
and suddenly
some paper hat character
starts toward you,
trying to get laughs
to pay the rent
with a big, fat spotlight
and a gleam in her eye.
That's trouble, isn't it?
That's trouble.
Thanks.
For passing your table?
Oh, I wouldn't want you
in the spotlight, Mr. Leslie.
You give the place
too much class.
The boss doesn't deserve it.
You want another drink,
go ahead, order one,
but I warn you:
This bartender's idea
of a highball
is giving an ice cube
an alcohol rub.
Leo!
"Class,"
that's a terrible word,
isn't it?
you meet a lot of guys,
but very few men.
When you meet one,
it's only natural
that you'd accept
a luncheon date the next day.
Of course,
it would be drizzling,
and I couldn't get a cab,
so I was a little late.
- Madam?
- I'm looking for a gentleman.
Well, thought you'd given me up.
I couldn't help but notice
the cigarette stubs
in the ashtray.
I knew I hadn't been that late,
but from the looks of things,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"About Mrs. Leslie" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/about_mrs._leslie_2154>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In