Absolute Power Page #19

Synopsis: While robbing the home of aging billionaire Walter Sullivan (E.G. Marshall), Luther Whitney (Clint Eastwood) is interrupted by an amorous couple entering the building. As Whitney hides, he sees Sullivan's young wife, Christy (Melora Hardin), and the U.S. President, Alan Richmond (Gene Hackman). When their affection turns violent, Christy is killed by the Secret Service. Although Whitney flees, he is framed for the murder. Now, he seeks justice with the help of detective Seth Frank (Ed Harris).
Genre: Action, Crime, Drama
Production: Warner Home Video
  1 nomination.
 
IMDB:
6.7
Metacritic:
52
Rotten Tomatoes:
47%
R
Year:
1997
121 min
877 Views


107.

294 INT. KATE’S APARTMENT BUILDING HALLWAY -DAY 294

Kate Whitney, getting into the elevator. Off to work.

She pushes for the lobby.

The doors close and the elevator starts down.

295

INT. ELEVATOR -DAY 295

Kate checks her purse to see if she has everything.

296

INSERT -ELEVATOR BUTTON 296

The "L" is lit ---

but when the elevator gets there, it does not stop but

goes straight on down to the basement.

297

INT. ELEVATOR -KATE -DAY 297

That’s strange. She instinctively moves to the rear of

the car.

ODD SOUNDS from the basement. Kate’s just the least bit

tense.

298

INT. ELEVATOR IN BASEMENT -DAY 298

The ODD SOUNDS are LOUDER.

And the doors don’t open when they should.

299

INT. ELEVATOR -KATE -DAY 299

and now she’s starting to get a little scared.

300

INT. BASEMENT -ELEVATOR DOORS -DAY 300

The doors sliding open and the Super standing there with

tools.

SUPER:

(smiling)

Sorry, Miss Whitney, but this

thing’s giving us a little

trouble.

Kate nods, smiles back, relieved.

)B( ABSOLUTE POWER -Rev. 5/16/96 108.

301 EXT. KATE’S APARTMENT BUILDING -DAY 301

Kate, leaving her building, going toward her car, getting

in.

Down the block is a police car. Two surveillance cops

inside. Kate starts to drive --and so do they.

Kate turns a corner ---

and so do they ---

and as they do, they pass Luther, parked on the

corner. Watching. Satisfied, he drives off in another

direction.

302

EXT. OUTER CITY ROAD (WASHINGTON) -DAY 302

Luther, heading out of the city. The sun is higher in

the sky.

303

EXT. COUNTRY ROAD -DAY 303

Several cars. Traffic is moving slowly. Luther

continues to drive.

304

EXT. KATE’S OFFICE BUILDING -DAY 304

Kate, coming out of her office building, hurrying along

the sidewalk. Lunch hour.

*

She goes past some brownstones --the two cops walk *

behind -

--the window of one of the brownstones is open, shadowy

movement from inside -

--Kate hurries past, not paying attention... Cops don’t

either.

305

EXT. BROWNSTONE -DAY 305

Now a figure begins to appear in the window -The

figure holds something long and thin, like a rifle

barrel -

--it’s a large woman with a long mop --as she shakes

it -Afternoon

and the sun is strong.

109.

306 EXT. SULLIVAN MASTER BEDROOM -DAY

306

Sunlight, streaming in an open bedroom window. Whose

bedroom, though?

Two maids are cleaning it ---

and now we realize where we are: Walter Sullivan’s

bedroom, but it’s all been changed, different rug,

different fabrics, different furnishings.

The maids work silently and well. A final sweep of a

dust rag here, a last tug at the bedspread there.

Done. They go to the door, take a last look around.

Perfect.

They go.

HOLD ON the empty room.

Keep HOLDING.

Now, silently, the vault door opens --a gardener steps

out, clicker in hand.

The gardener --it’s Luther --he clicks it, tosses it

back inside -

--the door starts to close ---

but before it shuts, we can see he’s returned what he

took the night of the robbery.

And as he moves silently toward the door.

307

EXT. GAS STATION (WASHINGTON CITY LIMITS) -DAY 307

The outskirts of Washington. Mid-afternoon now.

Luther’s at a pay phone.

308 INT. SETH’S OFFICE -DAY 308

Seth, as he picks up the phone -LUTHER

(V.O.)

Kate okay?

SETH:

Where are you?

110.

309

EXT. PAY PHONE -DAY 309

Luther. Fast.

LUTHER:

I’m not staying on long enough for

you to track this, just answer me.

310

INT. SETH’S OFFICE -DAY 310

SETH:

She couldn’t be in better hands -talk

about catching a break,

Secret Service called me. They’re

taking over surveillance -

311

EXT. PAY PHONE -DAY 311

The telephone swinging back and forth ---

and in the b.g., a car MOTOR ROARING away.

312

INT. KATE’S APARTMENT BUILDING -ELEVATOR -DAY 312

Kate, coming down the elevator again --in her jogging

clothes now. She has pushed the lobby button.

The elevator stops suddenly on the second floor ---

The Super gets in, smiles.

SUPER:

Got it working fine, Miss Whitney.

Kate nods, smiles back -

312A

EXT. WASHINGTON STREET -DAY 312A

Luther, driving like crazy through the city.

312B

EXT. KATE’S APARTMENT BUILDING -DAY 312B

Kate, getting into her car in front of her building,

driving off --no one is behind her.

312C

EXT. WASHINGTON -ANOTHER STREET -DAY 312C

Luther, HONKING his HORN as he barrels around a corner,

scattering traffic.

)B(

ABSOLUTE POWER -Rev. 5/16/96 111.

312D

EXT. JOGGING PARK ENTRANCE -DAY 312D *

Kate drives into the park past a sign reading: *

"PARKING LOT." *

312E

EXT. ROAD NEAR JOGGING PARK -DAY 312E

Luther, gunning along --up ahead the park is visible

now.

312F

EXT. JOGGING PARK -PARKING LOT -ENTRANCE ROAD -DAY 312F

Kate, following an arrow that leads to the parking lot.

Luther, in the park, now, suddenly shouting "Sh*t"as

we -

312G

EXT. JOGGING PARK -PARKING LOT -DAY 312G

A "DETOUR" sign.

Kate, entering the parking lot.

312H

EXT. JOGGING PARK -PARKING LOT AREA -DAY 312H

Luther, out of his car now, running like crazy through

the park. Ahead is a sign saying: "JOGGING PATH."

313

EXT. JOGGING PARK -PARKING AREA -DAY 313

Not many other cars so she gets a space in front,

overlooking the river, and as she stops, takes out her

keys -

314

BURTON AND COLLIN 314

Collin at the wheel, ROARING in behind her, rear-ending

her hard.

--there is a SCREECH of BRAKES and a SCREAM -

314A

EXT. JOGGING PARK -TRAIL -DAY 314A

Luther as he hears the terrible sound, keeps running.

315

EXT. PARKING LOT -INT. KATE’S CAR -DAY 315

Kate in her car as it teeters at the edge and then starts

its long fall to the jogging path far below.

)B( ABSOLUTE POWER -Rev. 5/16/96 112.

316 EXT. JOGGING PARK -PARKING AREA -DAY 316

Burton and Collin in their car, driving like hell away.

316A

EXT. JOGGING PARK -TRAIL -DAY 316A

Luther, running INTO VIEW, stopping dead, helpless now,

staring at the worst thing in the world -

317

OMITTED 317

318

EXT. JOGGING PARK CLIFF -DAY 318 *

Kate’s car, careening against a rocky ledge, then cart

wheeling the rest of the way down, landing horribly,

spinning, finally coming to rest upside down and -

CUT TO:

319

EXT. BOTTOM OF CLIFF -DAY 319 *

Luther running to the car; hands shaking, he manages to *

pull front door open and reach inside ---

now there are cries as other joggers stop and stare

and -Kate,

as Luther pulls her body out of the wreckage.

LUTHER:

(terrified)

... Kate...?

--no response --it’s impossible to tell if she’s

alive ---

in the distance now, the sound of an AMBULANCE.

320

EXT. WASHINGTON HOSPITAL EMERGENCY ENTRANCE -EVENING 320

The AMBULANCE, SIREN SCREAMING.

PULL BACK to reveal -Early

evening now, getting dark, and the ambulance

braking in front of the emergency room of a large city

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William Goldman

William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He has won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists who broke the Watergate scandal of President Richard Nixon. Both films starred Robert Redford. more…

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