Absolute Power Page #19
- R
- Year:
- 1997
- 121 min
- 877 Views
107.
294 INT. KATE’S APARTMENT BUILDING HALLWAY -DAY 294
Kate Whitney, getting into the elevator. Off to work.
She pushes for the lobby.
The doors close and the elevator starts down.
295
INT. ELEVATOR -DAY 295
Kate checks her purse to see if she has everything.
296
INSERT -ELEVATOR BUTTON 296
The "L" is lit ---
but when the elevator gets there, it does not stop but
goes straight on down to the basement.
297
INT. ELEVATOR -KATE -DAY 297
That’s strange. She instinctively moves to the rear of
the car.
ODD SOUNDS from the basement. Kate’s just the least bit
tense.
298
INT. ELEVATOR IN BASEMENT -DAY 298
The ODD SOUNDS are LOUDER.
And the doors don’t open when they should.
299
INT. ELEVATOR -KATE -DAY 299
and now she’s starting to get a little scared.
300
INT. BASEMENT -ELEVATOR DOORS -DAY 300
The doors sliding open and the Super standing there with
tools.
SUPER:
(smiling)
Sorry, Miss Whitney, but this
thing’s giving us a little
trouble.
Kate nods, smiles back, relieved.
)B( ABSOLUTE POWER -Rev. 5/16/96 108.
301 EXT. KATE’S APARTMENT BUILDING -DAY 301
Kate, leaving her building, going toward her car, getting
in.
Down the block is a police car. Two surveillance cops
inside. Kate starts to drive --and so do they.
and so do they ---
and as they do, they pass Luther, parked on the
corner. Watching. Satisfied, he drives off in another
direction.
302
EXT. OUTER CITY ROAD (WASHINGTON) -DAY 302
Luther, heading out of the city. The sun is higher in
the sky.
303
EXT. COUNTRY ROAD -DAY 303
Several cars. Traffic is moving slowly. Luther
continues to drive.
304
EXT. KATE’S OFFICE BUILDING -DAY 304
Kate, coming out of her office building, hurrying along
the sidewalk. Lunch hour.
*
She goes past some brownstones --the two cops walk *
behind -
--the window of one of the brownstones is open, shadowy
movement from inside -
--Kate hurries past, not paying attention... Cops don’t
either.
305
EXT. BROWNSTONE -DAY 305
Now a figure begins to appear in the window -The
figure holds something long and thin, like a rifle
barrel -
--it’s a large woman with a long mop --as she shakes
it -Afternoon
and the sun is strong.
109.
306 EXT. SULLIVAN MASTER BEDROOM -DAY
306
Sunlight, streaming in an open bedroom window. Whose
bedroom, though?
and now we realize where we are: Walter Sullivan’s
bedroom, but it’s all been changed, different rug,
different fabrics, different furnishings.
The maids work silently and well. A final sweep of a
dust rag here, a last tug at the bedspread there.
Done. They go to the door, take a last look around.
Perfect.
They go.
HOLD ON the empty room.
Keep HOLDING.
Now, silently, the vault door opens --a gardener steps
out, clicker in hand.
The gardener --it’s Luther --he clicks it, tosses it
back inside -
--the door starts to close ---
but before it shuts, we can see he’s returned what he
took the night of the robbery.
And as he moves silently toward the door.
307
EXT. GAS STATION (WASHINGTON CITY LIMITS) -DAY 307
The outskirts of Washington. Mid-afternoon now.
Luther’s at a pay phone.
308 INT. SETH’S OFFICE -DAY 308
Seth, as he picks up the phone -LUTHER
(V.O.)
Kate okay?
SETH:
Where are you?
110.
309
EXT. PAY PHONE -DAY 309
Luther. Fast.
LUTHER:
I’m not staying on long enough for
you to track this, just answer me.
310
INT. SETH’S OFFICE -DAY 310
SETH:
She couldn’t be in better hands -talk
about catching a break,
Secret Service called me. They’re
taking over surveillance -
311
EXT. PAY PHONE -DAY 311
The telephone swinging back and forth ---
and in the b.g., a car MOTOR ROARING away.
312
INT. KATE’S APARTMENT BUILDING -ELEVATOR -DAY 312
Kate, coming down the elevator again --in her jogging
clothes now. She has pushed the lobby button.
The elevator stops suddenly on the second floor ---
The Super gets in, smiles.
SUPER:
Got it working fine, Miss Whitney.
Kate nods, smiles back -
312A
EXT. WASHINGTON STREET -DAY 312A
Luther, driving like crazy through the city.
312B
EXT. KATE’S APARTMENT BUILDING -DAY 312B
Kate, getting into her car in front of her building,
driving off --no one is behind her.
312C
EXT. WASHINGTON -ANOTHER STREET -DAY 312C
Luther, HONKING his HORN as he barrels around a corner,
scattering traffic.
)B(
ABSOLUTE POWER -Rev. 5/16/96 111.
312D
EXT. JOGGING PARK ENTRANCE -DAY 312D *
Kate drives into the park past a sign reading: *
"PARKING LOT." *
312E
EXT. ROAD NEAR JOGGING PARK -DAY 312E
Luther, gunning along --up ahead the park is visible
now.
312F
EXT. JOGGING PARK -PARKING LOT -ENTRANCE ROAD -DAY 312F
Kate, following an arrow that leads to the parking lot.
Luther, in the park, now, suddenly shouting "Sh*t"as
we -
312G
EXT. JOGGING PARK -PARKING LOT -DAY 312G
A "DETOUR" sign.
Kate, entering the parking lot.
312H
EXT. JOGGING PARK -PARKING LOT AREA -DAY 312H
Luther, out of his car now, running like crazy through
the park. Ahead is a sign saying: "JOGGING PATH."
313
EXT. JOGGING PARK -PARKING AREA -DAY 313
Not many other cars so she gets a space in front,
overlooking the river, and as she stops, takes out her
keys -
314
BURTON AND COLLIN 314
Collin at the wheel, ROARING in behind her, rear-ending
her hard.
--there is a SCREECH of BRAKES and a SCREAM -
314A
EXT. JOGGING PARK -TRAIL -DAY 314A
Luther as he hears the terrible sound, keeps running.
315
EXT. PARKING LOT -INT. KATE’S CAR -DAY 315
Kate in her car as it teeters at the edge and then starts
its long fall to the jogging path far below.
)B( ABSOLUTE POWER -Rev. 5/16/96 112.
316 EXT. JOGGING PARK -PARKING AREA -DAY 316
Burton and Collin in their car, driving like hell away.
316A
EXT. JOGGING PARK -TRAIL -DAY 316A
Luther, running INTO VIEW, stopping dead, helpless now,
staring at the worst thing in the world -
317
OMITTED 317
318
EXT. JOGGING PARK CLIFF -DAY 318 *
Kate’s car, careening against a rocky ledge, then cart
wheeling the rest of the way down, landing horribly,
spinning, finally coming to rest upside down and -
CUT TO:
319
EXT. BOTTOM OF CLIFF -DAY 319 *
Luther running to the car; hands shaking, he manages to *
pull front door open and reach inside ---
now there are cries as other joggers stop and stare
and -Kate,
as Luther pulls her body out of the wreckage.
LUTHER:
(terrified)
... Kate...?
--no response --it’s impossible to tell if she’s
alive ---
in the distance now, the sound of an AMBULANCE.
320
EXT. WASHINGTON HOSPITAL EMERGENCY ENTRANCE -EVENING 320
The AMBULANCE, SIREN SCREAMING.
PULL BACK to reveal -Early
evening now, getting dark, and the ambulance
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