Across the Hall
- You let me out of here.
I'll tell you anything you want.
What do you want
me to do now?.
- Terry.
No, no, no, no.
Wait, wait---
- Quiet, Dick.
You got to be quiet.
- What the f***?.
Terry.
- Yeah, I told you.
I told you this
would happen, Julian.
- Holy sh*t.
F***. F***.
No.
- You said you'd be here, man.
You said you'd be here, Julian.
- This is not happening.
- Julian.
Julian, listen to me.
Julian.
Why weren't you here?.
- Two outs now.
- Nah, man, I'm Cuban.
- Good thing we ain't playing
for clothes.
- If we were playing
for clothes,
he would have been naked
for the past 4 1/2 hours.
- Shut up, man.
Yo, I know you guys be cheating
at this sh*t all the time.
- We don't cheat.
- Um, you've got
an order here.
- What's up, big man,
any business upstairs?.
- Whose turn is it?.
- You go.
for room 304.
- Yeah.
- Give me two cards.
Tell him we haven't had
chicken here in 30 years.
- They want a salad with it.
- Listen to this guy.
Like people come here
for the food.
down here all the time.
- Oh, yeah?.
- Maybe, but I bring my
girlfriend to the Sheraton.
- Room 304.
- No rest for the wicked,
huh, big man?.
- Hi.
- Good evening, miss.
- Good evening.
I'd like a room, please.
- Um, yes.
We should be able
to accommodate you.
As for your stay, miss?.
- My stay?.
Our rates run weekly, nightly,
and...
by the hour.
- By the hour?.
Just for tonight, please.
It'll be just tonight.
- All right, all right.
Terry?.
- Jules.
- Yo, man.
- Yo.
- What's shaking?.
- Uh, you wouldn't believe me
if I told you.
Trust me,
I hear that.
- You're a hard man
to track down.
Tried your home line.
Where you at?.
- No, man,
I'm---I'm here.
You know, I'm home,
just kicking it in the tub.
- You better have
some company.
No, dude, I wish I did.
I'm actually just soaking
this f***ing knee.
Hauser kicked my ass again.
- You got to stop playing ball
with that guy, man.
Thinks he's playing
every game at Rucker Park.
- You don't need
to tell me that.
Speaking ofwhich,
we called your ass.
What, you can't
call people back?.
What's the matter
with you?.
- You know, I was waiting
for my anytime minutes, man.
You know, f***ing
nights and weekends.
- You and your
nights and weekends.
Hey, I tell you what, though.
You remember Anna?.
- Anna Anna?.
- Yeah, man.
I-I actually ran into her.
Right, um...
Sh*t, right down
the street someplace.
- Just walking
down the street.
- Yeah.
- The nerve of that b*tch.
Dick.
So what about you, hmm?.
How was your day?.
- The day?.
You know...
it was a day.
- Hello?.
Terry, you there, man?.
Uh...
I'm sorry, man, sh*t.
Uh, I'm sorry,
I'm just---
Just a little drunk,
to be honest, man.
- No sh*t.
- No sh*t.
- Me too.
- Red?.
- Black.
- Black, huh?.
- Yep.
I think I f***ed up.
I think I'm---
I'm about to f*** up.
- You think so, huh?.
- Terry, come on, man.
What's going on?.
- It's---it's June.
She's...
She's cheating on me.
- Wait a minute, what?.
- June, she --- she's cheating.
- You'll be happy to know
this elevator is very reliable.
- As opposed to?.
- The Riverview
is fully inspected
and certified,
of course.
But we are in a...
transition period
currently.
This is our only
working lift.
- I'm quite happy
to take the stairs.
- This room is a personal
favorite of mine.
Everything in here
is original.
Preserved in time.
You'll be joining some
very distinguished company.
- I bet.
- Some of the first guests
at the Riverview
were the Ambassador
to Estonia
and the conductor
of the Chicago Philharmonic
and...
and, of course, uh...
numerous celebrities
and movie stars.
- Really?. Like who?.
- Oh.
Well, I'm not at liberty
- Oh.
- Um...
But rest assured,
- I'm sure.
Oh.
Thank you
for the history lesson.
- You're welcome.
- So here.
- Oh, it's---
- No.
Have a wonderful evening.
- Thank you.
- Thank you.
- Good night.
- Good night.
Hi.
- Come on, man,
you really think she's cheating?.
- I do.
- 'Cause, I mean, you know,
you've thought this before.
Yeah, I know I've
thought this before.
- You've called me.
- I know.
- And every time,
you end up just---
- Feeling like
an a**hole, yes.
I know.
It's different.
- Okay.
- She was supposed to be
away on business.
The airline,
they called the house.
She canceled her flight.
- Just 'cause she canceled
her flight doesn't mean---
- Then I gave the guy
at her car service a $20.
Told me
where she was going.
So I went to see
for myself.
- You followed her?.
- I did...
to the f***ing hotel.
- A hotel?.
- That's right.
- Sh*t.
Oh, sh*t, man.
So what are you
gonna do, huh?.
Are you gonna
confront her?.
- Yeah, you might say that.
- Terry, where are you?.
Come on, you're not---
are you---
Are you still at the hotel?.
- Still?.
No, not still.
Where were you?.
Why weren't you here?.
Hmm?.
- Terry, do you know
what you've done?.
- Yeah.
Look, look, I need you
to help me fix this.
- F***ing stay away
from me, Terry.
- What?.
- Just stay back.
- Jules, look,
I need your help here, man.
That's why you
came here, right?.
So we can do this together,
like you said.
- No, dude, I never said---
I never told you to do this.
- You told me to wait,
and I waited.
- Yes, f***ing wait.
- You left me here.
- Okay, so what the f*** do you
want me to do now, Terry, huh?.
What can I do about this?.
- I want to make him
pay for it.
- Good evening, sir.
Would you like a room?.
- A room, yeah.
- I, um...
I believe we have---
- It has to be the right room.
- You've---you've
stayed with us before?.
- I've never been here before.
- But you have a---
you have a particular room
in mind.
- I don't know the number,
but I know
what room I want.
Is it okay if---
Please?.
Here.
That's her.
I know her no matter
what name she uses.
- One moment, sir.
I'll ring her room.
- No, you can't---
can't do that.
- I'm sorry, sir,
but I'm not allowed
to let you in unannounced.
- Unannounced?.
- She requested privacy, sir.
- You saw her, then?.
- Yes.
- She's here.
- Yes.
- Well, I can't
let her leave, then.
And I need you
to give me a room.
I'm here for a room.
Someplace across from---
I need room 508.
How much for the night?.
- Oh, um...
I'm sorry.
That room's not available
this evening.
- Why don't we
go up there together
and take a look?.
- I can't.
what you can and can't do.
the Ambassador to Estonia
and the conductor
of the Chicago Philharmonic.
We never fill this room.
the sign outside the window.
I can close
the blinds for you.
- No, it's---
Just leave it.
It's fine.
There's a lot of history
to this place, huh?.
- Oh, yes, sir.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Across the Hall" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/across_the_hall_2197>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In