![Find Adaptation. on Amazon](https://m.media-amazon.com/images/M/MV5BZjIwZWU0ZDItNzBlNS00MDIwLWFlZjctZTJjODdjZWYxNzczL2ltYWdlXkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_SX300.jpg)
Adaptation. Page #9
I was watching you out
the library window,
you were talking to Sarah Marsh.
Oh, God, I was so in love with her.
I know. And you were flirting with her,
and she was being really sweet to you.
I remember that.
And then, when you walked away,
with Kim Canetti.
And it was like
they were laughing at me.
You didn't know at all?
You seemed so happy.
I knew. I heard them.
Well, how come
you were so happy?
I loved Sarah, Charles.
It was mine, that love.
I owned it.
Even Sarah didn't have
the right to take it away.
I can love whoever I want.
But she thought you were pathetic.
That was her business,
not mine.
You are what you love,
not what loves you.
That's what I decided
a long time ago.
What's up?
Thank you.
For what?
No, shh, shh, shh!
Listen. I hear them.
I hear them. I hear them breathing.
Charlie?
- Charlie?
- Charlie!
- Guys?
- Charlie!
Charlie!
Where's the van?
Are they gone?
I don't know. Maybe.
John? John!
Sh*t!
I can't believe I got shot.
Isn't that f***ed up? Heh, heh.
Shut up. Stop laughing.
Donald? You're gonna be okay.
It's gonna be okay, Donald.
Just don't go to sleep. Just don't
go to sleep, Donald. Look at me.
Look at me, Donald.
Keep looking at me.
Open your eyes.
Donald, please open your eyes.
Donald. Donald, please
open your eyes, Donald.
Donald! Donald, open your eyes!
Imagine me and you I do
I think about you day and night
It's only right
To think about the one you love
And hold you tight
So happy together
Look at me.
Imagine me and you I do
And I...
Help!
John!
Halt!
I'm sorry.
Now I have to do this too.
I'm not a killer.
You put yourself in...
Johnny!
- Susan!
- No!
- Help!
- No, no!
Johnny! Johnny! John!
Oh, no, no, no.
Oh, God.
Oh, you fat piece of sh*t!
He's dead, you loser!
Shut up!
You ruined my life, you fat f***!
Shut up! Shut up!
F*** you, lady! You're just a lonely,
old, desperate, pathetic drug addict!
Oh, my God.
It's over. Everything's over.
I did everything wrong.
I want my life back.
I want it back
before it all got f***ed up.
I want to be a baby again.
I want to be new.
I want to be new.
Hello?
Hello?
Mom.
Charles? Charles, is that you?
Charles, what's the matter?
You okay?
Donald says, "That was her
business, not mine."
You are what you love,
not what loves you.
"I decided that a long time ago."
Kaufman starts to cry.
He tries to thank his brother,
but he can't put it into words.
So how you getting on?
I'm okay.
I miss him, you know?
How's the script coming?
It's good. I'm almost finished.
I'll be really glad to move on
to something else.
I'll bet.
Things okay with you?
And then in January, David and I went to Prague.
That was a high point.
That sounds great.
There's amazing puppet theater.
Yeah, I've heard.
I've gotta see that.
And there's this church decorated
with, like, human skulls and bones.
Forty thousand
skulls and bones.
when I went there.
Charlie, I'm with someone.
Why are you doing this now?
I love you.
I should go. I have to...
Stuff I have to do.
I'm going away this weekend...
Million things, okay?
Yeah.
I love you too, you know.
- I have to go right home.
- I know how to finish the script now.
It ends with Kaufman driving home
after his lunch with Amelia,
thinking he knows
how to finish the script.
Sh*t, that's voice-over.
McKee would not approve.
How else can I show
his thoughts? I don't know.
Well, who cares what McKee says?
It feels right.
Conclusive.
Someone not too fat.
I like that Grard Depardieu,
but can he not do the accent?
Anyway, it's done.
And that's something.
"Kaufman drives off from
his encounter with Amelia
filled for the first time with hope."
I like this.
This is good.
Imagine me and you I do
I think about you day and night
It's only right
To think about the girl you love
And hold her tight
So happy together
How is the weather?
So happy together
We're happy together
So happy together
So happy together
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Adaptation." Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/adaptation._2220>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In