Adventure Page #6

Synopsis: A rowdy, womanizing merchant marine, leader of an eccentric crew of misfits and drunks, is almost killed by a Japanese torpedo strike. The brush with death seems to make him even more reckless. In San Francisco, he clashes with a sophisticated, cold librarian, but hangs around because of his attraction to her much livelier, flirty roommate. Yet the seaman and the librarian can't quit challenging each other, almost to the point of a physical altercation. Following their most angry, almost violent argument, the two come together as lovers, running off to Reno for a quick, unlikely marriage. But almost immediately after, their differences in values and philosophy come to a head. The mismatched relationship seems doomed - and, possibly, to end in profound tragedy.
Genre: Comedy, Drama, Romance
Director(s): Victor Fleming
Production: MGM
 
IMDB:
6.1
NOT RATED
Year:
1945
135 min
137 Views


YOU DEAD SURE YOU

DIDN'T TRAIN IT THAT WAY?

QUITE SURE,

MR. ARISTOTLE.

WELL, WHA DO YOU KNOW?

I'VE BEEN IN A LOT OF BATHTUBS,

BUT I NEVER WATCHED HOW THE WATER RAN.

DID YOU, EMILY?

NO.

GET IN:

THE TUB, EMILY.

OH, THAT WAS A VERY SHOCKING

REMARK. I DON'T BLAME EMILY.

YOU WEREN' SHOCKED.

MMM, NOT IN HERE.

HMM?

AFTER ALL, YOU'LL GE ME IN BAD WITH EMILY.

OH.

I'M JUST CRAZY

FOR THE OCEAN.

IT'S SO

KIND OF SIMPLE.

SIMPLE AND DUMB.

BUT IN:

A CUTE WAY, HARRY.

I MEAN, ONE LITTLE WAVE PILES

ON TOP OF THE OTHER LITTLE WAVE,

AND THE FISH:

JUST SWIM AROUND.

WHAT MAKES I SO BLACK OUT?

TOO MANY WOMEN HAVE BEEN CRYING INTO IT.

OH...

YEAH, WOMEN CRY

IN THE DARK.

THAT'S WHAT MAKES THE OCEAN BLACK.

HASN'T HE GO THE WEIRDEST IDEAS?

PATTERSON:

AND EINSTEIN.

I DON'T CARE FOR THE OCEAN

WHEN IT LOOKS SO BLACK.

WELL, THAT'S

EASILY FIXED.

HOW?

WELL, JUST BAIL

ALL THE TEARS:

BACK INTO ALL THE WOMEN

WHO HAVE EVER CRIED.

NOW, YOU KNOW, THAT'S

A BRILLIANT THOUGHT.

THE TRUTH IS, IT'S THE

MEN WHO DO ALL THE CRYING.

MORE TRIPE:

OUT OF BOOKS!

YOU TWO START FIGHTIN'

AGAIN, I'LL JUMP OUT.

SHE STARTED IT.

OH, I WON'T SAY

ANOTHER WORD.

THANKS.

CLANG CLANG CLANG WENT THE TROLLEY

DING DING DING:

WENT THE BELL:

THERE IT IS,

HARRY.

HMM.

EMILY, WAKE UP.

WE'RE HERE.

NOT BAD. HOW'D YOU

GET AHOLD OF IT, EMILY?

MY FOLKS LEFT IT TO ME-THE

OLD HOMESTEAD, YOU KNOW?

TURN HERE, HARRY,

TURN HERE.

IT'S JUS A HEADACHE, HARRY.

I'VE BEEN AFTER EM A LONG

TIME TO SELL THE THING.

WHO'S BUYING IT?

I PUT AN AD IN THE PAPER

SAYING I'D BE OUT TODAY

AND I HAD ONE TELEPHONE

CALL FROM A MR. BUCKLEY.

WELL, LOOK

- THAT MUST BE THE BUCKLEYS NOW.

READY MONEY!

A NICE, QUICK SALE!

MR. BUCKLEY?

YES. MISS SEARS?

I'M SORRY

I'M LATE.

NOT AT ALL.

WE LOOKED AROUND,

BUT IT ISN' QUITE WHAT WE WANT.

OH, THE PLACE

LOOKS SHABBY,

BUT PEOPLE WITH TASTE COULD

MAKE THINGS VERY CHARMING.

YES, YES, IT DOES

HAVE POSSIBILITIES.

MISS SEARS,

MRS. BUCKLEY.

MISS SEARS.

I'M SO GLAD YOU COULD

COME, MRS. BUCKLEY.

I WANTED YOU:

TO SEE THE HOUSE.

THANK YOU.

EXCUSE ME. WHAT PRICE YOU ASKIN', EMILY?

OH, WHY, 8,500.

IT'S 10 ACRES AND ALL

FIT FOR CULTIVATION.

WHAT? WHY, IT'S A STEAL AT THAT PRICE.

MR. AND MRS. BUCKLEY,

MISS MELOHN, MR. PATTERSON.

HOW DO YOU DO?

YOU PEOPLE EVER DONE ANY DIRT FARMING?

OH, NO. WE JUST WAN A PLACE FOR THE WEEKEND.

YES. BUILD A POOL, KEEP

A FEW HORSES, AND...

WELL, THEN YOU GO NO PROBLEMS AT ALL.

SLAP ON:

A LITTLE PAINT,

HIRE A COUPLE GUYS, CLEAN

OFF THE RATTLESNAKES,

FILL UP:

THE GOPHER HOLES-

RATTLESNAKES!

WHY, RATTLESNAKES IN

CALIFORNIA? HOW SILLY!

HELEN, HAVE YOU EVER

SEEN A SNAKE ON THIS FARM?

WELL, MAYBE IT WAS TEXAS

I WAS THINKING OF.

YEAH, YEAH, TEXAS.

WELL, WE'LL THINK IT OVER

AND LOOK AROUND A BIT.

THANK YOU, MISS SEARS.

I'LL CALL YOU.

YES.

WE'LL LET YOU KNOW.

THANK YOU.

DO YOU KNOW:

WHAT I THINK?

THERE'S ONLY ONE

SNAKE ON THIS FARM.

AW, THEY WASN' GONNA BUY.

WHY, IT'D BE A CRIME TO SELL A

FARM LIKE THIS FOR A DUDE RANCH.

YES, SIR! GOOD,

RICH DIRT! SMELL IT!

WELL, YOU COULD

GROW FOOD HERE,

NOT A CROP OF FAT DAMES,

TORTURIN' HORSES,

WASTIN' WATER

IN A FANCY POOL!

YES, SIR! GOOD, RICH DIR THAT AIN'T DOIN' ITS JOB!

IF YOU'RE

SO FOND OF DIRT,

YOU CAN BUY THIS FARM

AT A BIG BARGAIN.

SAY, THAT'S

AN IDEA, HARRY.

OH, NO, NOT ME.

I'M SHIPPIN' OUT.

THIS IS A PROPOSITION FOR SOME GUY

WHO WANTS TO GET MARRIED, SETTLE DOWN,

AND HAVE:

A LOT OF KIDS.

WELL, THA COULDN'T BE YOU.

WHEN ARE YOU:

SHIPPIN' OUT, HARRY?

I DON'T GO TO SEA

UNTIL MY MONEY'S SPENT.

PRETTY GOOD BARN.

ANY HAY IN IT?

NO.

ISN'T IT SWEET?

MMM.

HUH, HARRY?

MY GOODNESS,

EM...

STUFFY!

AFTER THAT LIBRARY,

HOW WOULD SHE KNOW?

NICE, HOMEY FOLKS.

NOT YOURS, EMILY?

YES, MINE. AUNTS,

UNCLES, AND GRANDMA.

AND IT ALL BOILED

DOWN TO YOU, HUH?

MMM MMM!

HEY, GOT A KITCHEN.

YES, SIR...

MMM!

GOT AN ICEBOX, TOO.

YEP, PLENTY

OF NOTHING IN IT.

T'AIN'T BAD, EMILY.

NOT BAD.

WHAT DO YOU GO UPSTAIRS?

THE BEDROOMS.

WELL, LET'S

TAKE A LOOK AT THEM.

HEY!

WAIT FOR ME!

HELLO!

WHERE'D YOU COME FROM?

MMM!

HMM HMM.

HEY, DOWNSTAIRS!

WHERE'D YOU GET THIS?

WHAT?

THIS BIG PILE:

OF FEATHERS!

THAT'S THE BED

I WAS BORN IN.

SOME BED.

OH, I LOVE I HERE, EMILY. I LOVE IT!

DON'T YOU, HARRY?

YEAH, YEAH.

IT'S OK. IT'S SWELL.

EMILY, YOU KNOW

WHAT WE COULD DO?

YES, I KNOW...

BUT I HAVE TO WORK

IN THE MORNING.

I HAVE A JOB:

IN THE LIBRARY.

WELL, I WORK, TOO,

DON'T I?

WE COULD LEAVE EARLY IN THE

MORNING AND MAKE IT EASY.

MM-HMM.

I HAVE AN IDEA I'VE

ALREADY BEEN OUTVOTED.

MOST SUSPICIOUS GIRL

I EVER RAN INTO.

IF WE'RE STAYING,

I CAN COOK.

YOU CAN COOK, YEAH,

BUT WHAT?

ALL RIGHT,

ALL RIGHT.

I'LL GO TO TONY'S.

HE'LL BE OPEN.

YOU GET SOME WOOD

FOR THE STOVE.

I'LL DRIVE YOU

IN MY BUS.

I'LL GE THE WOOD.

I'D RATHER WALK.

GOT ANY DOUGH?

DON'T PUT YOURSELF OUT.

DON'T WORRY.

HEY! NOW, DON'T YOU TWO

GET TO FIGHTING AGAIN!

YOU BEEN TO NAPLES?

YEAH,

I BEEN THERE, TONY.

BEAUTIFUL:

- GIRLS BEAUTIFUL. EVERYTHING BEAUTIFUL.

AH, BEAUTIFUL,

YES, AND NO FOG!

GOTTA THE BLUE SEAS

THERE.

A'BLUE, A'BLUE

A'BLUE BLUE!

NO MEAT?

NO MEAT.

NO MEAT. WELL,

THAT'S ALL THEN, TONY.

WELL, UH...

THAT'S A... BEAUTIFUL $1.45, MISS EMILY.

$1.45?

HOLD IT, EMILY.

HOLD IT.

UH, TONY, YOU EVER, UH, ROLL 'EM, TONY?

UH, ROLL YOU DOUBLE

OR NOTHIN', HUH?

OK, OK!

NO, NO, TONY.

MY PAL.

OH, MISS EMILY MY FRIEND, MISS EMILY.

I JUSTA SAY, "NAPLES!" NEVER LOSES.

HOW MANY ROLL?

ONE ROLL.

- OK!

OK?

OK.

HO HO! LOVELY.

NAPLES!

NO NAPLES!

NAPLES:

DONE YOU WRONG, PAL.

HEH HEH.

OK, OK, MISTER.

BEAUTIFUL A'DICE!

BEAUTIFUL!

OK, EMILY.

COME ALONG.

GOOD-BYE, TONE.

GOOD-BYE,

GOOD-BYE.

GOOD-BYE, TONY.

GOOD-BYE, GOOD-BYE.

SEE YOU.

TAKE IT EASY.

IT'S A'BEAUTIFUL,

BEAUTIFUL...

THIEVERY,

PLAIN THIEVERY.

SCIENCE.

SUCH A NICE:

LITTLE MAN, TOO.

SHH!

WHAT'S WRONG?

IT'S A CHICKEN.

OH, WHAT OF IT?

GOES GREA WITH MACARONI.

YOU THINK FARMER LUDLOW'S GOING

TO ROLL DICE FOR A CHICKEN-

I'M NOT ROLLING DICE WITH

FARMER LUDLOW. DON'T WORRY.

WELL, HE'S NOT GOING

TO SELL HIS CHICKENS.

HE'S CRAZY

ABOUT HIS CHICKENS.

LET'S TAKE

A PEEK AT 'EM.

IF YOU THINK YOU'RE GOING

TO STEAL A CHICKEN FROM HIM-

I JUST SAID:

TAKE A PEEK AT 'EM.

CHICKENS ARE SURE

DOING NICE ON THAT CORN, EFFY.

WELL, YOU CAN

GIVE 'EM ALL MY SHARE.

I DON'T KNOW

WHY CORN EVER GROWS!

Mrs. Ludlow

doesn't like corn.

And I don't like

Mrs. Ludlow.

Mean?

Mean. Mmm mmm!

Mr. Ludlow?

Mmm mmm!

Mean.

Mmm.

Oh!

Can you imitate

a rooster?

Now, look here!

If you think-

Can you imitate

a rooster?

I think so.

I- I never tried,

but if

Farmer Ludlow-

Never mind

Farmer Ludlow.

Make like

a rooster.

What for?

Want to catch us

a hen.

Well, I bet

it won't work, but...

here goes.

COCK-A-DOODLE-DO!

COCK-A-DOODLE-DO!

I thought you said

we'd catch us a hen.

We will, but

hens are realists.

No hen would come running

for a rooster she can't see.

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Frederick Hazlitt Brennan

Frederick Hazlitt Brennan (September 23, 1901 – June 30, 1962) was an American screenwriter of more than thirty films between 1929 and 1953 and the director of the ABC/Desilu western television series, The Life and Legend of Wyatt Earp (1955-1961), starring Hugh O'Brian as deputy Marshal Wyatt Earp. Born in St. Louis, Missouri, he was educated at the University of Missouri in Columbia and began his career as a newspaper reporter. He wrote many short stories and was published in The Saturday Evening Post, Collier's Weekly, and other magazines. He published several novels and wrote for the theatre including the play The Wookey, which ran on Broadway. He died in Ventura County, California, from a self-inflicted gunshot wound, and was survived by his three children. more…

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Submitted on August 05, 2018

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