
After Dark, My Sweet Page #3
- R
- Year:
- 1990
- 114 min
- 470 Views
UNLESS YOU NEED THEM.
FRIENDLY LIKE YOU WERE,
BUT IF:
THEY DON'T NEED YOU,
THEY REALLY CAN'T BE GLAD.
THEY REALLY CAN'T CARE
WHETHER YOU'RE
ALIVE OR NOT.
AND WHEN:
NO ONE ELSE CARES,
AND WHEN THAT GOES ON
YEAR AFTER YEAR, DOC,
WHEN NOBODY CARES...
ALL RIGHT, COLLIE.
I'LL AGREE TO YOUR
STAYING ON HERE,
BUT SHE'LL
HAVE TO BE TOLD:
ABOU YOUR CONDITION.
THAT SHE:
WON'T BE ALARMED.
WON'T BE ALARMED? WHAT?
YOU'RE GOING TO TELL HER
I'M ON THE LOOSE FROM
AN INSANE ASYLUM?
YOU DON'T THINK
SHE'LL BE ALARMED?
I THINK I CAN POSE
THE SITUATION:
MUCH BETTER THAN THAT.
IF I DIDN'T DO IT.
DON'T DO IT, DOC.
BECAUSE IF:
YOU DO THIS TO ME,
WELL, ALL RIGHT,
MY FRIEND.
FOR THE TIME BEING,
UNTIL YOU CAN GE A LITTLE BETTER SETTLED
AT LEAST,
I WON'T SEE HER.
I...
I DON'T KNOW
HOW TO THANK YOU.
I WENT BACK:
TO TRYING TO GE THE TREES WORKING AGAIN,
BUT NOT FOR LONG.
I WAS TOO WEAK.
WHEN I THOUGH HE WAS GOING TO SEE FAY
OUT OF ME.
KID.
KID.
KID.
YOU'RE CLEAR
ON ALL THIS, RIGHT?
YES.
WHAT'S THE PROBLEM?
I WAS JUST THINKING.
YEAH?
I WAS WONDERING:
IF MAYBE:
THERE'S SOME WAY
WITHOUT ACTUALLY
GOING THROUGH:
WITH THE KIDNAPPING.
WE'LL FAKE IT,
START TO,
AND THEN YOU COME IN
AND RESCUE THE BOY,
SOMETHING LIKE THAT.
AND THEN WHAT?
FAMILY PROBABLY:
GIVE YOU A REWARD.
LESS MONEY TO SPLIT,
BUT FAY AND I COULD
GET ALONG WITH LESS.
YEAH, UM...
HOW DO I:
BECOME A HERO, THOUGH,
IF, UH...
NOBODY GETS CAUGHT?
DON'T KNOW.
NO, IT'S...
NOT GOING TO WORK.
YEAH. I GUESS
YOU'RE RIGHT.
IT CAN'T BE.
WE'LL JUST, UH...
STICK TO:
THE ORIGINAL PLAN,
AND, UM...
TOMORROW AFTERNOON
THIS TIME,
THE THREE OF US ARE GOING
TO BE SITTING PRETTY.
WELL...
HOW DO I STACK UP
AS AN ADVERTISEMEN FOR SOBRIETY?
YOU STACK UP. PERIOD.
YEAH?
YOU REALLY THINK SO?
YOU OUGHT TO MAKE SURE,
DON'T YOU THINK?
I GUESS:
WITH YOU SO, UH...
CLEAN AND PRETTY
AND EVERYTHING, I, UH...
YEAH.
WHATEVER YOU THINK.
I'LL JUST WASH UP
AND BE BACK:
IN A MINUTE.
WELL, YOU KNOW
WHERE I'LL BE.
IN FACT...
I MAY AS WELL...
[TELEPHONE RINGS]
[RING]
OK.
[TELEPHONE RINGS]
[RING]
HELLO?
COLLIE.
COLLIE?
LOOK, FELLA,
WHERE ARE YOU?
RIGHT WHERE:
I'VE ALWAYS BEEN.
I SEE.
YOU REMEMBER,
I ONLY AGREED:
NOT TO SEE HER.
I DIDN'T SAY
I WOULDN' TELEPHONE.
YOU'RE A MAN
OF YOUR WORD, DOC.
I DIDN' SAY ANYTHING
THAT SHOULD:
HAVE ALARMED HER.
ON THE CONTRARY,
I WAS CAREFUL:
TO REASSURE HER.
THAT MAKES HER:
KIND OF CRAZY,
DOESN'T IT?
SHE SHOULDN' HAVE BEEN ALARMED,
AND SHE SHOULD:
HAVE BEEN REASSURED.
BUT IT TURNED OU THE EXACT OTHER WAY.
SHE DIDN' REACT PROPERLY.
SHE'S ABNORMAL,
ISN'T SHE, DOC?
I'M TERRIBLY SORRY
IT'S TURNED OU THIS WAY, COLLIE,
BUT YOU HAVE:
TO UNDERSTAND:
WHAT'S BEST FOR YOU.
REMEMBER, COLLIE,
WE'RE FRIENDS.
HA! YEAH.
YEAH.
I REMEMBER THAT, DOC.
YOU'LL
STAY THERE THEN?
GIVE ME A CHANCE
TO STRAIGHTEN:
THIS OUT?
NO. I'M LEAVING NOW.
NO! NO, COLLIE.
CAN STAY THERE,
YOU MUST COME BACK
OVER HERE.
WE'LL GO AHEAD
JUST AS WE PLANNED.
I'M HITTING
THE TRAIL NOW, DOC.
DON'T TRY TO
PICK UP THAT TRAIL,
BECAUSE IF YOU DO...
HI, KID.
[TELEPHONE RINGS]
[RING]
[RING]
HI, UNCLE BUD.
YOU KNOW,
FAY CALLED ME.
WAS PRETTY UPSET.
I'M NOT SURE I REALLY
GOT IT ALL RIGHT.
I KNOW:
WHAT HAPPENED.
HELL OF A NOTE.
TWO OF YOU WERE:
AND THEN SOMETHING LIKE
THAT HAS TO HAPPEN.
BUT SHE'LL
GET OUT OF IT.
SOON AS SHE GETS
USED TO THE NOTION,
SHE'LL SNAP
OUT OF IT.
JUST LIKE YOU,
UNCLE BUD?
YEAH. JUST LIKE ME.
NOTHING BOTHERS ME.
YOU KNOW,
A MAN'S A MAN.
ALL THAT.
BET YOU'D LIKE A DRINK.
HE LET ME KNOW THAT AFTER
THINKING IT OVER,
HE DECIDED WE SHOULD
JUST AS PLANNED.
FAY WOULDN'T BE IN THE CAR
BUT HE WAS CONVINCED
I COULD HANDLE IT.
I SAW HOW,
THE SITUATION:
HAD ACTUALLY IMPROVED.
I'D NEVER MEAN ANYTHING TO HIM,
AND NOW THAT I DIDN' MEAN ANYTHING TO FAY,
AND SINCE HE REALIZED
AND STILL CASH IN...
YOU'D HAVE TO BE BLIND NO TO SEE WHAT WAS COMING.
AND UNCLE BUD WAS DUE--
OR THOUGHT HE WAS--
TO BE A HERO.
HEY!
1...
2...
3...
4...
5...
6...
7...
8...
HE'S PUNCHING
HIS BRAINS OUT!
IT'S MURDER!
[CRYING]
KNOWING WHAT I DID,
I COULDN'T SAY WHY
I WAS GOING AHEAD.
JUST SEEMED LIKE
SOMETHING I HAD TO DO,
LIKE I'D BEEN
FOLLOW IT TO THE END.
I WAS HURT, OF COURSE,
HURT AND MAD:
AT THE WHOLE WORLD.
GUESS THAT WAS WHY.
ALL I KNEW WAS:
I HAD TO GO AHEAD.
[BABY CRYING]
YEAH? WHAT ARE YOU
GONNA DO ABOUT IT?
HEY!
HEY, GIVE HIM BACK
HIS BALL.
I NEEDED A PLAN--
SOMETHING THAT WOULD
ROGERS,
HELP SAVE MY ASS.
MAYBE A QUICK:
AROUND-THE-BLOCK?
APPRECIATE IT,
BUDDY.
BESIDES,
I WANTED TO TALK
TO YOU ABOUT CHARLIE.
WHAT'S HAPPENED
TO HIM ANYWAY, ROG?
WHAT KIND:
OF SHOVING AROUND
ARE HIS PARENTS:
GIVING HIM?
SHOVING AROUND?
I GUESS I DON' KNOW WHAT YOU MEAN.
NEVER MIND. I KNOW
HOW THEY TREAT HIM.
HE'S BEEN SICK FOR YEARS,
AND HE'S GETTING SICKER.
THE TOUGHER:
IF I WAS BIGGER,
SOMETHING WRONG,
ROGERS?
THESE ARE JUS SOME FRIENDS OF MINE.
JUST SIT UP--
I GET IT.
YOU WERE TOO EARLY
FOR CHARLIE,
SO YOU'RE KILLING TIME
WITH A PAL.
WHAT ARE YOU:
DOING OUT HERE?
THAT BOY.
THAT'S
THE WRONG BOY.
WELL, HE LOOKS--
HE'S NOT.
THAT'S THE WRONG BOY.
I'LL JUST TAKE
HIM BACK AND GE THE RIGHT ONE TOMORROW.
JUST LIKE THAT?
THAT'S STUPID.
I'LL MAKE HIM THINK
IT'S SOME GAME.
BUT IT'S TOO LATE.
YOU'RE A CINCH
TO RUN INTO:
THE OTHER CHAUFFEUR.
I CAN MAKE IT.
THEN DO IT.
GO ON, GET MOVING.
I'LL SEE YOU
BACK AT THE HOUSE.
NO, NO. GET BACK
IN THE CAR.
COME ON.
COME ON.
ABOUT THIS LITTLE
RIDE OF OURS.
I'D APPRECIATE I IF YOU DIDN' SAY ANYTHING.
I WON'T.
DON'T YOU SAY
ANYTHING EITHER.
JUST GIVE ME:
A MINUTE TO SNEAK INSIDE,
AND NO ONE:
WILL BE THE WISER.
OH, HELLO, ROGERS.
YOU'RE EARLY
FOR A CHANGE.
CHARLES.
CHARLES VANDERVENTER.
HERE YOU ARE.
RUN ALONG:
WITH ROGERS NOW.
IS...THAT ROGERS?
IS IT?
MY GOODNESS.
AND WHO ELSE:
WOULD IT BE?
ROGERS!
ROGERS!
CHARLES HAS HAD:
A PRETTY TRYING DAY.
PLEASE TELL:
MRS. VANDERVENTER
THAT I SUGGEST HE
STAY HOME NEXT WEEK.
HEY!
JUST RELAX,
CHARLIE BOY.
JUST BE REAL NICE
AND QUIET,
AND EVERYTHING:
WILL BE ALL RIGHT.
DON'T HURT ME, MISTER.
I WON'T, AND NO ONE
ELSE WILL EITHER.
...AS CROWDS
OF ONLOOKERS:
GATHERED:
TO WATCH THE:
POLICE PROCEEDINGS.
NO LEADS HAVE:
BEEN UNCOVERED:
AS OF THIS TIME.
THE ONE PERSON:
WHO MIGHT BE ABLE
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"After Dark, My Sweet" Scripts.com. STANDS4 LLC, 2025. Web. 3 Mar. 2025. <https://www.scripts.com/script/after_dark,_my_sweet_2285>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In