After Hours

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[TYPEWRITERS CLICKING]

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- Punch. Punch it in.

LLO YD:
Okay. Right.

3

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Okay. Let's, first of all,

refresh the screen here...

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...all right, and go in a format ruler.

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- There.

- All right.

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- Now, file?

- Right.

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LLO YD:

Right.

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- And it's in memory?

- Right.

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And...

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...mark this down

in the prefix file codes.

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- Prefix code. Right.

- Okay.

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Good. Yeah, you got it.

Another week, you'll have it down.

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- It's temporary anyway.

- Huh?

14

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I said, it's temporary anyway.

15

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I do not intend to be stuck doing this

for the rest of my life.

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- Don't tell Mr. Digman I said that.

- Okay.

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Because what I really wanna do is,

I'd really like to get into publishing.

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There aren't any openings right now.

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But what I would love to do is just

create a magazine, my own magazine...

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...which would be, like,

a forum for writers and intellectuals...

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...who can't get into print

anywhere else, who could, you know...

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I'm not into editing or trying

to reach a particular audience.

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Getting it out there,

they would get some momentum going...

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...and, you know, do something with...

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- With, you know...

- Excuse me, one second.

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MARCY:

I love that book.

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I love that book.

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Yeah. Oh, yeah.

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I think Miller's really great.

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"This is not a book.

This is a prolonged insult.

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A gob of spit in the face of art.

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A kick in the pants to truth,

beauty, God..."

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Something like that.

34

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That's very good.

35

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That's all I remember.

36

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I've read this before. I mean, I don't...

I'm just rereading it.

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I don't reread books that often...

38

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...but this one's my favorite.

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I like it better than iCapricorn/i

or iPlexus.../i

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...or iSexus./i

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You know, he used to kiss himself

after he ate a good meal.

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It's mostly...

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Let me ask you. Does that cashier

seem a little weird to you?

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He keeps making

these strange movements.

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[CHUCKLING]

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PAUL:

God!

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I think he's just waiting

to be discovered.

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Do you want another coffee?

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No. I'm gonna head over

to my friend's house.

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- Which way you headed?

- Downtown, SoHo.

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Oh, nice. Nice. A loft?

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Yeah. She's a sculptress.

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Lately, she's been making these

plaster-of-Paris bagels and cream cheese.

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Really.

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She's trying to sell them as

paperweights. You wanna buy one?

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Paperweight?

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Yeah, I would. How much are they?

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I don't know.

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If you think you might be interested,

her number's 243-3460.

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243-3460. Okay.

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- Her name is Kiki Bridges.

- Kiki Bridges. Okay.

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- Nice talking to you.

- Yeah. Great talking to you.

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Excuse me. Can I borrow your pen?

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Thank you.

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WOMAN:
iYeah?/i

- Yes. Is Kiki Bridges there, please?

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- iThis is her./i

- Hi.

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You don't know me. I'm calling because

I'm interested in your paperweights.

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- iYeah?/i

- You're the sculptress, right?

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KIKl:

Uh-huh.

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A girl I met tonight at a coffee shop

told me that she was staying with you...

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iOh, you mean Marcy./i

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- I don't know. She didn't say her name.

- iHold on. I'll get her./i

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She told me about these paperweights

and the work that you do.

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MARCY:

iHello?/i

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- Hello? Marcy?

- iYeah./i

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Hi, this is Paul Hackett.

We met earlier tonight.

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iHi. Sure, I remember./i

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- iHow are you?/i

- All right. I'm all right.

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I just got in...

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...and I opened up my book

and saw your number and...

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iGood./i

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iI'm glad you called./i

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iSo.../i

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So do you work near that coffee shop

or live in the neighborhood or...?

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iNo, I was just over/i

iat a good friend of mine's./i

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iActually, we had a terrible argument./i

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That's too bad.

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iYeah, it is./i

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I'm sure, whatever it was,

I'm sure you'll straighten it out.

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iYou think so?/i

iDo you think I should try to make up?/i

91

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Well, I don't know, I mean...

You know... Maybe you're better off.

92

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You know, I don't know what the

circumstances were, but sometimes...

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You know, I don't... It's not even...

It's not my business.

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- iMaybe you should come over, Paul./i

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