After Hours Page #2

Synopsis: A meek word processor impulsively travels to Manhattan's Soho District to date an attractive but apparently disturbed young woman and finds himself trapped there in a nightmarishly surreal vortex of improbable coincidences and farcical circumstances.
Genre: Comedy, Crime, Drama
Director(s): Martin Scorsese
Production: Warner Bros. Pictures
  Nominated for 1 Golden Globe. Another 3 wins & 8 nominations.
 
IMDB:
7.7
Metacritic:
90
Rotten Tomatoes:
88%
R
Year:
1985
97 min
$10,600,000
3,028 Views


- What?

95

00:
07:54,238 -- 00:07:57,628

- iMaybe you should come on over./i

- Sure. Sure. Now?

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iYeah. Why not?/i

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08:00,998 -- 00:08:02,272

Where to?

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08:02,438 -- 00:08:05,430

iI'm at 28 Howard Street./i

iNear the corner of Crosby./i

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08:05,638 -- 00:08:06,866

iIt's in SoHo./i

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- iThe name on the buzzer is Franklin./i

- Not Bridges?

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08:10,038 -- 00:08:12,154

iBridges is crossed out./i

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08:12,318 -- 00:08:13,876

iJust press the buzzer./i

103

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08:14,798 -- 00:08:17,517

Okay. About 45 minutes?

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08:17,718 -- 00:08:20,152

- iYeah, great. I'll see you later./i

- All right.

105

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08:20,318 -- 00:08:22,274

- iPaul?/i

- Yes.

106

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iI'm really glad you called./i

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Me too. Me too.

108

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Okay. I'll see you later.

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- iBye./i

- Bye.

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- I've only got a 20. Can you break it?

MAN:
Yeah, sure. No problem.

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No hurry.

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[TIRES SCREECHING]

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[HONKING]

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[CUADRO FLAMENCO'S

"EN LA CUEVA" PLAYS]

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PAUL:

Oh, sh*t!

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Excuse me, I just...

Damn! Oh, my God!

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Excuse me.

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My money flew out the window.

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DRIVER:

Okay, that'll be 6.50.

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PAUL:
Listen, my money

just flew out the window.

121

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10:02,118 -- 00:10:03,551

I put it in this cradle...

122

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10:03,718 -- 00:10:07,836

...and you went so fast around

that corner that I don't have any...

123

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What I'm saying is, I don't have

any money. I'm really sorry.

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Look, let me show you something.

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Look, that was... I had $20.

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And now I don't have any more.

127

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I'm really sorry.

128

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Franklin. Franklin.

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Franklin.

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Franklin.

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- Are you Paul?

- Yeah.

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Here, catch.

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[THUNDERING]

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[PIANO PLAYS]

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PAUL:
Hi.

KIKl:
Hi.

136

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11:28,038 -- 00:11:31,633

- Your keys.

- You can just put them on the table.

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11:36,398 -- 00:11:37,797

PAUL:

I like that.

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11:37,998 -- 00:11:40,671

- Do you?

- Yeah. Very much.

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11:41,358 -- 00:11:43,997

It reminds me of that

Edvard Munch painting.

140

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What's it, iThe Shriek?/i

141

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- iThe Scream./i

- iThe Scream./i Right.

142

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Yeah.

143

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11:52,918 -- 00:11:56,354

Sort of like a three-dimensional version

of that painting.

144

00:
11:57,598 -- 00:11:59,236

Is Marcy here?

145

00:
11:59,718 -- 00:12:02,676

She had to go out

to the all-night drugstore.

146

00:
12:04,158 -- 00:12:06,911

- Is she all right?

- It's under control.

147

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12:07,918 -- 00:12:09,829

PAUL:

This place is huge.

148

00:
12:11,198 -- 00:12:13,587

Do you share it with anyone?

149

00:
12:13,758 -- 00:12:16,147

KIKl:
Hey, would you like to

work on this for a while?

150

00:
12:16,438 -- 00:12:19,077

- I could use a break.

- What?

151

00:
12:19,718 -- 00:12:21,356

It's not hard.

152

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12:22,958 -- 00:12:26,587

What are you talking about?

This is yours.

153

00:
12:27,358 -- 00:12:29,872

- How would I know what you want?

- Look, it's real easy.

154

00:
12:30,038 -- 00:12:33,553

Just take some of this stuff

and slap it on like this.

155

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12:33,798 -- 00:12:35,151

[PHONE RINGING]

156

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12:35,318 -- 00:12:37,115

KIKl:

All right, I'm coming.

157

00:
12:40,158 -- 00:12:41,557

Yeah?

158

00:
12:43,318 -- 00:12:45,070

Of course he's here.

You invited him.

159

00:
12:48,558 -- 00:12:50,867

That's your problem, Marcy.

I'm not gonna tell him.

160

00:
12:51,038 -- 00:12:52,949

I'm not telling him.

161

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12:53,118 -- 00:12:54,870

I can't talk any louder.

162

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12:55,878 -- 00:12:57,311

All right, hurry up.

163

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12:57,838 -- 00:13:00,511

- How's it going?

- It's great.

164

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13:00,798 -- 00:13:02,709

I'm just giving him a shoulder.

165

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13:05,198 -- 00:13:07,154

Look what you did to your shirt.

166

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13:08,998 -- 00:13:10,477

Oh, good.

167

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13:11,198 -- 00:13:14,668

- Give it to me, I'll throw it in the wash.

- No, that's all right.

168

00:
13:15,078 -- 00:13:16,909

It'll only take 20 minutes.

169

00:
13:18,158 -- 00:13:19,511

That's okay.

170

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13:22,078 -- 00:13:23,431

Come on.

171

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13:23,598 -- 00:13:26,351

You wanna look nice

for your big date, don't you?

172

00:
13:28,158 -- 00:13:29,557

All right.

173

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13:31,958 -- 00:13:33,471

- Twenty minutes, huh?

- Uh-huh.

174

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- Put this on while you're waiting.

- Thanks.

175

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13:48,638 -- 00:13:51,789

You do that all day

and your own shoulders get pretty sore.

176

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13:54,918 -- 00:13:56,317

Want a massage?

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- You read my mind. Would you?

- Sure.

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I'm not too good at this.

179

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Just know a few basic moves.

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Just make it hurt

and you're on the right track.

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That's all I know.

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Okay.

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- You have a great body.

- Yes.

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Not a lot of scars.

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That's true.

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Never occurred to me.

187

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I mean, some women I know

are covered with them head to toe.

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Not me.

189

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- Scars?

- Uh-huh.

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Horrible, ugly scars.

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I'm just telling you, now.

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I don't know.

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I know, when I was a kid...

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...I had to have my tonsils taken out.

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And after the operation...

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...they didn't have enough room

in Pediatrics.

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So they had to put me

in the burn ward.

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But before they wheeled me in...

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...this nurse gave me...

200

Rate this script:4.0 / 1 vote

Joseph Minion

Joseph Minion (born 1957 in Teaneck, New Jersey) is an American film director and screenwriter, best known for Martin Scorsese's After Hours (1985). Born in New Jersey in 1957, Minion briefly attended NYU Film School before finishing his studies at Columbia University, then renowned for its screenwriting program. In 1984, Minion's script for After Hours was optioned by Griffin Dunne and Amy Robinson, the latter a former actress who'd appeared as Harvey Keitel's damaged girlfriend in Scorsese's Mean Streets (1973). Robinson sent Minion's screenplay to Scorsese, whose Last Temptation of Christ had recently fallen through; production on After Hours started shortly afterward. Later, it surfaced that Minion had plagiarized portions of After Hours from radio host Joe Frank, who sued and settled for an undisclosed sum.Minion continued his screenwriting career with 1987's Julia and Julia starring Kathleen Turner; 1989's Vampire's Kiss, starring Nicolas Cage; Motorama (1991); and On the Run (1999). He also worked again with Martin Scorsese in 1986 for an episode of Amazing Stories, "Mirror, Mirror".As a director, Minion made his debut for producer Roger Corman with 1987's Daddy's Boys, said to have been thrown together at the last minute to make use of standing sets for Big Bad Mama II. His last outing as director was for another low-budget feature, Trafficking (1999). more…

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Submitted on August 05, 2018

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    "After Hours" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/after_hours_2287>.

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