After the Ball Page #8

Synopsis: After the Ball, a retail fairy tale set in the world of fashion. Kate's dream is to design for couturier houses. Although she is a bright new talent, Kate can't get a job. No one trusts the daughter of Lee Kassell, a retail guru who markets clothes "inspired" by the very designers Kate wants to work for. Who wants a spy among the sequins and stilettos? Reluctantly, Kate joins the family business where she must navigate around her duplicitous stepmother and two wicked stepsisters, but with help from a prince of a guy in the shoe department, a god-brotherly gay pal in the design office, her godmother's vintage clothes, and a shocking switch of identities, Kate exposes the evil trio, saves her father's company, and proves that everyone can wear a fabulous dress.
Genre: Comedy
Director(s): Sean Garrity
Production: Pacific Northwest Pictures
  1 nomination.
 
IMDB:
5.9
Metacritic:
39
Rotten Tomatoes:
27%
NOT RATED
Year:
2015
101 min
$160,165
Website
231 Views


Ladies and gentlemen,

Frost's new fall line.

No.

Go you half-wit,

moronic baboons.

Go.

Move, you bobbleheads from hell.

Just move.

Kate.

I'm so sorry.

Can you ever forgive me?

I wish Mom were here.

I think she is.

I know she is.

Ladies and gentlemen.

I present to you Kassell's fall line.

'Girls Will Be Boys.'

Bravo. Bravo.

Maurice, this is Jennifer.

She's thinking of joining

us here at Kassel.

Hi.

Hi.

Thank you.

Mm hmm.

If he ever asks you out dancing,

make sure you pick the club.

Oh my God.

Is that Daniel Bergeron?

His shoes are to die for.

Not just his shoes.

Hi.

Hey.

Kate.

Come see.

Hey, dad.

Here's the creator of our new runner.

Not a runner yet.

Let's wait until it's in stores.

No.

So what do you think?

Oh, I couldn't say.

I just say what I

think and regret it later.

I think it's beautiful.

And...

Um, I would maybe add a trim.

Why not?

Yeah.

Yeah, good idea.

What do you think, Dad?

We could embellish the waist line.

Yeah.

We could embellish...

Colin, I want you to

know that we will be happy...

to do whatever it takes

to help Frost recover.

Oh, I think I found

the perfect job for you.

This room hasn't been sorted in years.

Enjoy.

Buttons.

Rate this script:0.0 / 0 votes

Jason Sherman

Jason Sherman (born July 28, 1962 in Montreal, Quebec) is a Canadian playwright and screenwriter. After graduating from the creative writing program at York University in 1985, Sherman co-founded What Publishing with Kevin Connolly, which produced what, a literary magazine that he edited from 1985 to 1990. Before establishing himself as a dramatist, Sherman's journalistic works such as reviews, essays, and interviews appeared in various publications, including The Globe and Mail, Canadian Theatre Review and Theatrum. He edited two anthologies for Coach House Press, Canadian Brash (1991) and Solo (1993), and was playwright-in-residence at Tarragon Theatre from 1992-99. Sherman's first professional productions were A Place Like Pamela (1991) and To Cry is Not So (1991), followed by The League of Nathans (1992, published in book form in 1996), which won a Floyd S. Chalmers Canadian Play Award (1993), and was nominated for the Governor General's Award for English language drama. Among his many other plays is Three in the Back, Two in the Head, which won the Governor General's Literary Award for Drama (1995), and Reading Hebron, which had its most recent production at London's Orange Tree Theatre in March 2011. In the November 2007 issue of This Magazine, Sherman wrote an article explaining why he would no longer be writing stage plays. Since then, he has written extensively for television and radio, including the CBC Radio series Afghanada and the television series Bloodletting & Miraculous Cures and The Best Laid Plans. more…

All Jason Sherman scripts | Jason Sherman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "After the Ball" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/after_the_ball_2292>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    After the Ball

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The visual elements of the scene
    B The literal meaning of the dialogue
    C The background music
    D The underlying meaning behind the dialogue