All of My Heart Page #6

Synopsis: A young caterer's life suddenly changes course when she inherits a country home and learns she must share it with a career-obsessed Wall Street trader. At first, these opposites do not attract, but feelings begin to change when they find themselves having to work side-by-side to restore their newly acquired home.
Director(s): Peter DeLuise
Production: Front Street Pictures
 
IMDB:
7.0
TV-G
Year:
2015
81 min
Website
310 Views


JUST LET NATURE:

TAKE ITS COURSE.

WHAT DO YOU MEAN?

WELL, SHE'S

ABOUT TO HAVE KIDS--

THAT'S WHAT THEY CALL

BABY GOATS.

SHE'S-- SHE'S PREGNANT?

AND KIDS USUALLY

ARRIVE IN PAIRS.

WE'RE GOING TO HAVE TWINS?

-WHAT?

-OH! DID YA HEAR THAT? HUH?

HUH? DID YA HEAR THAT?

I CAN SEE SHE'S IN GOOD

HANDS.

YOU'RE GONNA

BE A MAMA!

[FUSSING]:
HEY... HI...

AW, WHAT SHOULD

WE NAME THE KIDS?

UH... HOW IS

"BONNIE AND CLYDE"?

OH, NO. NO.

THEY'RE TOO CUTE

FOR A LIFE OF CRIME.

WE NEED SOMETHING MORE

CHEERFUL.

LIKE, UH...

OH! LIKE "LUCY" AND "RICKY."

LUCY AND RICKY...

OKAY. I LIKE THAT.

WHAT DO YOU SAY...?

WE SHOW LUCY AND RICKY

THE GREAT OUTDOORS?

WANT TO GO OUTSIDE?

WANNA GO OUTSIDE?

-[KID BLEATS]

-YEAH?

[BLEATING]

[CHUCKLES] IS THA LUCY OR RICKY?

[BRIAN LAUGHS]

THAT WOULD BE LUCY.

THEY'RE SO CUTE!

OH, AND I AM SO TIRED.

WHY DON'T YOU GO IN

AND GET SOME SLEEP?

YOU SHOULD, TOO.

I WILL.

BUT FIRST, I'M GONNA

PUT 'EM IN THE BARN.

[GROANS WEARILY]

I GOTCHA, I GOTCHA.

ATTAGIRL.

COME ON, COME ON.

YEAH. I LIKE HIM, TOO.

THE INSPECTION FOR THE B&B

IS IN THREE WEEKS,

AND THIS KITCHEN IS A WRECK.

YOU KNOW WHAT I WAS

THINKING?

WHAT IF WE TURN:

THAT STORAGE CLOSE INTO A PANTRY?

SURE. YEAH.

WE COULD DO THAT.

[SANDPAPER SCRAPING LOUDLY]

[]

I GOTTA GET SOME MORE S--

[]

I SHOULD GO:

CHECK ON THE KIDS.

YEAH. ACTUALLY,

I NEED SOME MORE SANDPAPER.

GO AHEAD.

NO. AFTER YOU.

[]

SO I'M GOING TO GO

FIX THE LIGHT ON THE PORCH

SO WE CAN SEE:

THE KIDS AT NIGHT, OKAY?

I'D RATHER JUST IMAGINE

THEM.

OH, YE OF LITTLE FAITH.

[ZAP]

[JENNY STARTS LAUGHING]

[BRIAN]:

HEY! I HEARD THAT!

[JENNY]:
GOOD!

[BRIAN]:
AW.

THIS RISOTTO'S AMAZING.

CONSIDERING:

I MADE IT IN THE DARK.

WELL, I GOT TO TELL YOU,

YOU SHOULD DEFINITELY

OPEN UP A RESTAURANT.

I AM!

IT'S CALLED A B&B.

YEAH, BUT YOU SHOULDN' LIMIT YOURSELF

JUST TO BREAKFAST.

THINK BIGGER--

BED... AND BREAKFAST...

AND DINNER.

SO B-AND-B-AND-D?

MM-HMM.

YEAH, I JUST...

I LOVE COOKING.

I MEAN, I ALWAYS HAVE,

SINCE I WAS A KID.

WELL...

I WAS ALWAYS INTO INVESTING

AS A KID.

BORING, I KNOW.

OTHER KIDS WERE OU PLAYING HIDE-AND-SEEK,

AND I WAS LOCKED IN MY ROOM.

PLAYING STOCKS-AND-BONDS.

DAD WAS A BROKER,

SO I LEARNED THE LANGUAGE

FROM HIM.

BUT IT DIDN'T LAST THA LONG.

HE TOOK OFF:

WHEN I WAS PRETTY YOUNG.

MOM ENDED UP REMARRYING--

ANOTHER SUIT.

THEY SHIPPED ME:

OFF TO PREP SCHOOL,

AND THEN, OF COURSE,

WALL STREET.

NEVER LOOKED BACK.

AND THEN A HOUSE

IN BUCKS COUNTY CAME ALONG?

YEAH. I GOTTA TELL YOU--

THAT REALLY:

THREW ME OFF-COURSE.

[CHUCKLES]

ARE YOU SORRY ABOUT THAT?

NOT TONIGHT.

[RAIN RUSHING,

WIND BREEZING]

FURNITURE POLISH

AND A PUTTY KNIFE.

WELL DONE.

OH, AT THE RISK

OF THE HOUSE BURNING DOWN,

UM, DO YOU THINK

MAYBE YOU COULD:

GET WOOD STOVE GOING?

OF COURSE.

YOU CAN'T HAVE A B&B&D

WITHOUT A WOOD STOVE, RIGHT?

OH, AND SOME ELECTRICITY

WOULD BE NICE.

OF COURSE.

I COULDN'T AGREE MORE.

[]

I HAD A REALLY:

GOOD TIME.

YEAH. I DID, TOO.

DINNER WAS...

FANTASTIC.

I'M GLAD.

WELL, GOODNIGHT.

[LAUGHS]

SWEET DREAMS.

YOU TOO.

OKAY. THANKS.

[SIGHS HEAVILY]

[RAIN BATTERING WINDOWS]

[WATER DRIPPING]

YOU'VE BEEN

LYING AWAKE ALL NIGHT...

OH.

[SIGHS]

YOUR HEAD'S BEEN RUNNING

AROUND THROUGH THE STARS...

[WATER DRIPPING]

IT'S A WONDERFUL NIGHT...

IS IT RAINING:

IN YOUR ROOM?

YEAH. YOU?

YEAH. MINE TOO.

HEY, I'M JUST GONNA GO

OUT TO THE BARN,

CHECK ON THE KIDS,

MAKE SURE THEY'RE ALL RIGHT.

ARE YOU OKAY?

I'M FINE.

YOU SEE IT'S ALL RIGH HOLD ME CLOSE

I'LL BE THERE SOON

HOLD ME IN YOUR HEART...

I'M SORRY...

-I SHOULDN'T--

-IT'S OKAY.

[]

IT'S OKAY.

-I'M GONNA GO CHECK--

-YOU SHOULD CHECK ON THE

KIDS.

OKAY.

[]

-HEY!

-HEY.

YOU LOOK NICE.

THANKS! I HAVE A MEETING

WITH A DISTRIBUTOR.

OH, THAT'S GOOD.

LISTEN, JENNY, I WANTED TO

TALK TO YOU ABOUT LAS NIGHT.

DO YOU MIND IF WE TALK

WHEN I GET BACK?

I-I'M REALLY LATE,

I HAVE SO MANY DELIVERIES.

SURE.

WE'LL TALK LATER.

WE'LL TALK

WHEN YOU GET BACK.

-OKAY.

-OKAY.

HERE, I'LL HELP YOU.

YOU IN?

-YEAH.

-ALL RIGHT.

[ENGINE STARTS]

[PHONE RINGS]

HELLO.

HEY, BRIAN.

I GOT SOME REALLY BIG NEWS.

ARE YOU SITTING DOWN?

I GOT A PROMOTION,

AND IT LEFT A VACUUM

IN THE DEPARTMENT,

AND I PITCHED THEM

ON YOU.

SO WHAT ARE YOU SAYING?

IS THIS IS A JOB OFFER?

I'D BE YOUR BOSS,

BUT IT'S OKAY--

IT'S OFFSET BY

THE BONUS AND THE PERKS.

BRIAN?

I TOLD YOU TO SIT DOWN.

DID YOU PASS OUT?

NO. UM-...

THANK YOU, HARRY.

THAT'S BETTER.

BUT I'M GOING TO

HAVE TO THINK ABOUT IT.

WHAT IS THERE TO THINK

ABOUT?

IT WOULD BE REALLY HARD

FOR ME TO LEAVE JENNY.

THE GIRL:

THAT CAME WITH THE HOUSE?

YEAH. THE GIRL THAT CAME

WITH--

WELL, IT'S NOT JUST ABOU HER.

OR MAYBE IT IS.

I DON'T-- LOOK.

I LIKE WHO:

I AM HERE, HARRY.

WELL, NOW YOU'RE SCARING ME.

I'M SCARING MYSELF!

CAN I ASK YOU SOMETHING?

DO YOU EVER THINK

THAT THERE'S THINGS OU THERE

THAT ARE FAR MORE IMPORTAN THAN JUST MAKING MONEY?

[CONFUSED CHUCKLE]

I WENT OU ON A LIMB FOR YOU.

AND I UNDERSTAND THAT,

AND I APPRECIATE THAT.

WELL, UNDERSTAND

THAT I'M GONNA NEED AN

ANSWER:

BY THE END OF THE DAY.

[DIAL TONE BUZZING]

[CELL PHONE RINGING]

HELLO.

HI. IT'S ME.

DARYL?

I'M IN MY CAR.

I NEED TO SEE YOU

RIGHT AWAY.

I CAN BE THERE:

IN AN HOUR.

WELL, I HAVE A DELIVERY

AT THE COFFEE SHOP,

MEET ME THERE.

HEY! WHAT HAPPENED

TO THAT PICKUP TRUCK OF

YOURS?

UH...

IT WOULDN'T START.

HAH! THAT'S WHAT HAPPENS

WHEN YOU GET OLD.

[CHUCKLING]

YEAH.

I FINALLY GOT A JOB

OFFER OUT OF NEW YORK.

IT'S WHA I THOUGHT I WANTED.

THEN WHAT'S THE PROBLEM?

THIS PHONE WAS MY LIFELINE

TO THE STOCK MARKET.

NOW LOOK AT IT.

THOSE ARE MY KIDS.

I COULD SEE:

THE RESEMBLANCE.

[LAUGHS]

I LIKE IT HERE.

I'M HAPPY.

NOTHING ON WALL STREE CAN EVEN COMPARE TO JENNY.

NOTHIN'.

SOUNDS TO ME:

LIKE YOU WANT TO STAY.

THINKING ABOUT IT, FELLA.

THINKING ABOUT IT.

WELL, THAT'LL BE NINE BUCKS

FOR THE DRILL BI AND TWO CENTS FOR THE

ADVICE.

WORTH EVERY PENNY.

THANKS, MY FRIEND.

GOOD LUCK.

HAVE A GOOD ONE!

YEAH. I ALWAYS DO.

I WONDER WHAT HE MEANT.

[]

YOU SURE:

I CAN'T GET YOU ANYTHING

ELSE?

NO. I'VE ALREADY EATEN.

DARYL, DO YOU WAN SOMETHING?

NO. I'M GOOD.

[MOUTHS WORD]

I'M SORRY FOR JUS SHOWING UP LIKE THIS,

BUT I REALLY NEEDED TO SEE

YOU:

BEFORE I LOST MY NERVE.

OKAY.

I LOVE YOU, JENNY.

I THINK I'M READY

TO SETTLE DOWN.

A-ARE YOU PROPOSING?

WILL YOU MARRY ME?

[]

I DON'T HAVE

A RING YET.

DARYL--

UH, IT'S-- IT'S OKAY.

IT'S OKAY,

WE CAN PICK ONE OU TOGETHER.

DARYL.

[DROPS SAUCER]

WHY NOT?

BECAUSE BRIAN IS STARTING

TO MATTER TO ME.

I THOUGHT YOU GUYS

WERE JUST FRIENDS.

WE WERE.

I DON'T KNOW WHAT HAPPENED,

BUT THINGS...

THINGS HAVE CHANGED.

I'LL QUIT MY JOB,

WHATEVER IT TAKES

TO WIN YOU BACK.

DARYL, I CARE ABOUT YOU

AND I ALWAYS WILL, BUT...

I JUST DON'T THINK

WE WERE MEANT TO BE.

[]

[]

I HOPE HE KNOWS:

HOW LUCKY HE IS.

[]

YOU CAN DO THIS.

[]

THANK YOU.

I AM SO SORRY I'M LATE.

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Karen Berger

Karen Berger (; born February 26, 1958) is an American comic book editor. She is best known as for her role in helping create DC Comics' Vertigo imprint in 1993 and serving as the line's Executive Editor until 2013. more…

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Submitted on August 05, 2018

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