All That Heaven Allows Page #5

Synopsis: Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages he to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than she and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their ow
Genre: Drama, Romance
Director(s): Douglas Sirk
Production: Universal
  1 win.
 
IMDB:
7.7
Rotten Tomatoes:
93%
NOT RATED
Year:
1955
89 min
2,350 Views


Egyptian fashion.

I knew you felt that way in theory.

Theory and action should be one.

Don't worry, Mother.|We're all for it.

Oh, darlings.

Hey, save that for Harvey.

Harvey?

Well, it isn't Harvey.|It... It's Ron Kirby.

You know him.|At least you've met him.

The only Kirby I know|is old Kirby the gardener.

- Last I heard, he was dead.|- Ron is his son.

Mother, is this a joke or something?

- No, it isn't a joke, Ned.|- But, Mother, you can't...

There's no point in approaching this|emotionally. Let's try to be objective.

us!

Just the same. Now, Mother, have you|introduced him to any of your friends?

[Ned]|Yeah, what does Sara think?

Well, Sara's invited us|to a cocktail party tonight.

I wanted you to know him first,|so I asked Ron to come early...

for a drink,|one of your special martinis.

This is no time for martinis.

Mother, why did you keep|this whole affair such a secret?

Because subconsciously|you were afraid he wouldn't fit in?

Why, Ron has no intentions|of fitting in, Kay.

He's quite content|with his life the way it is.

- Mother, the whole thing is impossible.|- You don't know him.

- We know the type.|- And we know you, Mother.

[Doorbell Ringing]|- Suppose that's him now.

You must realize how|important this is to me.

I'm relying on both of you|to be fair and... give Ron a chance.

All right.|I'll make the martinis.

[Doorbell Ringing]

Won't you come in, Ron?

- You know Ned and Kay?|- Yes, of course. Hello.

- It's nice to see you again.|- Thank you.

Shall we go into the living room?

Kay, as I told you, Ron,|is doing social work in New York.

sorts.

- NNed, you make a very good martini.|- Not too strong for you?

- You still have the nursery, Mr. Kirby?|- Oh, yes.

He's going in more|for tree farming now.

money in growing trees?|- There can be.

The only thing I know about trees|is they make good logs.

- Now's your chance to learn.|- Mother?

- What happened to dad's trophy?|- Why, nothing happened to it.

clutter|you were putting away?

Ned.

I suppose from now on,|there'll be lots of changes around here.

Ned, if you mean because of my marriage|to your mother, you needn't worry.

I have no intention of living here.|We'll be leading quite a different life.

But this has been the family house|for I don't know how long.

we were born!

Ned, I wish you'd treat this matter|in a more detached fashion.

You don't know Mother as we know her.|She's really much more conventional...

than you seem to think she is.

She has the innate desire for group|approval, which most women have.

Never mind the $10 words.

And where, if I may ask,|do you expect our mother...

and, I suppose, us too to live?

- My place.|- In a greenhouse?

Oh, no, no.|He's going to remodel the old mill.

Mother, if you'll excuse me, I'm going|to a lecture. I'd better get ready.

Good-bye, Mr. Kirby.

Mother, I've got some|studying to catch up on.

What happened? I've never|seen them act like that before.

It's natural, Cary.|I'm not like their father.

What does that|got to do with it?

It would be different if you were|marrying the same kind of man.

Successful businessman,|pillar of the community.

I can understand it.

Perhaps you're right.

But once I make them see that...|Shall we get started?

Cary, do we really have to go?

Well, Sara said that...|And anyway, I want to show you off.

- We can take my car.|- Mine's right here.

- Does it matter that much?|- It shouldn't.

Jim, get me another one, will you?|I don't want to miss the arrival.

- How about you, Mrs. Taylor?|- Well, I really shouldn't, but...

Excuse me.

If you see cary before I do,|let me know.

It'll be easier for her|if I took them around.

- Count on it, Sara. Got a light?|- I may need to.

Hold my drink, dear.|A gardener?

Why doesn't he find himself|a decent money-making vocation?

You think material success is the only|end worthy of pursuit of man?

- What's wrong with money?|- You have to have it to have contempt.

Excuse me.

Thank you. Do you really think|she'll have the nerve to come?

- Oh, there they are now!|- They're here!

- Just look at that car.|- Just look at that man.

Daughter!

It's always the quiet ones,|isn't it?

But she's certainly the last person|you'd expect to...

Always pretending|to be so prim and proper.

Why, Howard,|did she turn you down?

I'm Cary's best friend.

- I'd like to be your friend too.|- Thank you.

Come on, darling. George.

- Cary, my favorite woman.|- George, I want you to know Ron Kirby.

- Used to know your father. Fine man.|- Thank you.

Shall we say hello to Romeo|and his Juliet? Come on, darling.

So that's Cary's nature boy.

- You know the doctor, Dan.|- Hello, Cary.

You know Miss Frisbee,|Mr. Allenby. Mr. Kirby.

- How do you do?|- How do you do?

This was kind of|supposed to be my party,

but looks like Mrs. Scott's|getting the attention.

I guess it is more unusual|when someone your age gets married.

But I think your friend's|awfully lucky.

You see, no one in my family's|had a dime since the civil war.

So, Tom won't get anything|but poor little me.

My dear. What's this I hear about...

Oh. Haven't I seen you|somewhere before?

Well, Mrs. Humphrey,|probably in your garden.

three years.

Oh, yes, of course.

- Ah, sara, I really must be going.|- I'll be right back.

Come into the bar. You've earned|yourself a good strong drink.

- Go ahead, Ron.|- I'll be right back.

All right.

- Howard.|- Hi.

How are you?

- Mona, Mark.|- Oh, my dear, he's fascinating.

And that tan!|I suppose from working outdoors.

he's handy indoors too.

Mona's sure got your number, Cary.

So have I.

Well, excuse me, Howard.

##[Piano]

Guess you played me for a prize sucker|that night at the club, huh?

Goin' into that perfect lady routine.|Makin' me apologize.

If I'd known then|what I know now,

- would have had a different ending.|- Oh, Howard.

Never too late, huh, Cary?|Line forms to the right.

- Howard, you're drunk!|- Why, Cary!

Isn't one man|enough for you?

Maybe you'd better stay|right where you are.

What is it, Cary?

[Sara] Believed what?

type. You seem to attract that, Cary.

- Shall we go?|- Yes.

- Excuse us.|- Oh, george!

Why, that man was|positively murderous.

- Did you see that, Fred?|- What's the commotion?

He might have|killed poor Howard.

- And in Sara's lovely house too!|- Well!

Car Door Closing]

Nothing's important except us.

Will you remember that?

Yes.

- I'll take you to the door.|- No, Ron.

Thank you, but... good night.

Good night.

Engine Starting]

Ned, you're still up?

Don't forget to put the screen around|the fireplace before you come up.

Mom...

I've got a few things|to say to you, Mother.

All right, Ned.

I just want to tell you, meeting him|hasn't changed my mind one darn bit.

We did what you asked.

I asked you to give Ron a fair chance.|I don't think you did.

Just because we didn't agree|with your choice?

Listen, Mother, somebody in this|family's gotta think straight.

And you don't think I can?

I think all you see is|a good-looking set of muscles.

Rate this script:0.0 / 0 votes

Peg Fenwick

All Peg Fenwick scripts | Peg Fenwick Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "All That Heaven Allows" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/all_that_heaven_allows_2523>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    All That Heaven Allows

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "exposition" in screenwriting?
    A The ending of the story
    B The introduction of background information
    C The climax of the story
    D The dialogue between characters