All Through The Night Page #10

Synopsis: Broadway gambler Gloves Donahue wants to find who killed the baker of his favorite cheesecake. He sees nightclub singer Leda Hamilton leaving the bakery. When her boss Marty's partner Joe is murdered, Leda and her accompanist Pepi disappear. It turns out that beneath all the mystery is a gang of Nazi operatives planning to blow up a battleship in New York harbor.
Genre: Action, Comedy, Crime
Director(s): Vincent Sherman
Production: Warner Bros.
 
IMDB:
7.1
Rotten Tomatoes:
100%
APPROVED
Year:
1942
107 min
329 Views


-They got her in the police station.

-They'll grab you if you get within a mile.

Don't you worry about that.

Sunshine's doing all the interviewing.

-Annabelle.

-Barney.

Darling, l haven't seen you for so long,

l didn't know you.

-Goodbye.

-Where are you going now?

Please try and understand.

lt's a national emergency.

-lt can't wait.

-Well, neither can l!

-Miss Hamilton?

-Yes.

Okay, sister, get your things.

You're leaving us.

-Leaving?

-Yeah, you've been sprung.

A friend of yours just bailed you out.

-Mr. Donahue?

-l don't know, lady. l just work here.

Come on, get your coat.

All right, Miss Hamilton,

you can go now.

You must stay within the jurisdiction

of the court and be available when called.

-Yes, sir.

-Your friends are waiting outside.

Thank you.

-Make it quick, Sunshine.

-Keep the motor hot.

Hello, beautiful.

Jail is no place for a nice girl like you.

Hey, Gloves,

they got the dame in that car.

-What are you talking about?

-They sprung her, the fivers.

Get in, let's go.

-They've went like magic.

-Maybe they ducked around the corner.

No, they didn't have time.

We were too close behind them.

They're somewheres in this block.

Look.

What does that mean, coach?

lt means we're in the right

neighborhood.

Wouldn't it be better if we just send

an anonymous letter to the G-men, huh?

Hey, wait a minute.

Coach, look.

Where have l seen that face before?

''Madison Novelty Company.''

Doesn't that ring a bell?

Yeah, l.J. Madison and Company,

on the sign at the warehouse.

Boys, we're on the right track.

Hey, wait a minute. There's the car.

That's it, all right.

Yeah, that's the car,

but where are the people?

Hey, this might be a lead.

Duck out of sight.

-l wish l was at 42nd Street.

-Why 42nd Street?

-So l could catch the subway home.

-Quiet.

Tell Marty and Spats to hotfoot it

here with the interference.

What about you?

You can't impersonate them.

We can try. Go on, beat it.

Good luck.

Don't forget us.

-Your cards.

-Cards?

ldentification.

Welcome to New York.

This way, gentlemen.

Schroeder and Holzmeir.

Quiet.

We were forced to meet here...

...because of an indiscretion

of one of our agents.

Nevertheless, we will proceed

with our operations according to plan.

l cannot impress upon you too strongly

the importance of tonight's task.

Our success depends upon

the precision...

...with which each man

carries out his assignment.

What we have done up to now

is only the beginning of our campaign.

We have laid the groundwork

for their disruption and disintegration.

But now we must destroy

their confidence.

And we can only accomplish this

by an action...

...as daring and as bold

as the one planned for tonight.

We must not fail.

Now, the vessel will sail at 4:27.

lt will proceed

from the Brooklyn Navy Yard...

...at a speed of four knots to a point

in the Narrows opposite Fort Hamilton.

-What vessel is he talking about?

-Quiet.

At this point, the speed increases

from four to nine knots.

And according to our plan,

the vessel will reach the minefield...

...at approximately a quarter past 5.

-Excuse me, Herr Ebbing.

-Yes, doctor?

Five twenty-one to be exact.

Based on the Coast Guard tide reports.

lt is a mathematical certainty...

...that barring unforeseen events,

we can hardly be a second off.

Thank you, doctor. So the vessel

will reach the minefield at 5:21 exactly.

Steindorff, check the reports.

l'll be back in a minute.

What's up?

l don't know, but l got an idea that

somewheres off there we'll find the kid.

Quiet. Quiet, please. Lichtig.

-Here.

-Your report, please, Herr Lichtig.

Arrangements have been made

to control any interference...

...from harbor traffic

on the Staten lsland side.

Five men will be on the dock,

one man in each car on the ferry.

And three sailors have been

stationed in three various positions.

Very good.

Holzmeir.

Herr Holzmeir.

Herr Holzmeir.

What do we do now?

Soon as this guy Holzmeir

starts talking, we'll duck out that door.

Okay.

Holzmeir.

-Biller?

-Yes.

-Did Schroeder and Holzmeir arrive?

-Yes, they were admitted.

Herr Holzmeir.

-Hey, that's you.

-Wha--?

Are you Holzmeir?

Didn't you hear me call your name?

-l'm sorry, l was talking to my friend....

-Schroeder.

Herr Schroeder.

Did Schiller take you

to the docks tonight?

-Oh, yes, yes, sure. He took us to the docks.

-Good.

Schroeder and Holzmeir

have flown in from Detroit to help us.

-Your report, please.

-My report?

Well, all l can say is,

it's a great pleasure to be here tonight...

...and to find out

what you mugs-- Gentlemen...

...have been doing

in this part of the country.

lt's very enlightening,

to say the least.

Which reminds me of a story.

-Many years ago--

-We have no time for stories.

-Your report, please.

-A report.

Well, if you don't mind, l'd--

l'd rather wait till Ebbing gets back.

Didn't you hear what Ebbing said?

l'm in charge of this meeting.

l don't get you.

Don't monkey around.

Give us your report!

Well, if that's the way

you feel about it, okay.

What did you have reference to?

Come forward, please.

You and Schroeder

are munitions experts, are you not?

Yeah, we--

We know a little something about it.

l was told you inspected

the mines tonight.

Oh, yes. Yeah, we--

We gave the mines the once-over.

-And what's your opinion?

-My opinion?

Yes. up here, please.

Well, speak up. Speak up.

Well....

At the moment,

things don't look so good.

What do you mean?

Well....

These things take a little time

to figure out.

Have you got any ideas,

Herr Schroeder?

Who, me?

Well, the way l figure it is....

Yeah, the scradavan is on the paratoot

right next to the moctus proctus.

That is correct.

The scradavan is on the paratoot...

...next to the moctus proctus

and 1 00 feet deep.

According to my calculations, if we

can keep this up, we'll be okay. Right?

Right. The episootic is on

the trabaha mit trabahanus...

...mit line block oom da agar,

and we must not fail.

l'm sorry,

but all this seems rather confusing.

Would you try to speak more distinctly?

The scradavan is larasang todavan

Brooklyn Navy Yard.

Apparently, he does not understand

the technical terms used in our report.

Never mind that.

What about the mines?

Oh, the mines?

Oh, yes. The mines.

What about the mines,

Herr Schroeder?

The mines?

-Well, what about the mines?

-Well, didn't you check the mines?

Who, me?

Oh, yeah.

The cansonetta's on the possiboo.

And the centapart will equalize the

poopinick if the gratistan is on the augar.

And we will win!

l'm sure you gentlemen know

what you're talking about.

But l must ask you

to repeat the whole thing again.

And this time very slowly.

-The.... The whole thing?

-Yes.

He wants the whole thing.

Well, l-- l don't think

that's gonna be necessary.

l think we have here

what we have been looking for.

lt seems like we got a control station

at Rockaway Point.

Rate this script:0.0 / 0 votes

Leonard Spigelgass

Leonard Spigelgass (November 26, 1908 – February 15, 1985) was an American film producer and screenwriter. more…

All Leonard Spigelgass scripts | Leonard Spigelgass Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "All Through The Night" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/all_through_the_night_2540>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 1994?
    A Pulp Fiction
    B The Shawshank Redemption
    C Forrest Gump
    D The Lion King