Alphaville Page #5

Synopsis: Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression.
Genre: Drama, Mystery, Sci-Fi
Director(s): Jean-Luc Godard
Production: Rialto Pictures
  1 win.
 
IMDB:
7.2
Rotten Tomatoes:
90%
NOT RATED
Year:
1965
99 min
Website
3,405 Views


universal good.

If you plan to drive us from

the other galaxies, you'll fail.

You will not leave;

the exit is blocked.

We'll see.

Professor Vonbraun - do you

know where he lives?

Central Palace, South Zone,

behind Raw Materials Station.

Let's go.

Don't budge.

That way I'm sure you will

keep your word.

Out! Out!

No journalists!

You know "journalist" and "justice"

both begin with the same letter?

Tell your boss.

What can I do for you,

Mister Caution?

News travels fast here.

Because we're very rapidly

entering Light Civilization.

At about 300.000 kilometers

per second.

I'm returning to the Outlands.

Come with me.

Stay with us, Mister Caution.

When the war's over I'll put you

in charge of another galaxy.

You will have gold and women.

We are mastering a science

so fantastic

that the old American and

Russian control of atomic force

will seem pathetic.

I see.

You oppose my moral, even

supernatural, sense of vocation

with a simple physical

and mental existence,

easily controllable

by technicians.

Your ideas are strange,

Mr. Caution.

Some years ago,

in the Age of Ideas

yours would have been called

sublime ideas.

Look at yourself. Men of your type

will soon be extinct.

You'll become something

worse than dead.

You'll become a legend,

Mr. Caution.

Yes, I'm afraid of death

but for a humble secret agent

that's a fact of life, like whisky.

And I've drunk that all my life.

You never want to see

the Outlands again, Professor?

Goodbye, Mister Caution.

Such people will serve as

terrible examples to those...

...who see the world

as theater...

...when technical power

and its triumph...

...is the only act

in their repertoire.

I was running a straight line...

...which, like Dickson's

Greek labyrinth...

...and philosophers were lost,

as a secret agent was too.

In many respects...

...your reactions and your

modes of thought...

...differ...

...from present normality.

The inhabitants of Alphaville

are not normal.

They are the product of mutation.

Do you accept our proposal?

Answer silently...

...with yes or no.

I'll never betray the Outlands.

The present is terrifying...

...because it is irreversible,

and because it is of iron.

Time is the substance of which

I am made.

Time is a river

which carries me along.

But I am time.

It's a tiger, tearing me apart;

but I'm the tiger.

Look at her and me,

there's your answer.

We're happiness, and we're

heading towards it.

It is our misfortune

that the world is reality.

And I...

...it is my misfortune

that I am myself, Alpha 60.

Natasha, quick...

...think of the word love.

Here.

Not all the inhabitants died,

but all were stricken.

Those not asphyxiated

by the absence of light...

...circled crazily, like ants.

It was 23:
15, Oceanic Time...

...when Natasha and I left

Alphaville by the peripheral roads.

A night drive across intersidereal

space, and we'd be home.

Don't look back.

- Do you think they're all dead?

- Not yet.

They may recover, and Alphaville

will be happy, like Florence.

Like Angouleme-city,

like Tokyorama.

You can't go back.

- Have I slept for long?

- No, the space of an instant.

Where are we?

In the Outlands?

Not yet.

You're looking at me

with an odd face.

You're waiting for me

to say something.

I don't know what to say.

They're words I don't know.

I wasn't taught them.

Help me.

Impossible, Princess.

You must get there yourself.

Then you'll be saved.

If you don't,

you're as lost

as the dead of Alphaville.

I:

you

love.

I love you.

Rate this script:4.0 / 1 vote

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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