American Fable Page #5
- Well, um,
I'd better get goin'.
Yeah, Hank is probably
wonderin' where I am.
If you'll excuse me.
- Well, be careful driving.
- Oh, I will.
And, uh, you've got, uh,
my number in case of emergency?
- Mm-hmm.
It's right on the fridge.
- Great, great.
Nice mailbox, by the way.
- Try not to hit it this time.
- Bye.
- Can you play it?
- Let's see.
It's a little old..
And the bridge is broken.
Thank you, though.
You wanna hold it?
Put it under your chin.
There you go, just like that.
Hand on the neck.
Take the bow,
with your right hand
and hold your thumb there
and your pinky there
just nice and light.
There you go.
And pretend to play.
See what music comes
into your head.
Hey, Gitty..
- Mm-hmm?
- If we don't ever
see each other again..
Remember me.
Okay?
- I will.
- Gitty?
Gitty, are you okay?
- I knew it, you were gonna
free him, weren't you?
Do you know
what would happen, Gitty?
D... dad would go to jail
for the rest of his life...
- He's my friend!
- He's not your friend.
Okay, you idiot!
He's not one of us.
He pretends to like you, but
he just wanted you to help him
you stupid little sh*t.
- Stop it, Martin!
- You wait till dad finds out.
He'll kill him.
- No..
Please don't tell dad.
Please don't tell dad, Martin.
- You gotta swear you're not
gonna go back there.
You're not gonna go back there
you're not gonna tell the police
about this
you're not gonna tell mom
and dad I found you out here.
- Yeah, okay.
- No. No, you swear, Gitty.
You swear
on your chicken's life.
You swear on your stupid
chicken happy's life.
- I swear.
- Come.
- What's that smell?
- I used bleach.
I had to.
He's disgusting.
He smells like an animal.
Is that why
you like him so much?
- Do you wanna play?
- Aren't you afraid
you're gonna lose?
- Why do you like Vera so much?
- 'Cause no one understands me.
But she does.
- What does she understand?
- There's two kinds
of people in this world.
Warriors, they have to protect
the weak ones
even from themselves.
And farmers,
they don't make good warriors.
Gitty, I am a warrior.
It's your move, Gitty.
- Checkmate.
It's called a "blitzkrieg."
if I wanted to.
- Gitty! Help me!
Gitty!
Where are you? Help me!
- Shh.
- Mom!
Mom!
Dad?
Dad!
Dad!
Dad!
What should I do, happy?
What should I do?
"821-158."
Who are you callin'?
- Jonathan!
Oh, my gosh.
Jonathan, are you okay?
- Gitty, hi.
- Oh, my!
- But...
- No, no, no, no!
- Gitty, did you,
did you call the police?
Gitty, wh..
- No.
- Do you think I wanna stay here
and play games
with a little child?
Is that what you think?
I'm dying. Gitty, I'm dying!
Now go, call the police!
Go, get me out!
You're the killer. You hear me?
You're the killer.
Now go! Go!
Go, Gitty! Go!
- Thanks, mom.
- Yeah.
- Come on in, it's open.
- Open it.
- Um..
Is that enough?
- Yeah, it'll do.
- He needs to be
on the midnight train.
That's the deal.
- I understand.
- What is it, dad?
- You mind your own business,
Gitty.
- Martin, thank you.
- You're not gonna to eat?
- I can't stay.
- You're just leaving?
- I have nothing left
to do here.
- But you haven't done anything.
You just make other people
do things.
- Shut up, Gitty. Okay?
- Martin, watch your mouth
at my table.
- Where are you going?
- To New York first.
- I'm goin' to New York one day.
And to London, Tokyo, Paris.
What?
People will write books
go to those places, right?
Martin's sure gonna miss you,
Vera.
- Shut your face, Gitty!
- Martin, watch your mouth.
- Martin,
this chicken's delicious.
Where'd you buy it?
- I didn't.
- What?
- I found it..
In the silo.
Come on.
Who doesn't love a happy meal?
Happy?
- Jesus Christ, Martin.
What the hell
is wrong with you, son?
Why would you do
something like that?
- Because she has been visiting
that man in the silo
for the past few weeks.
I told her, "don't go near,"
and she did.
She was gonna free him, okay?
How do you expect to learn
a lesson if it doesn't hurt?
- Gertrude, listen to me.
Hey, come here.
Listen to me.
Did you talk to that man
in the silo?
- Did you mention your name,
anyone's name?
- Gitty, this is
extremely important. Just think.
- I don't know.
I can't remember.
- What did you tell him?
- I don't know, dad.
- Think. Gertrude,
try and remember what you told.
- Dad, I can't remember.
- What do you mean you can't remember?
- I, I don't know, okay?
- Did you tell him...
- I don't know!
- I'm gonna ask you
one more time.
Did you tell him our names?
- Yes.
- Sh*t!
- Daddy, he's my friend, okay?
- What?
- He said he'd make you better
and he did.
He did you make you better!
- What?
- Unbelievable.
- Just get out, Gitty.
Get out of here.
Go!
- There's only one thing
left to do.
- It's possible
that he wouldn't say
anything about us.
- No. No.
- Please, just listen to me.
- There's no other way
to do this, Sarah.
Think about it.
He's not one of us.
He has no reason to help us.
When he gets out of there,
we're doomed
and someone
has to protect this family.
- Your own daughter is the reason
we have to do this. Remember that.
- No, our daughter had nothing to
do with this, Vera. This was you.
And if we go to prison,
you go to prison with us.
- He's on your property.
Your own son cut off his finger.
- What?
- We had to make it look like a
normal ransom kidnapping. He'd..
How do you think
we got that money?
- Vera, you said
that you were with us.
We need you.
- Look, the situation's changed.
I'm tryin' to figure it out,
okay?
- Oh, my god, Vera,
I wish we had never met you.
Abe, we got to go.
- Get out of my house.
- What are you gonna do?
- Get out of my house.
- What are you gonna do?
- Vera.
I'll make sure everything
around here gets done.
You won't have to worry
about anything.
- Thank you, Martin. You really
are a brave young man.
I wish you all the best.
Where did you come from?
I know you think
I'm a bad person..
But I'm not.
- Then what are you?
- People like that man
you met in the silo..
If you let them..
They will take everything
from you.
It's not about right or wrong,
Gitty.
It's about who has control..
Who has the power.
You have to decide for yourself.
- 821-158.
821-158.
821-1..
Okay.
Hi, Ethel, it's Gitty.
I need your help now.
At the silo,
can you get there now?
When, when can you get there?
Okay, will you please hurry,
okay?
Hey, Jonathan, watch out!
I... I'm coming down!
Come on, Jonathan. We have
to go. We have to hurry!
Let's go, let's go, let's go!
- Hi.
- Let's go.
- I'm so sorry.
- I know. I know.
- I'm so sorry. I..
- Are the,
are the police coming?
- I don't know, I don't know,
but Martin, Martin is coming
and we need to hurry, okay?
We need to go now.
Now, get the axe.
Get the axe. Come on!
Come on, hit the door!
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"American Fable" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/american_fable_2676>.
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