American Pastrol Page #5
- Year:
- 2016
- 21 Views
Feel how it expands
when you make a fist.
Thank you.
She wants her
Audrey Hepburn scrapbook.
- Talk to me.
- Not near the house.
Swede, what is it?
Somebody came to me from merry.
She's all right?
Where is she?
I don't know. I don't know
where she is, but this person,
this little person, she
looked younger than merry,
she wants to meet me tomorrow.
- Merry?
- No, this Rita person.
She wants me to meet her
in a parking lot downtown.
She gave me all
these instructions.
"Drive through the park. Make
sure you're not followed."
Agents. Are you
going to tell the agents?
I don't know. I don't
know what to do, Dawn.
She knew about
She knew about
the stuttering books,
the ballet classes, the cows.
This girl, she could
lead us to merry.
Where are the cows?
- What? -The cows,
where are they?
I sold them.
I'm selling them.
Why would you sell your cows?
You can't tell the agents,
Swede.
This girl,
just do whatever she says.
Please.
Why are you
wearing merry's coat?
She gave it to me.
Surely, you can...
Surely, you can now tell
I surely cannot.
I would like to speak with her.
Well, she wouldn't
like to speak with you.
She hates you.
Does she?
Thinks you ought to be shot.
Yes? That, too?
Swede Levov.
How much do you pay the workers
in your factory in Puerto Rico?
I don't have a factory in Puerto Rico.
How much do you pay
stitching gloves for the
ladies at Bendel's and Macy's?
You've seen how unhappy
my employees are.
That's why they've worked
for me for 40 years,
because they're so exploited.
Who are you? You don't even
know what you're talking about.
You own your people.
You own them, you use them,
you sleep with them,
and then when you're done...
Please, Rita. I haven't two
minutes' interest in your cliches.
I want you to tell me
where my daughter is.
That's all I want
to hear from you.
Your daughter never
wants to see you again.
Or that mother.
You don't know anything
about her mother.
Lady Dawn?
Lady Dawn of the manor?
I know all there is to know
about lady f***ing Dawn.
So ashamed of her class origins,
she had to become lady
of the f***ing manor
and turn her daughter
into a debutante.
"A debutante"? Merry shoveled
cow sh*t since the age of six.
She rode tractors,
she's 4-h.
Fake. All fake.
The daughter of the beauty queen
and the captain of
the football team?
What kind of nightmare is
that for a girl with a soul?
Dawn is not a beauty queen.
She works a farm all day.
Fake, fake.
She works a farm
like a f***ing
upper-class landowner.
"Upper class"?
Her father was a plumber!
Her grandfather was
an Irish milk farmer!
This is crazy!
Where's my daughter?
Somebody is dead. My daughter
is accused of murder!
You're really hung up
on that, aren't you?
Do you know how many Vietnamese have died
in the time we've been talking here?
You give her back to me.
She's not a possession.
You don't own her anymore.
The way you own your factory and
your Buick f***ing Electra.
Where is she, miss Cohen?
So, where is she?
The girl's our link,
our only one.
You let her go? Why?
Why did you let her go?
Well, she's just a kid. I know I can
work around her to get to merry.
That's nonsense.
That's crazy.
You go to the cops.
You go to the FBI.
- You tell them everything.
- No.
No? Did you get the infant's
phone number, at least?
That's not the plan.
If she feels like it. If she feels like it.
You've got nothing.
- Dr. Levov?
- What? I don't need you.
- But, doctor... -Just go jump
in a lake, nurse, please.
I've got to do this, Jerry.
You should see Dawn these days.
This has to work.
Rita has to take us to merry.
This Rita and the others.
What others?
The ones that have her.
They're controlling her.
If she did this,
if she blew up Hamlins
then these are the people that
made her do it. Don't you see?
"If"? If she blew up Hamlins?
That's what you're asking yourself?
What kind of man are you?
You go to the FBI.
Do you hear me?
No.
And you can't tell
anyone what I told you.
Promise me.
All right.
Good morning, boy.
Do come in.
Make yourself at home.
I brought the money, miss Cohen.
I brought the $10,000 in small bills.
Now, where's my daughter?
Come off it, Swede.
You came here to f*** me.
What?
Please, miss,
if you have any feeling
for what everyone
is going through...
Ask anybody.
Why does
a middle-aged capitalist
come to a hotel room
Say it.
Just say it, Swede.
"I came here to f*** you."
Will you stop all this?
I'm 22.
I do everything.
I do it all.
You're not scared, are you?
A big guy like you can't have
Pillar.
Pillar of the f***ing
community, Swede Levov.
Come on, let's see the pillar.
What is the aim of all this?
To introduce you to reality.
And it ain't going to
be no picnic, Jocko.
I'll tell you
where your daughter is.
First we f***
and then I'll zip up your little
fly and take you to where she is.
My daughter has no part in this.
You're not fit to
wipe my daughter's shoes.
She has nothing to do
with you or the bombing.
There.
Put it right there.
Do you know what size it is?
Let's see what kind
of guesser you are.
I'm guessing it's a four.
In ladies', that's as small
as they come.
Stick it in.
But slowly,
This has nothing
to do with anything.
You great, big boy scout.
Do you want to know what this has
to do with what's happening?
Taste it.
Taste it and you'll know.
Do you want to know
how it tastes?
It tastes like your daughter.
Get out of the street, clown.
What the f*** are you doing?
When you add it up,
your daughter's a minor,
she's seen a psychologist
for years.
That's evidence
of mental stress.
That bomb, she plainly
had no intent to kill,
not at that hour in the morning.
Protecting her from us
is not intelligent.
It's pretty unintelligent
What is it you want from me?
Nothing.
The description that you gave
of this girl, Rita Cohen,
if that's her real name,
that's fine.
All right? You can go.
Mrs. Levov know
what happened here today?
Yeah, I just called her. She's
disappointed, naturally.
This was our only hope.
on this, Mr. Levov.
You've done everything wrong
Since when?
Excuse me?
I've done everything
wrong since when?
That's a question you're going to have
to answer for yourself, Mr. Levov.
Seymour.
How long ago did she get here?
I don't know.
I didn't see her come in.
She won't let me
near her, poor thing,
and I didn't want to scare her.
Excuse me.
Excuse me.
Well.
Dawn.
Baby, come on.
- All right, all right,
all right.
All right. Stop it.
Stop, stop, stop.
All right.
Don't.
I'm afraid.
I'm frightened.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"American Pastrol" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/american_pastrol_2702>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In