American Sniper Page #4
- Year:
- 2015
- 30 min
- 5,521 Views
CHRIS:
Well in that case... what’s your name?
TAYA:
Taya.
CHRIS:
Nice to meet you, Taya. I’m Chris Kyle.
TAYA:
(liquor softening her)
Pretty egotistical of you to think you
can protect us all, isn’t it Chris?
CHRIS:
Our instructors say our biggest enemies
are ego, liquor, and women.
TAYA:
Sounds like you’re under attack.
She levels a look and downs another shot-
(03.18.14) 19.
30 EXT. MULRONEY’S BAR, PARKING LOT - LATER 30
Mist rolls in. Chris holds Taya’s hair as she pukes. She
takes a deep breath, wipes her mouth-
TAYA:
--I’m not going home with you so don’t
She smiles, then turns to puke again--
31 EXT. RANGE - ”SNIPER SCHOOL” - CAMP BILLY MACHEN - DAY 31
An arid range with human-shaped targets. PETTY OFFICER
TOSH (Irish/Japanese, nasty) walks past prone students.
PO TOSH:
Feel breath filling every cell of your
body. This is our ritual. We master our
breath, we master our mind--
FIND CHRIS on .300 Win-Mag. Both eyes open. Dip packed.
Deep breaths. His finger taking up the trigger-slack.
PO TOSH:
--pulling the trigger will become an
unconscious effort. You will be aware of
it but not directing it. And as you
exhale, find your natural respiratory
pause and the space between heart-beats.
Chris exhales, pauses, strokes-- BAM!
32 INT. DOCTOR’S OFFICE 32
A ZOLOFT BROCHURE shows smiling faces. TAYA wears a suit-
skirt and tries to mimic the esprit of the brochure. She
leaves a box of samples with the RECEPTIONIST but her
smile fades as she pulls her trolley to the door--
Blades of light leak through closed blinds. Taya hides
under blankets on the sofa. PHONE RINGS, goes to message:
CHRIS (OS)
It’s me again. The guy whose shoes you
puked on? I was thinking maybe you didn’t
get my last message. Or the one before
that. So, I figured-
(03.18.14) 20.
She snatches up the phone--
TAYA:
You figured what?
--looking for a reason not to be alone.
34 EXT. RANGE - CAMP BILLY MACHEN - DAY 34
ON CHRIS, both eyes open looking downrange.
PO TOSH (OC)
Aim small, miss small. If you aim for hisshirt button, you might miss by twoinches. If you aim for his shirt, youmiss by two feet.
(over Chris, raises binocs)
You better close those groupings, Kyle.
Chris chases his breath, trying to focus, but--
35 EXT. OCEANSIDE PIER - DUSK 35
PAN ACROSS a “target shoot” game to a bench overlooking
surf. CHRIS and TAYA sit with a GIANT TEDDY BEAR.
TAYA:
Did you always want to be a soldier?
CHRIS:
I wanted to be a cowboy-- but I did thatand I felt like I was meant for more.
TAYA:
So you started rescuing girls from bars?
CHRIS:
I rescued that bar from you.
She smiles at his sweetness.
CHRIS:
Do you like country music?
TAYA:
Only when I’m depressed.
CHRIS:
You want kids?
(03.18.14) 21.
TAYA:
Someday. My mom says I have a nose for
picking the wrong men.
CHRIS:
That’s a shitty thing to tell a girl.
TAYA:
I’ve proven her right.
CHRIS:
But those wrong picks put you here. They
made you who you are. And I like who you
are.
The Ferris wheel casts its glow on them.
TAYA:
What happens when there’s a real person
on the other end of that gun?
CHRIS:
(uncertain)
I don’t know... I just pray I can do my
job if that day comes.
It weighs on him. And she feels safe.
BACK TO:
35A EXT. RANGE - CAMP BILLY MACHEN 35A
PO TOSH (on spotting scope) stands over CHRIS. Mirage
boils off the horizon at 35 degree angle, pushed by wind.
BAM! Chris’ shot hits the outer edge of target.
PO TOSH:
Mirage is boiling at 35 degree angle.
CHRIS:
Check. I’m dialed for windage.
PO TOSH:
Hold right-four, up-two.
BAM! He misses. It spits dirt. Not even close.
PO TOSH:
Are we looking at the same target?
(03.18.14) 22.
36 INT. TAYA’S CONDO - NIGHT 36
CHRIS sits on the couch, anxious, until TAYA appears in
the hall in lingerie. She slinks closer, straddling him,
determined to blow his mind but-
CHRIS:
You’re trembling...
TAYA:
I know. I don’t...
She finds his eyes. Finds her breath.
CHRIS:
We don’t have to do this...
TAYA:
I want to. I do...
He gently lifts her up and lays her across the couch.
ANOTHER ANGLE:
Soft light on pale bodies. Taya writhes with impatient
longing but Chris’ steady hand forces her into the
present. She’s swept up, eyes filling with tears as he
eases into her-- she gasps and arcs and draws him deeper.
36A EXT. RANGE - CAMP BILLY MACHEN 36A
PO TOSH stands over CHRIS, fed up now.
PO TOSH:
You need to shut your off-eye.
CHRIS:
If I close my off-eye I can’t see what’s
out there.
PO TOSH (OC)
There is nothing out there but a target.
CHRIS:
Negative. There’s something-
The circular scope floats over the target. Left of scope,
a SWATCH OF GRASS doesn’t sway like the rest.
(03.18.14) 23.
PO TOSH:
Give me 50 push-ups. Clear and safe. Push
‘em out.
The scope drifts left of target-- BAM! A RATTLESNAKE is
flung through the air, blown to sh*t, 500 yards out.
CHRIS:
There it is.
He sets the rifle aside and starts cranking out push-ups.
37 OMITTED 37
38 OMITTED 38
Ethereal white sheets. Two bodies lay like spoons. Chris
WHISPERS SOMETHING. Taya closes her eyes. A beat-
TAYA:
You hardly even know me.
CHRIS:
I know enough. You’re a package deal,
babe.
She stares at the wall.
CHRIS:
What are you afraid of?
TAYA:
Nothing. Everything. I don’t know. What
if it doesn’t work out?
She moves to stand. He holds her put.
CHRIS:
I’m going to marry you, and we’re going
to start a family.
TAYA:
You got it all planned out, don’t you.
CHRIS:
I love you. I’m done.
(03.18.14) 24.
TAYA:
(crushed by his sincerity)
Well... you’re gonna need a ring if you
want to talk all tough like that.
She accepts with a deep kiss and prances off with the
sheet. He smiles and falls back onto the bed. The
curtains dance in the morning light. Then--
TAYA (OS)
Oh my god! No! Chris--
Chris bounds up, running into the next room. Taya stands
in front of the television. They both watch as-
ON TV NEWS:
THE SECOND PLANE hits the World Trade Center.It steals their breath. Chris hugs her close, trying to
shield her from it. His shock bleeds to rage.
40 OMITTED 40
40A OMITTED 40A
41 OMITTED 41
41 OMITTED 41
42 OMITTED 42
43 INT. DANCE FLOOR, RENT-A-YATCH - LATER 43
The storm closing in. CHRIS two-steps TAYA around the
dance floor to Van Morrison’s romantic “Someone Like
You.” Chris looks boyish and dapper and Taya is flush
with beauty and promise. The moment is quietly sincere
with the entire WEDDING PARTY watching when-
TAYA:
(her hand smudged with paint)
What the hell is on your neck?
She pulls at his collar to reveal GREEN SPRAY-PAINT
upside his neck.
CHRIS:
Would you believe me if I told you I was
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"American Sniper" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/american_sniper_141>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In