American Sniper Page #6

Synopsis: Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
 
IMDB:
4.9
Year:
2015
30 min
5,526 Views


CLOSE ON CHRIS:

He winces, sickened, and struggling to swallow the little

piece of him that just died.

GOAT (OC)

-F*** that was gnarly.

CHRIS SCOPE POV:

MOTHER flees down sidewalk, robes aflutter. CROSS-HAIRS

lead her. BAM. It pocks wall behind her. A round ejects.

CROSS-HAIRS swing forward, leads her more. BAM. She runs

into scope, reaches center, meets bullet. A red mist.

GOAT (OC)

Sh*t yeah. Evil b*tch!

COMMANDING OFFICER (OS)

Nice shooting, Tex. Helluva call.

(03.18.14) 31.

COMPANY COMMANDER (OS)

Roger that. Good lookin’ out Navy.

GOAT:

You hear that?

He nudges Chris, trying to get a celebration out of him-

CHRIS:

Get the f*** off me.

This is the reality of war. Not like he anticipated.

CLOSE ON CHRIS:

Breath racing. Bleeding sweat. Trying to process his

disgust. Trying to inject some purpose, mumbling:

Protect the Marines. Protect the Marines. Protect...

Clouds crawl over Chris like ghosts, swirling feverishly

as HOURS SLIDE BY. His face takes on a preternatural

blankness as he begins to slip into the shadows of self.

Suddenly-- clouds halt, pupils flare, chest inflates.

49 EXT. ELIZABETH STREET - SAME 49

Sun flares as MARC LEE advances alongside 1ST PLATOON

MARINES (40 men) when-- A SHOT SOUNDS. A BODY TUMBLES out

of the sky and lands in their midst with a meaty thud.

1ST MARINE #1

-F***, man! What the hell-

The Marines duck for cover then look to the sky-

1ST MARINE #2

-Where’d it come from?

MARC LEE:

That’s your overwatch, Einstein. You can

thank him later. Keep moving.

Marines slowly return to standing, glancing up at

surrounding structures trying to spot their protector.

50 INT. WINDOW - LATE AFTERNOON 50

Chris lays atop a baby crib. A scrim hangs in front of

him. Sunlight burns through it, casting a thousand

pinpricks of light across his face. SUN MARCHES ACROSS

the sky and pixels twist over his cataleptic shape.

(03.18.14) 32.

Suddenly-- sun halts, chest inflates, eyes flare.

51 INT. STREET - SAME 51

A CAR SPEEDS toward 1ST PLATOON. MARINES open fire with

the feeble POP-POP of M4s. The car still coming--

A SNIPER SHOT BOOMS across the sky like thunder. The

windshield spiders, blood splattered, and the car stops.

As Marines search rooftops for him-- THE CAR EXPLODES.

52 INT. LOOTED ROOM, ELIZABETH STREET - EVENING 52

CHRIS plants a loop-hole charge at the base of the wall

and steps around the corner to trigger the charge.

CUT BETWEEN:

INT. HALLWAY, DOWN ELIZABETH STREET - SAME

Black robes draw across mosaic tiles as “PHANTOM SNIPER”

slips down a hallway. A Dragunov Sniper Rifle over

shoulder, he hears the loop-hole charge detonate nearby

and turns, entering a tiled washroom to his left.

This is “MUSTAFA”.

LOOTED ROOM / CHRIS

CHRIS lays his kit in front of the blast-hole: gun, flag,

Bible. Packs a dip, elbows meet cement, eye meets glass-

WASHROOM / MUSTAFA

MUSTAFA lays in front of a mortar-hole. In a leather

satchel:
ammo, oil, cell phones. His eye meets glass--

LOOTED ROOM:

CHRIS finds his stillness. The instant he does-- SHADOWS

CREEP over him and night swallows the room.

53 EXT. ELIZABETH STREET - NIGHT 53

A palm tree burns like a candle over Fallujah. Below it,

head-lamps dance chaotic as VIPER TEAM MARINES exit a

house spray-painting “X” on the gate.

(03.18.14) 33.

MARINE VIPER #1

--hot as Bigfoot’s ballsack over here.

(knocks on next gate)

Derka, derka, derka....

MARINE VIPERS laugh, bowling into a courtyard.

CHRIS SCOPE POV (N/V)

Glowing green hue. CROSS-HAIRS track the Marines entry,

sweep the street and push toward the rooftop, when-

A SHOT SOUNDS. A MARINE FALLS in a 2nd story window.

MARINE VIPER #4 (OS)

(over radio)

--F***! Man down! It came through the

window--

CROSS-HAIRS whip across rooftops, on a swivel.

CHRIS (OC)

That was sniper fire. Shooter is on our

side of Elizabeth street. Over.

MARINE VIPER CO (OS)

Negative. East side of Elizabeth is

locked-down. Over.

Viper Marines drag the soldier out. In the phosphorous

green glow, we watch his body tremor as he dies.

SFX:
CHRIS’ ELEVATED HEARTBEAT pounds over scene as-

WASHROOM:

MUSTAFA flees down the hall. A fluttering shadow in

darkness, except for the reflective swoosh on his Nikes.

LOOTED ROOM:

Chris lays on the gun, brow pinched with onus, silence

like a scream. This happened on my watch.

CHRIS SCOPE POV (N/V)

CROSS-HAIRS TRACK across the city-scape. TIME LAPSES and

the world (in scope) SPEEDS UP. Humvees and tanks streak

past, lights blur, trees blow in choppy havoc, then--

TIME SLOWS to a crawl as CROSS-HAIRS FIND A MALE hurrying

into a alley, pulling sh*t from a pack. We zero-in and--

a flame flickers. The male is smoking opium.

(03.18.14) 34.

CROSS-HAIRS drift off him and TIME SPEEDS UP, dogs eat a

rotting body by the roadside, vicious in fast motion. TWO

WOMEN wobble down the road with buckets, wind whips

roadside grass into a tizzy and WE HALT ON-

CROSS-HAIRS ON A PERFECT CIRCLE in the grass, a rifle-

barrel? Stay on it. In stillness it finds context; a

RUSTY PIPE. TIME SPEEDS FORWARD, TWO BOYS zip by on a

Vespa, OLD MEN frantically bow to mecca on rooftops.

Clouds boil across dawn sky. His eye never leaves glass.

MARC LEE:

Smells like piss in here.

(no response)

You covered our ass out there, man.

Appreciate it. Those were ballsy shots.

CHRIS KYLE:

And they were clean. Right?

MARC LEE:

Hell yeah, they were.

CHRIS:

(finally looks up)

That sniper walked right up our ass.

MARC LEE:

I chewed out our security detail. It

won’t happen again.

CHRIS:

My shooter statements are on the dresser.

Marc Lee picks up a stack of YELLOW PAPERS on the desk.

MARC LEE:

Six?

CHRIS:

Should be eight. Two got dragged off.

(off Marc)

Something wrong?

MARC LEE:

No... but you got more kills than the

rest of the snipers combined.

Chris rubs red “shooter’s strawberries” from his elbows.

CHRIS:

They still got one of our guys.

(03.18.14) 35.

MARC LEE:

You can’t shoot what you can’t see.

Marc’s eyes land on piss-stained cement where Chris lay;

this f***er didn’t take his eye off the glass all night.

54 EXT. CAMP FALLUJAH -FORWARD OPERATING BASE(FOB)- EVENING 54

Behind miles of wire, a twenty-acre BASE CAMP. Aluminum

trailers, shithouses and tent farms. A Humvee pulls past--

55 INT. CHARLIE COMPANY BARRACKS, CAMP FALLUJAH - NIGHT 55

Chris steps in, letting the air-conditioning blow down on

him. Cots, lockers and cruise-boxes line the room.

Biggles reads a PUNISHER graphic novel, doesn’t look up.

BIGGLES:

Heard you got your dick wet.

CHRIS:

Where is everybody?

BIGGLES:

We’re just picking our d*cks here,

training those f***ing haji soldiers.

CHRIS:

Why ain’t you out there?

BIGGLES:

I got the shits. Marc Lee said you were

on f***in fire out there.

CHRIS:

(shedding gear)

You still read comic books?

Rate this script:2.7 / 7 votes

Jason Hall

Jason Dean Hall (born 1972) is an American screenwriter, film director and former actor. He played the recurring character of Devon MacLeish in Buffy the Vampire Slayer. He had a guest starring role on Without a Trace as Jesse in Season Two. Hall attended Phillips Exeter Academy. Hall studied business, English and cinema at the University of Southern California. more…

All Jason Hall scripts | Jason Hall Scripts

0 fans

Submitted by acronimous on May 10, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "American Sniper" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/american_sniper_141>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    American Sniper

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who played the part of Achilles in the epic movie Troy?
    A Matt Damon
    B Sean Bean
    C Brad Pitt
    D Eric Bana