American Sniper Page #8

Synopsis: Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
 
IMDB:
4.9
Year:
2015
30 min
5,521 Views


MARC LEE:

Can’t do. We need you on overwatch.

CHRIS:

But if I was down in the street-

MARC LEE:

House-to-house is the deadliest job here.

You got some kind of savior complex?

Maybe.

CHRIS:

I just wanna get the bad guys. And I

can’t shoot them if I can’t see ‘em.

MARC LEE:

You got a hot hand. These Marines all

know your name now and they think they’re

invincible with you up there.

CHRIS:

They’re not--

MARC LEE:

They are if they believe they are. Just

keep banging on the long-gun and let

these ground-pounders sniff out Zarqawi.

Marc walks off leaving Chris biting at a shamal wind.

CUT TO:

AN F-18 RIPS OVERHEAD firing 500lb JDAMs into the next

block. Smoke and dust billow outward-

60 INT. ROOFTOP 60

Under a fluttering canopy, CHRIS lays on the gun, cursing

zero visibility. GOAT camps nearby, on a GameBoy.

CHRIS:

You said that AQI sniper was in the

Olympics-- but Iraq hasn’t qualified a

shooter in the last three games.

GOAT:

Mustafa’s not Iraqi. He’s from Syria.

(03.18.14) 43.

Chris steals a glance at him, processing this as-CHRIS

SCOPE POV:

KILO COMPANY MARINES JOG to a pink house with windowsboarded up. One of the Marines looks like Jeff Kyle.

CHRIS:

(keys mike)

Once you make entry I can’t see sh*t, so

keep it slow and push through the target.

“Jeff Marine” sets a charge, turns--not Jeff.

The door blows off. Marines rush in. GUNFIRE POPS.

Marines rush back out, dragging a WOUNDED MARINE.

CHRIS:

F*** this-- I’m going down to clearhouses with the Marines. You coming?

GOAT:

No man. No. I like my life. I wanna makeit home. I go fishing and do all kind ofcool sh*t. It’s not my job to knock down

doors. Those guys picked the wrongfucking job. I ain’t doing that sh*t.

CHRIS:

(smiles)

If I don’t see you down there, you make

sure I don’t see you again.

61 INT. STREET, SOLDIER’S DISTRICT - MINUTES LATER 61

KILO COMPANY firing on the structure. “CPT. GILLESPIE”

(smart, sunburned) is shouting “hold your fire” as--

CHRIS:

(bowls up)

You wanna be a sniper? Swap me guns.

Really?

“JEFF” MARINE

CHRIS:

I’ll roll with you guys if that’s cool?

CPT. GILLESPIE

Hey, any Navy Seal is cool by me.

“THOMPSON” (big, wobbly voice) nods, lugging an M240G.

(03.18.14) 44.

THOMPSON:

You’re that guy. They’re calling you The

Legend. You got like 24 confirmed kills.

He recognizes his way to gain entry, so he plays it up.

CHRIS:

It’s 32. But who’s counting.

THOMPSON:

That’s badass.

“SANCHEZ” (neck tattoos, Catholic) chimes in.

SANCHEZ:

There’s some boy in Bravo catching up.

CHRIS KYLE:

(packs a dip)

Y’all are meateaters for sure but I got a

little training I could show you, some

simple sh*t, that might just keep us

above ground. What do you say?

His need to protect cloaked beneath cool cowboy calm.

62 OMITTED 62

63 EXT. MICHIGAN STREET - OUTSIDE THE WIRE - DAY 63

KILO COMPANY are doing house-to-house. On the job

training. Tension high, they’re bunched around a doorway.

CHRIS motions them back, not so close, sets a charge-

64 INT. HOUSE, DAY 64

BOOM!-- KILO COMPANY ENTER a house with chandeliers and

regal armoires. They clear the room, CHRIS teaching them

how to move together, giving hand signals.

SANCHEZ:

(low)

-Whas that mean again?

GILLESPIE:

Cover and follow.

He follows Chris into a room with sofas, exotic rugs and--

(03.18.14) 45.

A KID(12) stands across the room with dark eyes and

pronounced forehead, staring at Chris.

CHRIS:

Down. Down! On the floor, now!

THE KID is rocking on his heels like he’s going to run.

CHRIS:

I will f***ing shoot you! Down! Get down-

FATHER OF KID (OS)

No, please--

THE FATHER runs in, tall and bearded. Gillespie clocks

him and he drops. The Kid screams like he’s deaf.

FATHER OF KID:

(from the floor)

Please! He can’t understand. Look at him--

GILLESPIE:

He does look a little retarded.

CHRIS:

You were ordered to evacuate. Why are you

still here?

FATHER OF KID:

This is our home. I won’t give it to

them. Or to you.

SANCHEZ pushes THREE WOMEN (in berkas) into the room.

SANCHEZ:

I found these b*tches in the back closet.

FATHER OF KID:

I’m Sheikh al-Obeidi. You are my guest

but please tell the others to come

inside. If they are in the street he will

know we have spoken.

SANCHEZ:

This sand nig’ want us in here so he can

blow us up. Check his ass for a vest.

A KETTLE whistles in the kitchen. Guns still trained.

CHRIS:

Who will know we’ve spoken?

(03.18.14) 46.

SHEIK AL-OBEIDI/FATHER

Your enemy is mine enemy. We share this.

You understand?

Chris studies the women, and lowers his gun.

CHRIS:

Bring the other guys in.

TIME CUT - LATER

Chris and Gillespie sit with “SHEIK AL-OBEIDI” while the

kid (“OMAR”) plays with his father’s hair.

SHEIKH AL-OBEIDI

If we talk to US soldiers he will come to

our home and make examples of us-

CHRIS:

Who is he? I need a name.

The Marine Interpreter aka “TERP” (20s, in mismatched

camo, face bandanna) repeats the question.

SHEIKH AL-OBEIDI

The man who comes we call The Butcher.

He is the despaired one, son of Shaytan--

Sheik mumbles in Arabic, fearing the words on his tongue.

TERP:

He calls him - the pure flame of fire- .

Basically, this man comes to their house

and prey on the weak with hurt.

CHRIS:

So he’s some kind of enforcer?

SHEIKH AL-OBEIDI

Enforcer. Yes. Top soldier of Zarqawi.

CHRIS:

(jumps)

We want Zarqawi. Where do we find

Zarqawi?

OMAR CACKLES like a crow, playing peeking games.

SHEIKH AL-OBEIDI

If you find The Butcher you will see he

reports direct to Zarqawi each day.

An F-18 rips overhead. RADIO CHATTER. THOMPSON steps out-

(03.18.14) 47.

CHRIS:

How do we find him?

SHEIKH AL-OBEIDI

You must understand the risk to us.

TERP:

He will ask for money.

SHEIKH AL-OBEIDI

We need one hundred thousand US dollars.

THE BOOM of distant ordinance shakes the structure.

CHRIS:

We don’t even have proof this guy exists.

The Sheik grabs his wife, pulls her arm from her robe--

her hand has been hacked off, the stump healing.

SHEIKH AL-OBEIDI

Is this not proof?

CHRIS:

I’m sorry. I want to help you. I do. But

I need names, places, phone numbers-

THOMPSON:

(rushes in)

Hey, we got a Marine unit pinned down in

a house just uprange-

CHRIS:

Give me a name, Sheik. Give me something.

THOMPSON:

They’re out of ammo. If we don’t go now--

Sheik stonewalling, Chris stands to go, f***-

SHEIKH AL-OBEIDI

“Amir Khalaf Fanus”. This is given name

of The Butcher. But to help you find him--

Sheikh Obeidi SWEEPS A HAND across his open palm, pay me.

TRANSITION TO:

Chris sweeps a hand across his open palm, pay me. We are-

(03.18.14) 48.

65 INT. DIA TRAILER, CAMP FALLUJAH - DAY 65

CHRIS and MARC LEE sit in front of AGENT SHEAD, of the

Defense Intelligence Agency. A game of solitaire open on

his computer. CORNHUSKER football posters on his wall.

Rate this script:2.7 / 7 votes

Jason Hall

Jason Dean Hall (born 1972) is an American screenwriter, film director and former actor. He played the recurring character of Devon MacLeish in Buffy the Vampire Slayer. He had a guest starring role on Without a Trace as Jesse in Season Two. Hall attended Phillips Exeter Academy. Hall studied business, English and cinema at the University of Southern California. more…

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Submitted by acronimous on May 10, 2016

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