Amina Persa Page #3
- Year:
- 1977
- 24 Views
he knew a tragic love for...
Well,I won't go
into the details.
It was an overwhelming love.
For a girl who turned out to be
different from her image.
It left him
with an incurable wound.
- Is that what caused...
- Yes. Maybe the catalyst.
But I put it down to ancestral,
familial factors.
Madness is like a sprite creeping
randomly into people's heads.
At times every two generations.
So,one day,
he started forming an idea,
a phobia,a whim...
It's always a whim
that drives us to madness.
He started to fear that his face
was slipping off his head,
sliding down his chest
to his feet
and vanishing on the floor.
- Understand?
- Not really.
A spinechilling obsession.
He took to looking at himself
in the mirror more often
to check whether his nose
or eyes had in fact descended
With a ruler,every day,
he'd measure the distance
between his nose and hairline.
- He was mad all right.
- Mind you,there is...
there's a psychological
explanation to his mania.
The fear of seeing one's face
slip off
is nothing but fear
of losing one's identity.
Losing oneself.
Know what that is?
A mental asylum.
How could I let my brother
die in there?
possibly strapped to a bed?
Look!
Poor souls!
Guilty only of rejecting common
sense and its vile rules.
Hello,Minister!
Come and keep me company.
Do you know why
they're locked up?
Because like kids,
the insane know the truth.
And people fear the truth.
Has he been in that room since,
seeing nobody?
Nobody except me.
He's in there with his toys,
his things...
He's quite well equipped
He even has movie-cameras,
microscopes...
He loathes clocks though.
He can't stand their ticking.
My brother would often
come here before becoming...
a recluse.
He loved this long
abandoned oil tanker.
He'd stare at her for hours.
Then suddenly he'd yell out
a word.
A name...Eufrasio.
I wonder why.
Eufrasio.
That's how he yelled.
Who knows why?
Until recently there was
some rationale to his madness.
He'd film interesting,
curious material.
There was order,
logic to it.
He was very interested
in spiders,arachnids...
scorpions...
and in the dipterans...
which are,as you don't know,
what we commonly call flies.
Nature can be so cruel.
A sharp,but above all,
very original remark.
Here is a film
shot a few years later.
He had already lost interest
in living things.
What?
Who included that footage?
I don't know.
I didn't do it.
That's enough.
Let's move to the table.
Tino,some wine please.
- It's your third glass.
- No,Engineer. My second.
No,your third
It's your birthday soon.
What would you like?
Forget it. I'm too old
for presents now.
I think I'll have a drop.
Enough,darling.
It's bad for your skin.
We must give you a present
though.
A diligent boy like you
deserves it.
It's a shame today's youth has
lost interest in such things.
Here.
You see,Tino...
my father gave me these
on my 18th birthday.
American duelling pistols
from 1830. Look.
Such elegant lines.
Nothing's more perfect than arms
and musical instruments.
A pistol in particular,
has a rational,
essential type of beauty.
of other things.
But a pistol can only ever
remind you of a pistol.
- Please don't do that.
- Why?
- No.
Yes.
You think it's possible.
So little do we know
each other.
The chiropodist's arrived.
Accidents happen to all of us.
Every day people fall
into a canal.
But not her.
She's as reliable as bad luck.
It's no good
covering up things.
You're an adult.
- Did you notice that girl?
- Yes.
She's one of those.
She comes every Thursday...
for the professor.
His mind may be sick
but he's still a man.
We have to accept it.
Charity doesn't only mean
alms and kind words.
Besides,what the poor woman
is forced to do
is anything but fun
or pleasure.
Does Uncle go with her
upstairs?
Of course. He stays there
the whole time.
He doesn't trust him.
And I can see why.
God only knows
what could happen.
Having to watch all that
must be...
Once we thought
we should change.
Mr Stolz took on the demeaning
task of finding another,
of negotiating with her...
All in vain. He wouldn't
accept any other woman.
We trust her. She comes
and goes so discreetly.
Like a nurse.
Nurse my foot! She's a whore.
Why not say so?
I'll make him disinfect
himself.
He's so polite. He walks her
to the door and shakes hands.
This is Vermeer's
Sleeping Girl.
Next time I'll go through
its virtues and beauty.
Today we'll discover
something else.
This is a detail
of the painting.
Look very carefully.
This isn't a still life
by Czanne
Here is an enlargement of it.
Sandokan,come and lift up
these apples.
Hold up the Czanne.
Aren't they similar?
And isn't this a Burri?
Just like this one.
what did modern artists
invent? Nothing!
- Rascal!
- How dare you?
- I'm going,Sir.
- Good day,my dear.
What I mean is
that everything the moderns do
can be found
in the old masters.
But in their paintings
we find a lot more too.
Get the idea,
you jackasses?
Especially you,Francesca.
And you,Tino.
Where's that baboon gone?
He plays with toys like a kid.
Films about what?
Insect behaviour,for instance,
ants,spiders...
My uncle showed me a few.
Aren't you afraid of living
with a madman?
I am. But I feel sorry
for him.
Yesterday,I went to see him
unbeknown to anyone.
- What was he doing?
- Having coffee.
- Nothing wrong with that.
- Sure.
But he poured it into his saucer
and then lapped it up.
Disgusting
- Like this place? It's famous.
- The come from everywhere.
Especially America.
Writers,film stars...
That one must be
an American writer.
That's the owner doing his
accounts. He makes money.
- It's pricey. Can you pay?
- Of course.
They look like statues.
Let's wake them up.
- It won't be easy.
- Let me try.
- What's going on?
- A Swiss dropped in,then out.
Some people!
Venice has become unlivable.
Come in.
- I'm off.
- Okay, Annetta.
- You'll be home alone.
- Alone?
Well,not really.
You've got him.
- Who is it?
- Me.Lucia
- I'm so happy to see you.
- What's come over you?
They've all gone out.
I'm home alone.
- With him.
- Him?
- Where are you going?
- I don't want to intrude.
I'm alone.
How could you intrude?
- Let's have a drink.
- What brings you here?
- Aren't you glad?
Yes,of course.
- Where is he?
- In the attic.
- Can I see him?
- Do you really want to?
- Yes...I do.
- Let's go,then.
What a sitting room!
Your relatives must be wealthy.
Little Red Riding Hood goes
to see the Big Bad Wolf.
- This way.
- After you.
Watch your step.
Come.
- Afraid?
- No, But...
I'm here.
Come along
Careful. He might hear you.
I can't see him.
- Oh,it's you.
- Let me see.
What a fright!
My heart's pounding.
- Can you feel it?
- I sure can.
What's that?
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"Amina Persa" Scripts.com. STANDS4 LLC, 2024. Web. 25 Dec. 2024. <https://www.scripts.com/script/amina_persa_2734>.
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