Anastasia Page #7

Synopsis: Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.
Director(s): Anatole Litvak
Production: 20th Century Fox
  Won 1 Oscar. Another 5 wins & 4 nominations.
 
IMDB:
7.1
Rotten Tomatoes:
90%
UNRATED
Year:
1956
105 min
1,146 Views


you must know that I am not a fool.

I too have gone through

the revolution into the world.

The effects of your journey

are not visible.

You know perfectly well this woman

is not my granddaughter.

Quite honestly,

I don't know who she is.

But there is so much that cannot be explained

unless she is the woman she believes she is.

- I see now that it mattered more to you than I thought.

- I beg your pardon.

You really wanted that title you never

got. You're not doing this simply for money.

You have never forgiven

my family, have you?

I'm here simply to tell you that whoever

this woman is, she asks only one thing...

- To see you.

- Unfortunately, there are not enough years remaining for me...

to see every madwoman

with a royal obsession.

If she must see me, show her

my photographs again.

- Your Majesty...

- Go back to Paris, Bounine. You are wasting your time.

General, good evening.

- Your Majesty, I thought perhaps that you...

- Save your nonsense. My cape.

So Bounine is still attractive.

Yes, Your Majesty.

- Madly attractive.

- Yes, Your Majesty.

Livenbaum, your voluptuous

fancies are disgusting.

To a woman of your age,

sex should mean nothing but gender.

Yes, Your Majesty.

You saw her?

What did she say? Did she...

I did not see her.

What did he say?

He was very charming. I like him much more

than I thought I would from your description.

- Do you?

- Don't you want me to?

I want you to make him like you

more than he thought he would.

- Forgive me, Aunt Marie. I just ran into somebody...

- I forgive you.

You ran into a blond.

Very pretty.

Is she married?

- And who is she?

- I don't know yet.

- Go on, you can tell me.

- Livenbaum, I came for the other performance.

Your Majesty.

- The jewels, please.

- Jewels?

Yes, the jewels.

Please, Andrei, will you put

these in the safe downstairs?

Why? They are fake.

- You know that, but the manager won't.

- Oh, public relations.

- Anything else?

- No. See you in the morning. Good night.

Good night.

You did very well tonight.

Thank you.

Am I dismissed now too?

Yes, you had better

get some rest.

Prince Paul will be calling

for you tomorrow evening.

Thank you for achieving

the invitation.

You achieved it.

I merely accepted.

The empress doesn't want

to see me, does she?

- She will see you.

- I'm sure she said no tonight.

So now the route

is through Paul via me.

You don't hesitate to use anybody

for anything, do you?

Oh, I hesitate.

I hesitate until I'm sure

of the desires of those concerned.

Good night.

To begin with, a nice,

clear champagne soup.

And then, uh, I think

a fricassee of champagne.

- No vegetables.

- But a crisp champagne salad.

- Excellent.

- And for dessert?

- A small champagne souffle.

- 1921 is a very good year for souffle.

I really don't like champagne.

I only like what it does to me.

- You won't like it in the morning.

- Mmm.

I'll adore it in the morning. I'll have

a fantastically enormous hangover...

and your friend Bounine

will be furious.

You know what he is?

Vodka. Quick, hard, sharp.

- And you?

- Champagne, I hope.

- Don't be greedy. Mmm.

- As a little girl you used to say that...

Oh, no, no.

Not tonight.

- How many times have we been together? Four, five?

- Three.

And every time...

Well, every time I've heard your mind "click,

click, click. Is she? Isn't she? Is sh... "

It's very, very unattractive

of you, and very noisy.

Tonight I just want

to have a good time.

Do you know who I am?

No. A woman.

- An extremely attractive one.

- Then behave accordingly.

Well that's...

That's difficult.

- No "click, click, click. "

- Not a one.

1921. Definitely.

Excuse me, Your Highness.

I apologize for the intrusion...

but Her Highness has not

yet recovered from her illness.

Her doctor has given

strict orders that she retire early.

Vodka, pure vodka.

That poor Cinderella. The coach

turned back into a pumpkin...

- and the footman into a big white rat.

- Your Highness.

- Don't you think the glass slipper cut her foot?

- Good night, Your Highness.

Oh, that ugly stepsister!

Good night. Thank you.

Thank you.

And thank you.

Thank you.

Pleasant dreams.

Good evening. Ah...

I forgot. My compliments to the chef.

- Good night.

- May I speak to you for a moment?

- It's very late.

- It's very important.

All right, I enjoy her company.

And I agree she's a beautiful woman.

With the possibility

of inheriting ten million pounds.

Bounine, everyone is boringly aware

of my weakness, and yours...

For beauty and money.

I don't think it so inhuman of us. They are

the two most desirable items in the world.

All right.

What do you propose to do?

At times you push too hard.

Her visa expires in four days.

- If she hasn't seen the empress...

- You've been knocking too loudly on the door, Bounine.

It is precisely when my aunt thinks somebody

is trying to force her to do something...

- that she does nothing.

- When do you do something?

- Depends.

- On the odds?

You're pushing again.

They are high this time,

my dear prince. Very high.

Good night.

One, two...

Three, four...

General...

General, I'm hungry.

You just came from

a restaurant, didn't you?

Oh, but, but such

a funny restaurant.

No food! Why don't you

take me there tomorrow?

You've had too much to drink.

No! Not quite enough.

Shall I call for some more?

- No!

- "No! '"It must be very dreary in your room.

Everyone in mine

is having a wonderful time.

Would you care tojoin us?

Please stop the nonsense

and go to sleep.

Go to sleep.

When we sleep, we sleep.

General, I have

a confession to make:

I was lying.

There's no one here but me.

Can you hear me? General!

Why don't you

make a concession?

Uh, I mean confession.

Well, it's the same thing.

Come on, General.

One little confession.

One sweet tiny confession.

Prince Paul was asking

for you twice, Your Majesty.

Thank you, Fedya.

Good afternoon, Your Majesty.

Did Her Majesty enjoy the drive?

Yes, it was quiet for a change.

- Prince Paul...

- I heard. He called twice.

He's still waiting, Your Majesty.

- Sorry, Your Majesty, to be so persistent, but it is a...

- Money?

- Much more important.

- Oh, a woman.

Very well, come in.

Well, who is she?

- I'll come straight to the point.

- You usually do.

- Is Her Majesty back?

- Yes.

Late, dear Countess, late.

Livenbaum, I'm in

no mood for you.

I had to go all the way

to town on the trolley.

- On the trolley, my dear, while you...

- Oh, your bursitis again.

- I do not have bursitis. I have migraine.

- In the shoulder?

Another area wouldn't

surprise me as much.

Livenbaum, enough is...

- Is there someone in there with her?

- Paul.

Paul? You know he's been seen

publicly with that woman?

- Which woman?

- The impostor.

Prenez garde, Comtesse. Perhaps

the empress will accept her?

- You mean he's going to talk her into it?

- She's getting old.

- Never.

Rate this script:5.0 / 1 vote

Arthur Laurents

Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions. His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977). more…

All Arthur Laurents scripts | Arthur Laurents Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anastasia" Scripts.com. STANDS4 LLC, 2024. Web. 5 Oct. 2024. <https://www.scripts.com/script/anastasia_2815>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In which year was "Avatar" released?
    A 2009
    B 2008
    C 2010
    D 2011