Angel Page #2

Synopsis: Angel Deverell comes of age in Edwardian Cheshire knowing she will be a great writer. Rising above her class (her widowed mother has a grocery shop), Angel finds a publisher and a wide audience for her frothy romances. With royalties, she buys an estate, then she's smitten by Esme, a rake from local aristocracy and an artist of dark temperament. She hires Esme's sister Nora, who dotes on her, as a personal assistant, and pursues Esme. Angel is grandly self-centered, coloring her world as if it were one of her novels. When the Great War breaks out and reality begins to trump her will, can Angel hold on to her man and her public?
Genre: Drama, Romance
Director(s): François Ozon
Production: Lions Gate Films
  1 win & 3 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
50%
Year:
2007
113 min
Website
492 Views


some favourite authors.

- I quite like Shakespeare.

Except when

he's trying to be funny.

- Miss Deverell,

I personally find

your very special...

... style totally compelling.

And I'm sure

many readers will too.

Which is why -

as I wrote to you -

we'd be delighted

to publish your novel.

Given one or two

minor adjustments.

- What adjustments?

- Well, for example, chapter nineteen:

your - ahem - description of childbirth

is a little on the shocking side.

I'm not sure the "pints of blood" passage

is strictly necessary.

- Then you clearly don't know

anything about having babies.

- No, but I am a father,

and I can assure you childbirth

is an extremely beautiful thing.

- That's because you're not the one bleeding.

- Now, chapter twenty-five.

Lady Irania's dinner party.

Just a detail, but you don't actually

need a corkscrew to open champagne.

- I think you're wrong.

- I don't think I am wrong, actually.

Well, look, it's nothing hugely important.

But what do you say: I give you

back the manuscript,

you make these changes

and then we publish.

- No.

- I'm sorry?

- I won't change a single word

or comma of my book.

- Final boarding!

Final boarding!

(background chatter)

- Miss Deverell.

- Oh. Mr. Gilbright.

What're you doing here?

- I came to apologize

for what happened just now.

It was... clumsy of me.

- That's really no need.

They're plenty of other

publishers who are interested.

- The fact is, I've been

speaking to my colleague

and we're prepared to take a risk

and publish Lady Irania

just as it is.

- I don't see that is a risk.

- I just wanted to protect you

from the critics, that's all.

- I'm not frightened of critics.

- Splendid.

Well, what time is your train?

- In an hour.

- What about travelling back tomorrow?

We could have dinner.

My wife would be delighted

to meet you.

Or perhaps another time,

when you've spoken

to your mother.

- I don't need

my mother's permission.

I've never tasted wine before.

- Hmm. Does it come up

to your expectations?

- I never really had any.

- That's Theo's

favourite claret.

We have it shipped over specially

from France.

(laughing)

- My mother would be

so shocked.

She wears

this funny little badge

to show she'd never touch

a drop of alcohol

even if offered it by Christ in Heaven.

- I don't like to think

we've given you something

your mother would disapprove of.

- I want to live my own life.

- For someone

who's never tasted wine,

you describe the effects

of drunkenness remarkably well.

- I know I do.

- Theo's read me parts

of Lady Irania.

You must've done

a great deal of research.

- Oh, no. I made the whole thing

up in my own head.

- I see. Which is presumably

why some of it

seems the fruit of a somewhat

youthful imagination.

- Miss Deverell and I

have already discussed

all of that, Hermione.

- Some of Miss Deverell's

descriptions are...

well, to say the least, daring.

- I didn't realize you were

my publisher, Mrs. Gilbright.

I thought you were my publisher's wife.

- Right...

Splendid.

Shall we go through for coffee?

I'm sure Miss Deverell

would appreciate some music.

(classical music)

- Are those real pearls

your wife's wearing,

Mr. Gilbright?

- Well, yes, I... I think so.

- And has your wife

ever met the Queen?

(meowing)

Oh! Isn't he adorable?!

I love animals.

- You'll make her sick

if she drinks that.

She's already been fed.

In the kitchen.

- It's good for him.

- Don't stop playing, Hermione.

- Oh, isn't that sweet?

Look, the poor little thing,

he's lapped it all up.

- She!

- Let's have another piece.

What about Scarlatti?

- No. If Miss Deverell

will excuse me,

I need to feed the canaries.

- Oh, canaries? I love birds.

Can I go and see?

- I'm afraid not.

- Well, I wish you'd tell me

something about your family,

Miss Deverell.

What does your father do?

- My father?

- Yes.

- He's dead.

- I'm so sorry.

- Don't be. I didn't know him.

- And you were born in Norley?

I don't think I know Norley.

What's it like?

- I don't want to talk about it.

- Really?

- I hate Norley.

It's hideous.

Miles and miles of ugly streets

and ugly brick houses.

The people

are all mean and stupid.

My mother owns a grocery shop

and we live upstairs.

But please, please,

I don't want anyone to know.

I don't want anyone

to find out where I'm from.

- I-I... I understand.

- You see...

... nothing I'm telling you...

seems real.

And one day...

... I might even stop

believing it myself.

- The thing is, Lottie...

... what if Angel

really is very gifted

and we just don't understand?

- A mother might be excused

for thinking that,

but the fact is, Emmy,

she's embarrassing us both

and it's got to be

put a stop to.

- Stop? She just writes

and writes.

It makes me shudder to think

what's coming out of that pen.

- And where in heaven's name

did she find out about...

you know...

the facts of life?

- Well, certainly not from me!

- Thank you very much.

- It's a pleasure.

Nice to meet you.

Who shall I make it out to?

- Alice.

- Just one more, please!

- ... the pleasure

of awarding this prize

to Miss Angel Deverell.

(applause)

- Where am I?

Where am I?

- You're here with me,

Lady Irania,

safe in the Castle

of Silver Tears.

- Oh, my darling Sebastian!

My eyes!

I can no longer see!

No longer see the silver tears!

- Rest now.

Let sweet sleep

possess your heart.

- Oh, my faithful Sebastian,

you who have never

once betrayed me,

say, has my whole life

been lived in vain?

(snoring)

Was it a dream?

A mere illusion?

- No, my Lady Irania, it was no dream.

Your life has been one

of beauty and magnificence.

And you live in the Castle of Silver Tears!

- Ah, Sebastian!

Only you...

have truly loved me.

- ... have truly loved me.

(audience):
Ah....

(applause)

- Ladies and gentlemen,

it is my great pleasure

to announce

that we have

here with us tonight

the author of our play,

Miss Angel Deverell.

(crowd reacting)

(applause)

- Stand up, Angel.

They want to see you.

(cheering)

- Thank you for coming.

- Truly marvellous.

- Thank you.

It's nice to meet you.

Thank you very much.

- Why don't you say hello

to her? She'd be so glad.

- Oh, I daren't.

- Why not?

She's your niece.

- Yes, but what if

she still hates me?

- Congratulations,

Miss Deverell.

- Oh, thank you, Lord Norley.

- A most magnificent evening.

- I'm glad you enjoyed it.

This is my publisher.

- Norley.

- Theo Gilbright.

- I was just saying to Theo--

- I'm so sorry. Allow me

to introduce my niece, Nora.

A most fervent admirer.

Come on now, Nora.

Up off the floor.

Homage from one writer

to another and so on.

- Uncle, you're not to mention

my feeble scribblings

in front of Miss Deverell.

- You're a writer too?

- I write a little verse, yes.

- Under what name?

- My own.

Nora Howe-Nevinson.

It's nothing compared

to your own...

astonishingly beautiful work,

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Elizabeth Taylor

Dame Elizabeth Rosemond Taylor, (February 27, 1932 – March 23, 2011) was a British-born American actress, businesswoman, and humanitarian. She began her career as a child actress in the early 1940s, and was one of the most popular stars of classical Hollywood cinema in the 1950s. She continued her career successfully into the 1960s, and remained a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh-greatest female screen legend. Born in London to wealthy, socially prominent American parents, Taylor moved with her family to Los Angeles in 1939, and she was soon given a film contract by Universal Pictures. She made her screen debut in a minor role in There's One Born Every Minute (1942), but Universal terminated her contract after a year. Taylor was then signed by Metro-Goldwyn-Mayer, and had her breakthrough role in National Velvet (1944), becoming one of the studio's most popular teenaged stars. She made the transition to adult roles in the early 1950s, when she starred in the comedy Father of the Bride (1950) and received critical acclaim for her performance in the drama A Place in the Sun (1951). Despite being one of MGM's most bankable stars, Taylor wished to end her career in the early 1950s. She resented the studio's control and disliked many of the films to which she was assigned. She began receiving roles she enjoyed more in the mid-1950s, beginning with the epic drama Giant (1956), and starred in several critically and commercially successful films in the following years. These included two film adaptations of plays by Tennessee Williams: Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959); Taylor won a Golden Globe for Best Actress for the latter. Although she disliked her role as a call girl in BUtterfield 8 (1960), her last film for MGM, she won the Academy Award for Best Actress for her performance. Taylor was then paid a record-breaking $1 million to play the title role in the historical epic Cleopatra (1963), the most expensive film made up to that point. During the filming, Taylor and co-star Richard Burton began an extramarital affair, which caused a scandal. Despite public disapproval, she and Burton continued their relationship and were married in 1964. Dubbed "Liz and Dick" by the media, they starred in 11 films together, including The V.I.P.s (1963), The Sandpiper (1965), The Taming of the Shrew (1967), and Who's Afraid of Virginia Woolf? (1966). Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance. She and Burton divorced in 1974, but reconciled soon after, and re-married in 1975. The second marriage ended in divorce in 1976. Taylor's acting career began to decline in the late 1960s, although she continued starring in films until the mid-1970s, after which she focused on supporting the career of her sixth husband, Senator John Warner. In the 1980s, she acted in her first substantial stage roles and in several television films and series, and became the first celebrity to launch a perfume brand. Taylor was also one of the first celebrities to take part in HIV/AIDS activism. She co-founded the American Foundation for AIDS Research in 1985, and the Elizabeth Taylor AIDS Foundation in 1991. From the early 1990s until her death, she dedicated her time to philanthropy. She received several accolades for it, including the Presidential Citizens Medal. Throughout her career, Taylor's personal life was the subject of constant media attention. She was married eight times to seven men, endured serious illnesses, and led a jet set lifestyle, including assembling one of the most expensive private collections of jewelry. After many years of ill health, Taylor died from congestive heart failure at the age of 79 in 2011. more…

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