Angel Page #4
out of you.
is nicer than it sounds.
- Let's see.
Very beautiful eyes...
Very clear skin...
And hair...
that glistens in the light...
(laugh shyly)
Don't tell me you're not used
to compliments, Miss Deverell.
- I really should be going.
- Of course.
And shall we say tomorrow,
at the same time?
- You don't mean
- Why not? I like the light.
- I... I'd just imagined
somewhere more--
- Trust me, this is perfect.
- And what about clothes?
I was thinking something
low-cut, with lace.
Or maybe something
completely simple like...
like a Greek toga.
(scoffing)
- No, come just as you are
today.
- But this dress is so drab.
- It's not the dress
I'm interested in, it's you.
I read one of your books,
by the way.
- Oh, really?
Aspasia.
My landlady lent it to me.
I read it straight through.
From cover to cover.
(Angel laughing slightly)
And I realized
what your secret is.
- My secret?
- I think the secret
of your power over people
is that you communicate
with yourself,
not your readers.
Am I right?
- Yes. Possibly.
Are... are you tired?
- No.
The thing is, Angel,
I find you utterly surprising
and delightful.
But how can I paint you
if I don't know
what's really going on inside?
Because you give me little hints
about yourself -
about your childhood,
growing up -
but none of it connects.
Something's missing.
How can I paint you
if I don't know what it is?
- Maybe I don't know
what it is myself.
- What happened to you in Italy?
- I've never been to Italy.
- Alright, maybe not in Italy,
but to do with Italy.
What was it?
Was it love?
I'm sure it was something
to do with love.
- It was jealousy.
(knocking)
(sighing)
- Who is it?
- It's Nora.
- Oh, Nora!
What a wonderful surprise!
Come in, come in!
- The doctor's very worried,
Angel.
- It's very sweet of you to be
but I've lots of professional
commitments here,
particularly now.
As soon I'm finished
I'll come home, alright?
- You're seeing him,
aren't you?
- Seeing who? Theo?
- No - my brother.
- What makes you say that?
- Be careful.
He could hurt you.
(laughing)
- Hurt me?
I'm not a child, Nora.
And I hardly see Esme
as life-threatening.
I was pleasantly
surprised by his pictures.
They may not match
my own ideas of beauty,
but they have a definite--
- I'm not talking
about his paintings,
I'm talking about him.
- You're not jealous, are you?
- Jealous?
- Of my interest
in your brother's paintings.
- But it's not
just his paintings...
- It's true.
I do like Esme.
But in the same way
that I like you.
Come.
I would have loved
to have had a sister, Nora.
A sister like you.
But what did the doctor say?
- He says her condition
is more dangerous
than he'd thought.
He's not sure she'll recover,
especially if she can't eat.
- Well, what's he doing about it?
There must be some kind
of medicine she can take.
- I'm just telling you
what he said.
- You're here...!
Angel...
My darling.
- Your hands are freezing.
- Have you told Aunt Lottie?
- Of course.
Nora sent a telegram.
- Why isn't she here?
- I don't know.
It is a long way.
- I'm frightened
I'll never see her again.
- Don't say that.
I used to love it...
when she could come
and visit us so often...
at the grocery.
Remember?
- Of course.
But you'll get better
and you'll see her again.
- You're so sweet to me.
Angel...
- Yes?
- I want you to forgive me
for bringing you up
the way I did.
I know it was hard for you,
and even harder
when your father died.
You were such
So cheeky...
and clever.
He worshipped you.
(crying)
You know what I regret most?
- No?
- It's not having the time
to see you marrying
and have a child.
- But I don't have time
for a child, Mother.
I have my work.
- Your work...
your books...
(exhaling)
- Oh!
Oh, no!
Oh, no!
(sobbing)
No!
No, don't leave me!
(sobbing):
No...
please don't leave me.
- Well?
- It's over.
- Oh, my God...
(crying)
(crying)
- On behalf
of the Norley Gazette,
I would like to offer
my sincerest condolences
on the death of your mother,
for her excellent grocery shop.
- My mother was above all else
a very great artist.
- Was she?
- She played the piano.
She was considered to be
one of England's
finest concert pianists.
- I see. That's something
I wasn't aware of.
- Her natural humility
prevented her
from advertising her...
... exceptional musical gift.
- And like yourself,
she was born here in Norley?
- My childhood
is wrapped in mystery.
It's true I was brought
to Norley at a very tender age,
but from where,
nobody knows.
I always thought
I had noble blood,
perhaps from my father's side.
But my mother passed away
before she could divulge
the true secret.
(background chatter)
(laughing mockingly)
- Well... I wonder
when we can expect her
to make an appearance.
- She's probably anxious.
- Oh, I think
she's more irritated
about the people
who haven't come.
- I did explain nobody
stays in London for summer.
It's not personal.
- Anyway, they're just snobs.
They resent the fact
that she's popular.
Have you seen my brother?
- Oh, yes.
Excuse me.
- Certainly.
- Mr. Howe-Nevinson,
Theo Gilbright.
- Of course.
Will you excuse me?
- Well, I think it's wonderful
that your sister's working
for Angel.
She seems absolutely devoted.
- In love with her, you mean.
- In love with her?
- Oh, yes. Passionately.
- Are you by any chance Miss
Howe-Nevinson's famous brother,
whose talents Miss Deverell
never ceases to impress on us?
- I am, actually.
- Then allow me
Hermione Gilbright,
"the publisher's wife."
- Delighted to meet you.
- My wife's a great devotee
of painting.
She's extremely keen
to see your work.
- Particularly your portrait
of Miss Deverell.
I can't wait to see it.
- Angel made off with it
the moment it was finished.
for one of her books.
- Haven't you been told?
- Told what?
- I think you'll find
in front of her guests.
- Didn't you know,
Mr. Howe-Nevinson?
(piano playing)
(applause)
Well, your darling Angel
seems to have gotten over
her mother's death
remarkably well.
- Oh, thank you for coming.
Thank you so much.
Thank you so much for coming.
It's my pleasure. Thank you.
Thank you.
- Tell her
I wasn't feeling very well.
- So kind.
Thank you so...
- Angel, you're beautiful.
- Where's Esme?
- Drinking, I should imagine.
- Actually, I think he left.
Wasn't looking at all well...
- How incredibly rude.
Angel arranged all this for him
specially.
- When did he leave?
- Just a moment ago.
- Angel!
(crowd reacting)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Angel" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/angel_2850>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In