Angel Page #4

Synopsis: Angel Deverell comes of age in Edwardian Cheshire knowing she will be a great writer. Rising above her class (her widowed mother has a grocery shop), Angel finds a publisher and a wide audience for her frothy romances. With royalties, she buys an estate, then she's smitten by Esme, a rake from local aristocracy and an artist of dark temperament. She hires Esme's sister Nora, who dotes on her, as a personal assistant, and pursues Esme. Angel is grandly self-centered, coloring her world as if it were one of her novels. When the Great War breaks out and reality begins to trump her will, can Angel hold on to her man and her public?
Genre: Drama, Romance
Director(s): François Ozon
Production: Lions Gate Films
  1 win & 3 nominations.
 
IMDB:
5.9
Rotten Tomatoes:
50%
Year:
2007
113 min
Website
492 Views


out of you.

- Maybe being smudged

is nicer than it sounds.

- Let's see.

Very beautiful eyes...

Very clear skin...

And hair...

that glistens in the light...

(laugh shyly)

Don't tell me you're not used

to compliments, Miss Deverell.

- I really should be going.

- Of course.

And shall we say tomorrow,

at the same time?

- You don't mean

to paint the portrait here?

- Why not? I like the light.

- I... I'd just imagined

somewhere more--

- Trust me, this is perfect.

- And what about clothes?

I was thinking something

low-cut, with lace.

Or maybe something

completely simple like...

like a Greek toga.

(scoffing)

- No, come just as you are

today.

- But this dress is so drab.

- It's not the dress

I'm interested in, it's you.

I read one of your books,

by the way.

- Oh, really?

Aspasia.

My landlady lent it to me.

I read it straight through.

From cover to cover.

(Angel laughing slightly)

And I realized

what your secret is.

- My secret?

- I think the secret

of your power over people

is that you communicate

with yourself,

not your readers.

Am I right?

- Yes. Possibly.

Are... are you tired?

- No.

The thing is, Angel,

I find you utterly surprising

and delightful.

But how can I paint you

if I don't know

what's really going on inside?

Because you give me little hints

about yourself -

about your childhood,

growing up -

but none of it connects.

Something's missing.

How can I paint you

if I don't know what it is?

- Maybe I don't know

what it is myself.

- What happened to you in Italy?

- I've never been to Italy.

- Alright, maybe not in Italy,

but to do with Italy.

What was it?

Was it love?

I'm sure it was something

to do with love.

- It was jealousy.

(knocking)

(sighing)

- Who is it?

- It's Nora.

- Oh, Nora!

What a wonderful surprise!

Come in, come in!

- The doctor's very worried,

Angel.

I really think you ought

to consider coming home.

- It's very sweet of you to be

so concerned about my mother,

but I've lots of professional

commitments here,

particularly now.

As soon I'm finished

I'll come home, alright?

- You're seeing him,

aren't you?

- Seeing who? Theo?

- No - my brother.

- What makes you say that?

- Be careful.

He could hurt you.

(laughing)

- Hurt me?

I'm not a child, Nora.

And I hardly see Esme

as life-threatening.

I was pleasantly

surprised by his pictures.

They may not match

my own ideas of beauty,

but they have a definite--

- I'm not talking

about his paintings,

I'm talking about him.

- You're not jealous, are you?

- Jealous?

- Of my interest

in your brother's paintings.

- But it's not

just his paintings...

- It's true.

I do like Esme.

But in the same way

that I like you.

Come.

I hated being an only child.

I would have loved

to have had a sister, Nora.

A sister like you.

But what did the doctor say?

- He says her condition

is more dangerous

than he'd thought.

He's not sure she'll recover,

especially if she can't eat.

- Well, what's he doing about it?

There must be some kind

of medicine she can take.

- I'm just telling you

what he said.

- You're here...!

Angel...

My darling.

- Your hands are freezing.

- Have you told Aunt Lottie?

- Of course.

Nora sent a telegram.

- Why isn't she here?

- I don't know.

It is a long way.

- I'm frightened

I'll never see her again.

- Don't say that.

I used to love it...

when she could come

and visit us so often...

at the grocery.

Remember?

- Of course.

But you'll get better

and you'll see her again.

- You're so sweet to me.

Angel...

- Yes?

- I want you to forgive me

for bringing you up

the way I did.

I know it was hard for you,

and even harder

when your father died.

You were such

a pretty little thing.

So cheeky...

and clever.

He worshipped you.

(crying)

You know what I regret most?

- No?

- It's not having the time

to see you marrying

and have a child.

- But I don't have time

for a child, Mother.

I have my work.

- Your work...

your books...

(exhaling)

- Oh!

Oh, no!

Oh, no!

(sobbing)

No!

No, don't leave me!

Oh, please don't leave me...

(sobbing):

No...

please don't leave me.

- Well?

- It's over.

- Oh, my God...

(crying)

(crying)

- On behalf

of the Norley Gazette,

I would like to offer

my sincerest condolences

on the death of your mother,

a woman well known by us all

for her excellent grocery shop.

- My mother was above all else

a very great artist.

- Was she?

- She played the piano.

She was considered to be

one of England's

finest concert pianists.

- I see. That's something

I wasn't aware of.

- Her natural humility

prevented her

from advertising her...

... exceptional musical gift.

- And like yourself,

she was born here in Norley?

- My childhood

is wrapped in mystery.

It's true I was brought

to Norley at a very tender age,

but from where,

nobody knows.

I always thought

I had noble blood,

perhaps from my father's side.

But my mother passed away

before she could divulge

the true secret.

(background chatter)

(laughing mockingly)

- Well... I wonder

when we can expect her

to make an appearance.

- She should be already here.

- She's probably anxious.

- Oh, I think

she's more irritated

about the people

who haven't come.

- I did explain nobody

stays in London for summer.

It's not personal.

- Anyway, they're just snobs.

They resent the fact

that she's popular.

Have you seen my brother?

- Oh, yes.

Excuse me.

- Certainly.

- Mr. Howe-Nevinson,

Theo Gilbright.

- Of course.

Will you excuse me?

- Well, I think it's wonderful

that your sister's working

for Angel.

She seems absolutely devoted.

- In love with her, you mean.

- In love with her?

- Oh, yes. Passionately.

- Are you by any chance Miss

Howe-Nevinson's famous brother,

whose talents Miss Deverell

never ceases to impress on us?

- I am, actually.

- Then allow me

to introduce myself -

Hermione Gilbright,

"the publisher's wife."

- Delighted to meet you.

- My wife's a great devotee

of painting.

She's extremely keen

to see your work.

- Particularly your portrait

of Miss Deverell.

I can't wait to see it.

- Angel made off with it

the moment it was finished.

I believe she wants to use it

for one of her books.

- Haven't you been told?

- Told what?

- I think you'll find

she intends to unveil it here

in front of her guests.

- Didn't you know,

Mr. Howe-Nevinson?

(piano playing)

(applause)

Well, your darling Angel

seems to have gotten over

her mother's death

remarkably well.

- Oh, thank you for coming.

Thank you so much.

Thank you so much for coming.

It's my pleasure. Thank you.

Thank you.

- Tell her

I wasn't feeling very well.

- So kind.

Thank you so...

- Angel, you're beautiful.

- Where's Esme?

- Drinking, I should imagine.

- Actually, I think he left.

Wasn't looking at all well...

- How incredibly rude.

Angel arranged all this for him

specially.

- When did he leave?

- Just a moment ago.

- Angel!

(crowd reacting)

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Elizabeth Taylor

Dame Elizabeth Rosemond Taylor, (February 27, 1932 – March 23, 2011) was a British-born American actress, businesswoman, and humanitarian. She began her career as a child actress in the early 1940s, and was one of the most popular stars of classical Hollywood cinema in the 1950s. She continued her career successfully into the 1960s, and remained a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh-greatest female screen legend. Born in London to wealthy, socially prominent American parents, Taylor moved with her family to Los Angeles in 1939, and she was soon given a film contract by Universal Pictures. She made her screen debut in a minor role in There's One Born Every Minute (1942), but Universal terminated her contract after a year. Taylor was then signed by Metro-Goldwyn-Mayer, and had her breakthrough role in National Velvet (1944), becoming one of the studio's most popular teenaged stars. She made the transition to adult roles in the early 1950s, when she starred in the comedy Father of the Bride (1950) and received critical acclaim for her performance in the drama A Place in the Sun (1951). Despite being one of MGM's most bankable stars, Taylor wished to end her career in the early 1950s. She resented the studio's control and disliked many of the films to which she was assigned. She began receiving roles she enjoyed more in the mid-1950s, beginning with the epic drama Giant (1956), and starred in several critically and commercially successful films in the following years. These included two film adaptations of plays by Tennessee Williams: Cat on a Hot Tin Roof (1958), and Suddenly, Last Summer (1959); Taylor won a Golden Globe for Best Actress for the latter. Although she disliked her role as a call girl in BUtterfield 8 (1960), her last film for MGM, she won the Academy Award for Best Actress for her performance. Taylor was then paid a record-breaking $1 million to play the title role in the historical epic Cleopatra (1963), the most expensive film made up to that point. During the filming, Taylor and co-star Richard Burton began an extramarital affair, which caused a scandal. Despite public disapproval, she and Burton continued their relationship and were married in 1964. Dubbed "Liz and Dick" by the media, they starred in 11 films together, including The V.I.P.s (1963), The Sandpiper (1965), The Taming of the Shrew (1967), and Who's Afraid of Virginia Woolf? (1966). Taylor received the best reviews of her career for Woolf, winning her second Academy Award and several other awards for her performance. She and Burton divorced in 1974, but reconciled soon after, and re-married in 1975. The second marriage ended in divorce in 1976. Taylor's acting career began to decline in the late 1960s, although she continued starring in films until the mid-1970s, after which she focused on supporting the career of her sixth husband, Senator John Warner. In the 1980s, she acted in her first substantial stage roles and in several television films and series, and became the first celebrity to launch a perfume brand. Taylor was also one of the first celebrities to take part in HIV/AIDS activism. She co-founded the American Foundation for AIDS Research in 1985, and the Elizabeth Taylor AIDS Foundation in 1991. From the early 1990s until her death, she dedicated her time to philanthropy. She received several accolades for it, including the Presidential Citizens Medal. Throughout her career, Taylor's personal life was the subject of constant media attention. She was married eight times to seven men, endured serious illnesses, and led a jet set lifestyle, including assembling one of the most expensive private collections of jewelry. After many years of ill health, Taylor died from congestive heart failure at the age of 79 in 2011. more…

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Submitted on August 05, 2018

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