Angel Eyes Page #3
- R
- Year:
- 2001
- 102 min
- 764 Views
While she is talking, Catch is staring deeply at the boy,
who is shy. Catch almost speaks to the boy, wants to,
goes halfway to a smile --but the sight of the kid stirs
that layer of darkness in Catch. He nods a good-bye to
the mother and is about to go. She thinks about this, as
he is turning, and pushes through her remaining caution
to say...
CANDACE:
Y’know, we were just baking
nectarine bars because the peaches
weren’t ripe. Ever had a
nectarine bar?
He smiles and seems to want to stay, but he is already
retreating. His contact goes only so far --and no
further.
CATCH:
Sorry. Gotta be going.
And with one more glance at the boy, he walks to his
apartment, unlocks it and steps in.
11.
INT. CATCH’S APARTMENT -NIGHT
He walks into a bare living room --no chairs, tables,
lamps, nothing on the walls. He walks into a spotless,
never-used kitchen and flips on the light, opens a
drawer.
In the drawer is a collection of kids’ toys, some found,
some purchased, mostly plastic figures. The action of
opening the door has started some battery-operated
animals moving around in there. Now from his pocket he
takes the plastic superhero he just found and drops it in
and closes the drawer.
He walks back into the living room. He sits on the
floor, leans back against the wall, his clothes still
soaked from the rain. He stares at his thoughts, looking
a bit numb --and lost.
EXT./INT. DRY CLEANERS SHOP -DAY
Sharon is just leaving with a clean uniform on a hanger
in a plastic bag. It’s a neighborhood place where
alterations are done. As she is leaving, an older woman
is just entering. This is MRS. VANDER, beaming at
Sharon, a real talker.
MRS. VANDER
Sherry!
SHARON:
Hi, Mrs. Vander. You’re looking
good.
MRS. VANDER
Oh, you just wait. I splurged.
She is pulling a new blue dress out of a shopping bag.
MRS. VANDER
It’s for the church and the party.
It’s just a little too long.
SHARON:
Looks great.
MRS. VANDER
Y’know, I cried over the
invitation --just imagine me in
church.
(laughs)
It’ll be so good to spend time
with you.
(CONTINUED)
12.
CONTINUED:
Sharon forces a smile --but is mystified. Mrs. Vander
is walking to the counter and pausing to say...
MRS. VANDER
You know Dan and I renewed our
vows last year. I bet that’s
where your mom got the idea.
SHARON:
Their vows?
MRS. VANDER
Your mom and dad --the
ceremony...
Mrs. Vander realizes what’s going on and stammers on,
sympathetic and embarrassed.
MRS. VANDER
Oh, well... y’know, I just got
that invitation a few... just now,
so I’m sure you’ll...
SHARON:
Oh, yeah. We’ve had... there’s
been some problems with the mail
in our building, so... I’ll
probably get it today.
They’re both covering like mad, both realizing Sharon’s
been left out.
SHARON:
So, I guess I’ll see you.
MRS. VANDER
Sure, honey. I’ll see you there.
Sharon leaves --Mrs. Vander staring after her, feeling
bad. As Sharon walks away, we see her forced smile die,
replaced by an old pain and darkness.
EXT. RESIDENTIAL STREET -DAY
Robby and Sharon’s unit pulls up at a house remodel with
a sign marked "POGUE CONSTRUCTION." Sharon exits the car
and walks onto the site, moves toward a man who is both
carpenter and supervisor on the job. This is her
brother, LARRY POGUE, 29. They are not comfortable with
each other --an old wound. He gives her a wary nod.
She’s trying a little harder, being a bit more friendly.
We can sense the strain.
(CONTINUED)
13.
CONTINUED:
SHARON:
I didn’t see his truck, so...
LARRY:
He’s not here.
SHARON:
How you doing?
She touches his shoulder as she says this, a friendly
gesture, a reaching out. He doesn’t respond, only
shrugs.
LARRY:
I’m okay.
SHARON:
Kathy and the boy? Bet he’s big
now.
LARRY:
Growin’ fast.
SHARON:
Is he looking more like you now -or
did he get lucky?
She has broken through a bit and they both smile a brief,
wry smile.
LARRY:
He’s got Kathy’s looks and brains
and my strong back. You should
feel his grip.
(pause)
You just passing by?
She looks about.
SHARON:
Place is coming along nice. The
octagon window. Dad’s signature.
But Larry’s look stays on her, wondering what’sonher
mind.
SHARON:
Look, Larry, I shouldn’t have to
hear it from Mrs. Vander --about
what’s happening.
He turns back to his work now as they speak,
uncomfortable.
(CONTINUED)
14.
CONTINUED:
LARRY:
What’s happening?
SHARON:
(hurt)
So you really weren’t going to
tell me? Nobody was going to tell
me? Mom and Dad renewing their
vows, the church, the party. Mrs.
Vander is all excited. She bought
a new dress. It’s blue.
LARRY:
We’re workin’ on Dad. We think
you should be there. We told him.
SHARON:
Mom told him?
LARRY:
We mentioned it.
SHARON:
He’s holding out, hah?
LARRY:
You want to come?
SHARON:
It’s my family. Jesus, Lar. It’s
over ten years, and he won’t let
go of it.
LARRY:
You two were always head to head.
SHARON:
For good reason. Remember?
LARRY:
Let’s just leave it.
She stares, then...
SHARON:
You’re still scared of him.
Pissed, he throws his hammer down on the plywood, turns
to her.
(CONTINUED)
15.
CONTINUED:
LARRY:
I don’t think it’s a good idea you
coming around here in uniform.
People see it, they think we’re in
trouble here.
SHARON:
Nice seeing you, too.
She walks away. He frowns, picks up his hammer, goes
back to work.
ON STREET:
As Sharon walks towards the car, she sees a van
approaching and she holds up a hand to Robby and calls
out...
SHARON:
Two more minutes.
And she walks toward the oncoming van, which is parking
now.
EXT. VAN -DAY
The van is driven by KATHY, Sharon’s brother’s wife.
Beside her in a car seat is LARRY, JR., four years old.
Sharon comes to the rolled down window on the driver’s
side. She has a warm smile for Kathy and the child.
Kathy smiles, too.
KATHY:
Hi! Look --it’s your Auntie
Sharon.
SHARON:
Hey, Champ, my God, look how big.
She has a special affection for the boy --who is
subdued, but he smiles a small one for his aunt. She
takes one of his hands and they shake in mock formality.
LARRY JR.
Hi.
SHARON:
Ow! You hurt my hand with that
grip. Whew.
(CONTINUED)
16.
CONTINUED:
She shakes her fingers, and he smiles a bit more. Sharon
reaches in and rubs his head in a mock knuckling move.
He laughs. She smooths his hair, affectionately.
KATHY:
We’re bringing Larry his lunch.
Hey, it’s good to see you. It’s
been awhile. What?
Sharon is staring at Kathy’s badly bruised ear.
KATHY:
Oh, I went boom into a low shelf
--chasing after him of course.
(nodding to the child)
How’re you doing?
Sharon pulls her eyes off the bruise to meet Kathy’s look
--and connect.
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"Angel Eyes" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/angel_eyes_439>.
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