Angel Of Death Page #4

Synopsis: A career assassin becomes haunted by one of her victims following a near fatal injury to her brain. Becoming a rogue assassin settling the score with her former mob employers, chaos and power struggles ensue.
Director(s): Paul Etheredge
Production: Sony Pictures Home Entertainment
  4 nominations.
 
IMDB:
5.0
R
Year:
2009
77 min
811 Views


What, you're here for him?

He's a helpless old man.

Look at him.

- He's nothing. He's- -

- He's a monster.

He's already dying.

What difference can it make?

It can't go on.

- Dr. Rankin?

- She made me bring her.

- Held me at gunpoint. She's insane.

- Stop.

Just be quiet.

Look, my father hasn't been

running the business for years.

It's been my brother

using his name.

Whatever was done to you,

it was Cameron.

Whatever you're looking for here,

please take it from my brother.

Please?

Please.

Let the old bastard die

on his own time.

So you're just gonna let us go?

I didn't come for either of you.

Thank you. Thank you.

Just don't touch the doctor.

- He doesn't get punished for this.

- Of course.

Dr. Rankin is our family doctor.

Thank you, Miss Downes.

I won't say anything to my brother.

I promise.

No harm has been done here.

You can say what you want.

I thought Cam had sent her

to kill me.

She really did have me

at gunpoint, I- -

I'm not making that up.

Relax.

Now, tell me again,

what's going on with her?

She made it seem

like she's been seeing things almost.

Like she can't sleep

with all the murder she's done...

all of a sudden.

I'm not sure it's anything to do

with her head injury.

Not really.

Oh, either way.

If she takes care of Cam now,

it'll all be done.

How can you think she would do that?

She couldn't even kill your father.

What are you talking about?

She blew Daddy's brains

across his pillow.

Right after she murdered you.

Be careful with that thing, I- -

I'm way too tired

to dodge bullets right now.

Maybe it would solve

some of your problems.

Jesus, Eve.

What have you done to yourself?

Just tried to make it stop, Graham.

I just needed some f***ing sleep.

What are you talking about?

Ever since that last job,

I've been seeing her.

Who?

That girl, Marie, in the elevator.

I'm not f***ing crazy, Graham.

- She keeps telling me- -

- Eve, stop.

You're not being haunted.

It's just the injury, okay?

You don't understand.

You made a move

on the Downes family.

They're gonna kill you.

I can get us out of this, Eve.

A clean slate.

New identities, new country.

But I have to have the book

to make it happen.

Hey,

we have to get the hell out of here.

I'll get the book tomorrow.

Thank you.

You're gonna need a clean passport.

You got one of those?

Yeah, a few.

Good.

I didn't hit you too hard, did I?

I've been hit harder.

This morning, when I heard

what she did to your father...

I had to reach out.

I should've come forward.

I should've warned you all

that Eve had lost it.

Yes, you should have.

But I do recall Arthur

speaking very highly of you.

Let's just call it a lesson learned.

I can take her down for you.

I mean, I know Eve.

And I know that she's losing control.

Easy. You just slow down.

There's been enough trouble

over the last few weeks.

Well, almost enough.

Goddamn it, Regina.

Graham.

Hurt him some more, Tommy.

But not too hard.

I need him awake for this.

Tell us where she is, Prescott.

Give us an address,

and this can all be over.

Come on.

All those years...

you thought you were

so much better than me.

Graham, I need you to

answer the phone.

Graham, please answer the phone.

Graham.

Graham.

Graham.

Graham.

Look at me. Look at me.

I'm so sorry.

Stop it, all right? Stop it.

- I didn't mean....

- Don't, don't.

Don't. No.

Graham, I'm not going anywhere.

I'm right here. I'm right here.

Don't go home.

What?

Graham.

Graham.

Girlie.

Eve?

It's your neighbor. Hello?

I brought you some pamphlets

from the program.

Hope you don't mind

that I took your spare key.

It seemed wise

in the state you were in.

Who's that girl?

Vera.

Who do you want?

Vera.

You want me?

You want this?

You can't handle this.

Vera.

So Arthur...

takes this f***ing guy.

And he just:

Crushes his skull into the curb.

F***ing 12th grade.

Not even a man yet.

I hear you, boss.

You know, this should be his night,

not my dad's.

F***ing protocol.

Of course I'll be there.

Yeah.

You should've seen Cam.

He actually thinks it's his idea

to have it there.

I know.

Wait until the board

sees this travesty.

Oh, I know, I know.

Well, now he's saying

he took care of Prescott too.

So, what is this that we're doing,

exactly?

Well, it's called f***ing

most of the time.

You know what I mean.

We both know this world.

Let's not make this more than it is.

Are you saying that for me

or for you?

I'm sorry, Vera.

I'm not you.

I'll be right back.

You actually had him brought here?

I thought

you were joking on that part.

I mean, you don't you think

it's a bit overboard, Cam?

No. No, Dad loved this place.

Besides,

he'd want a real old- style wake.

Like a man.

You're not worried that the partners

might find it a bit strange?

A little disrespectful?

What f***ing business

are we supposed to be in, Regina?

It's not like I'm gonna

open the casket and have girls...

lap dance the man

into the afterlife.

Jesus, Cameron,

he doesn't even have a face.

I'm kidding.

Don't get your panties in a twist.

Who's the new guy?

Oh, him?

Well, he used to work for Arthur,

and now he works for me.

Wait, this is the guy

who bailed after Arthur got hit?

- Prescott's kid?

- Let it go.

Let it go, little brother.

The kid is mine.

Oh, don't you start

f***ing the help, Gina.

Why should you be the only one

to have any fun around here?

Where's the f***ing bathroom

in this ass ranch?

Back into the left.

Thank you.

Sorry, doll, this is a private party.

And I'm, like,

"The dildo show?"

And he's like,

"That what it's called, isn't it?"

I'm like, "No, sweetheart...

it's called pegging when

you do it to the guy."

You're all about

to get really f***ing quiet.

And for your own good,

you're gonna walk out that back door.

You're gonna keep walking

until you get home.

You're in the wrong bathroom,

honey.

Sh*t.

So do you, like, know kung fu?

You look strong, you know.

I wanna learn that sh*t, looks good- -

Yeah.

Where the f*** are the girls?

I think they went to go powder

their nose. I'll double- check.

I'll be back,

I forgot my cigarettes.

- Oh, no, I can get them, ma'am.

- No, it's fine.

I'll be back in a minute.

- Can I have my keys?

- Yeah.

Thanks.

Yeah.

Yes, police?

I need help.

You need to send me help right now.

I saw guns, they have guns.

I think they're gonna kill somebody.

What the hell is she doing?

- What's going on?

- Well, she just took the car.

Sh*t.

I thought you said

you f***ing killed this b*tch.

- I thought we did.

- F***ing idiot.

F***.

Franklin?

- What are you doing here?

- What did you expect?

You'd just kill them all and leave me

and Prescott to clean up your mess?

See how well

that worked out for him.

Franklin, stop.

You're not a part of this.

Just get out of here.

You want me to run?

What? So they can send

somebody after me?

Somebody like you?

Somebody like me?

Rate this script:0.0 / 0 votes

Ed Brubaker

Ed Brubaker (; born November 17, 1966) is an American comic book writer and cartoonist. Brubaker's first early comics work was primarily in the crime fiction genre with works such as Lowlife, The Fall, Sandman Presents: Dead Boy Detectives and Scene of the Crime. He later became known for writing superhero comics such as Batman, Daredevil, Captain America, Catwoman, Uncanny X-Men, and The Authority. He has won an Eisner Award on six separate occasions. more…

All Ed Brubaker scripts | Ed Brubaker Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Angel Of Death" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/angel_of_death_2860>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of "action lines" in a screenplay?
    A To list the plot points
    B To outline the character arcs
    C To describe the setting, actions, and characters
    D To provide character dialogue