Anna Karenina Page #16

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,764 Views


ANNA:

Yes. In fact, I think I won't go to Betsy's.

69

INT. TVERSKOY OPERA BOX, SAME TIME--NIGHT

Vronsky looks through Betsy's glasses.

BETSY:

You're caught.

VRONSKY:

I'm afraid I am becoming ridiculous.

INT. BETSY'S RECEPTION ROOMS, TVERSKOY

HOUSE--DAY

Discreet Footmen move chairs to accommodate the guests who move to join

one of the conversation circles that make a buzz in the room. Betsy sits by

the samovar with her little court, including Tuskevich. The Guests include

the Princess Myagkaya, stout, red-faced, outspoken, and two Society ladies,

Lisa Merkalova and "Anna's Friend."

Vronsky arrives.

LISA MERKALOVA:

Now, there's a phenomenon, look-- Anna's

shadow has arrived before Anna!

ANNA'S FRIEND

I'm Anna's friend . . . but this making-up-

one's-mind-to-it in public is not polite to a

distinguished man like Karenin.

PRINCESS MYAGKAYA

In my opinion Karenin is a fool, and Anna

is the best of us.

70

LISA MERKALOVA:

And we all love you for your contrary opin-

ions, Princess.

Vronsky looks around. He knows everybody in the room.

BETSY:

Alexei . . . You look desperate. That's not

attractive.

VRONSKY:

I'm losing hope.

BETSY:

Hope of what? Persuading a virtuous

woman to break her marriage vows?

VRONSKY:

And how is Tuskevich?

BETSY:

That's not attractive either. Besides, I was

never virtuous.

VRONSKY:

No--you're right. She won't come. I'm

going home.

EXT. TVERSKOY HOUSE, ST. PETERSBURG--NIGHT

The Karenin coach arrives. It's Anna arriving at Betsy's. She enters the

house in almost unseemly haste. Several coaches are waiting.

71

INT. CAB, ST. PETERSBURG, SAME TIME--NIGHT

Vronsky, in a state, lets himself be carried along. Then he changes his mind.

He puts his head out of the window to shout to the Coachman.

VRONSKY:

Turn round!

INT. BETSY'S RECEPTION ROOMS, TVERSKOY

HOUSE--NIGHT

Anna enters. Faces turn to her. She glances around. She knows at once

that Vronsky isn't there. Betsy beckons to her across the room. Anna, self-

possessed, smiling, nodding to friends, pressing a hand held out to her,

offering the other hand to be kissed, glides through a crowd of Betsy's guests.

VOICES:

Wasn't Nilsson glorious? One sees that she

has studied Kaulbach, of course . . .

There's something Louis Quinze about

Tuskevich . . . as if he came with the

furniture . . .

Betsy is smoking elegantly. She kisses Anna.

BETSY:

He's gone. But you're just in time for the

surprise.

There is a series of minor explosions outside and the darkness out there turns

into an illuminated garden lit by fountains of fire, sprays of light. The

guests react with cries of pleasure and applause.

72

Anna turns at once to the window near her, puts her face up against the

glass, putting her hands to her temples as if to see the illuminations better.

REVERSE:

Her self-possessed face, lit by fireworks, falls apart in misery.

The firework display continues for a short minute and is applauded. Betsy

acknowledges the congratulations and sycophancy which are her due. Foot-

men come through the room with trays of ices.

Anna is still at the window, unaware that there is only darkness outside.

In the room, Betsy notes the oddity: Anna alone with her back to the room.

REVERSE ON ANNA:

Anna opens her eyes. She is lost for a moment, perplexed.

vronsky (O.C.)

May I have the honour of bringing you an

ice?

Anna turns, understanding nothing.

VRONSKY (CONT'D)

Ices are being served.

ANNA:

I would prefer to try a cigarette.

She sits down. Vronsky takes out a cigarette case. He lights her cigarette.

She tries it and coughs.

73

VRONSKY:

(IN FRENCH)

Courage!

Anna smiles. Puffs delicately once.

ANNA:

Thank you.

Rate this script:3.0 / 1 vote

Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

All Tom Stoppard scripts | Tom Stoppard Scripts

0 fans

Submitted by acronimous on June 13, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anna Karenina" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/anna_karenina_204>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Anna Karenina

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "POV" stand for in screenwriting?
    A Plan of Victory
    B Point of View
    C Power of Vision
    D Plot Over View