Anna Karenina Page #21

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,764 Views


Korney brings Countess Lydia. Karenin comes from behind his desk to

invite her to a chair.

KARENIN:

Countess . . . I thought you would be at

Peterhof now.

LYDIA:

I've come from there. I'm distressed that you

haven't taken your usual house this year.

KARENIN:

Anna wanted a change. She is spending the

summer at Tsarskoe.

LYDIA:

Near Princess Betsy. And . . .

Karenin waits.

LYDIA (CONT'D)

The Guards are in summer camp at

Tsarskoe.

Karenin waits.

93

LYDIA (CONT'D)

Alexei Alexandrovich, forgive me but you

are too tolerant! Your wife . . .

Karenin affects surprise.

KARENIN:

Oh, is this about my wife?

He smiles at her.

KARENIN (CONT'D)

My wife is beyond reproach. She is, after

all, my wife.

Countess Lydia gets the message. She rises to go. Karenin kisses her hand

and accompanies her to the door. She leaves him, and his social mask gives

way to his disturbance.

INT. DEMIN'S HOUSE, TSARSKOE--NIGHT

The Commanding Officer is throwing a party for his officers: serious drink-

ing, Soldier Servants, a crowded table on the large verandah, Soldier Sing-

ers in white linen tunics performing operetta and folk songs. Vronsky, in

party spirit, is with Petritsky and another friend, Yashvin, singing along.

An officer we don't know is, surprisingly, hailed as "Vronsky!"--he's

Vronsky's elder brother, Alexander. He gestures "Later!" and goes to Vron-

sky. The brothers embrace.

ALEXANDER:

Alyosha . . . a message from Maman. Her

friend Princess Sorokina has a house here,

and a virgin daughter, that's not part of the

94

message, but they'll all be at the races and

you're expected to supper afterwards.

The song ends and Demin, half drunk, climbs on the table, shouts for silence

and a toast.

DEMIN:

Gentlemen--I give you--the regiment!

General uproar. "The regiment."

EXT. DEMIN'S GARDEN, TSARSKOE--NIGHT

On a garden bench where the noise of the party is quieter, Vronsky and

Alexander talk.

ALEXANDER:

I heard you turned down a promotion.

VRONSKY:

That was Maman interfering.

ALEXANDER:

Yes. And now she's come up with a princess

for you.

(SERIOUSLY)

Alexei--we're brothers, so don't take

offence. Getting married puts the pack on

your back--it leaves your hands free for

climbing the ladder. Getting serious about

a married woman is like carrying your pack

in your arms.

95

VRONSKY:

So they talk about me. I'm leaving, Sasha.

ALEXANDER:

An assignation?

VRONSKY:

Come on, I'll introduce you.

EXT. STABLES, TSARSKOE--NIGHT

Vronsky with Alexander beside him clucks his tongue at the black opening

of a stable and calls softly for Frou-Frou. There's a stir within and the

mare's head appears. Vronsky opens the door.

ALEXANDER:

Beautiful. A man would come to no harm.

Do you think you'll win tomorrow?

VRONSKY:

Makhotin's Gladiator is favourite, sixteen

hands--Frou-Frou looks dainty beside

him, but she's got heart. Haven't you, my

darling?

He kisses Frou-Frou.

EXT. MEADOW--DAY

Vronsky sees Anna before she sees him. He pauses to look at her, struck by

her beauty, full of love for her. She is lost in thought.

96

VRONSKY:

Anna.

She has not been expecting him. She is concerned.

ANNA:

Alexei, what is it?

He shakes his head: nothing. She comes to him and hides her face in his

breast. He holds her tight, taking her hand and kissing it.

VRONSKY:

I couldn't bear not to see you before the race.

She hugs him, kissing his tunic.

VRONSKY (CONT'D)

What were you thinking about?

She continues to hide her face. He lifts her face.

VRONSKY (CONT'D)

Tell me.

ANNA:

I'm pregnant.

Vronsky presses her hand to his face.

VRONSKY:

Rate this script:3.0 / 1 vote

Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

All Tom Stoppard scripts | Tom Stoppard Scripts

0 fans

Submitted by acronimous on June 13, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anna Karenina" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/anna_karenina_204>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Anna Karenina

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The final scene
    B The highest point of tension in the story
    C The introduction of characters
    D The opening scene