Anna Karenina Page #26
When I'm mowing, I don't ask myself why
I'm here.
THEODORE:
You're here to be master, Konstantin Dmi-
trich, to be your father's son, and father to a
son who will be master after you, as it has
always been by the grace of God.
LEVIN:
My father owned you, Theodore. My grand-
father owned your father. Owned you like
chattels, to be bought and sold. Was that by
the grace of God?
THEODORE:
It was. Those were good times when your
father had the keeping of us. That's my
youngest you were looking at there. His
young life is perilous now since the Free-
dom came and work must be found.
115
LEVIN:
It's true I was looking at him.
THEODORE:
(LAUGHS)
At his wife too, I dare say.
Levin is abashed, found out.
LEVIN:
They look happier than I've ever been. Is it
living simply that I'm looking for?
EXT. HAYMAKING (KASHIN)--NIGHT
Night under the stars. Some of the men have gone, some have settled in for
the night. The cooking fire is burning out. Levin remains where he was,
watching, thinking: drawn to "the simple life."
EXT. HAYMAKING (KASHIN)--DAWN
Levin wakes . . . woken by hoofbeats and the jingle of harness.
Levin sees a coach coming towards him. The coach comes nearer, leather
boxes strapped to the roof.
Levin sees that a young woman is looking out of the side window, holding
on to the white ribbons of her bonnet. He sees that it is Kitty, on her way to
Ergoshovo. (Princess Shcherbatsky is also inside, dozing.)
The coach passes on, leaving Levin lovelorn, the dawn light on him. The
sight of Kitty has turned him round again.
116
INT. STATION, ST PETERSBURG--DAY
AUTUMN:
Vronsky stands at the entrance to the platform holding a bouquet, waiting
for a train. He looks pretty fed up.
INT. "FRENCH THEATRE," ST. PETERSBURG--NIGHT
As before, the set-up is a small stage, a small auditorium, and an area for
drinking, cruising, etc., a combination of music hall and a bar with a few
tables. Vronsky is here as the escort of a Foreign Prince (an Indian), watch-
ing a "risqué" show with Can-Can Girls, much relished by the visitor.
Vronsky's glance casts about in the gloom. The champagne is flowing. Vron-
sky spots a trio--Lisa Merkalova, Betsy, and Stremov, a politician and
Karenin's rival.
Vronsky catches Betsy's eye. She beckons him. He excuses himself to the
Foreign Prince, who doesn't notice, and goes over to the other table. Under
the music, he is introduced to Stremov, and kisses the hands of the women.
VRONSKY:
He's some kind of prince at home. Exhaust-
ing. Where is Tuskevitch this evening?
BETSY:
Why ask me?
At which moment, Makhotin appears at the table. Vronsky relinquishes
his chair.
117
VRONSKY:
Captain Makhotin . . .
Vronsky bows to the women.
VRONSKY (CONT'D)
I must leave you. I'm on duty tonight.
MAKHOTIN:
Lucky woman. Give her my respects, and to
Karenin if you see him.
Vronsky freezes in anger.
BETSY:
Don't. Would you compromise me? And
Lisa?
Lisa and Stremov are enjoying it. Vronsky turns away. The Foreign Prince
is applauding enthusiastically when Vronsky rejoins him.
STREMOV:
(SMIRKS)
I only say that a man who can't govern his
wife has perhaps gone as far as he can go in
government.
INT. BEDROOM, VRONSKY'S FLAT, ST. PETERSBURG--
DAY:
Vronsky wakes. He has fallen asleep in his clothes. A note has been deliv-
ered, propped up by the bed. He reaches for it.
118
EXT. KARENIN HOUSE, ST. PETERSBURG--NIGHT
A cab brings Vronsky. The Karenin coach is waiting outside. As Vronsky
approaches the door, it opens and Kapitonich comes out with a folded rug.
Kapitonich is wrong-footed by seeing him. Karenin comes out of the door,
into the gaslight. When he sees Vronsky he hesitates for a fraction but con-
tinues. Kapitonich is holding open the door of the coach. Vronsky bows,
Karenin, expressionless, touches his hat and gets into the coach, taking the
rug. Vronsky walks into the house as the coach moves off.
INT. ENTRANCE HALL, KARENIN HOUSE, SAME
TIME--NIGHT
Kapitonich comes in, closing the door. Vronsky gives him his hat and coat.
KAPITONICH:
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"Anna Karenina" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/anna_karenina_204>.
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