Anna Karenina Page #42

Synopsis: Anna Karenina (Keira Knightley), the wife of a Russian imperial minister (Jude Law), creates a high-society scandal by an affair with Count Vronsky (Aaron Taylor-Johnson), a dashing cavalry officer in 19th-century St. Petersburg. Anna's husband, Alexei, offers her a difficult choice: Go into exile with Vronsky but never see her young son again, or remain with her family and abide by the rules of discretion. Meanwhile, a farmer named Levin pines for Princess Kitty, who only has eyes for Vronsky.
Genre: Drama, Romance
Production: Focus Features
  Won 1 Oscar. Another 31 wins & 51 nominations.
 
IMDB:
6.6
Metacritic:
63
Rotten Tomatoes:
64%
R
Year:
2012
129 min
$12,802,907
Website
2,768 Views


Anna, with her cup of coffee, comes in and looks down from the window.

ANNA'S POV--

Vronsky, hat in hand, at the coach window, accepts a large envelope from a

lilac-gloved hand. He bows. With a wave of the hand and a flash of golden

hair, the coach pulls away. Vronsky goes back inside.

INT. STUDY, HOTEL SUITE, SAME TIME--DAY

With the envelope, Vronsky comes in. Anna is as he left her, the cigarette

stubbed out.

ANNA:

So it's the child.

VRONSKY:

She brought papers from Maman.

He hesitates, thinking she is about to speak.

VRONSKY (CONT'D)

Anna?

She stays silent. He leaves.

188

INT. BEDROOM, HOTEL SUITE, SAME TIME--DAY

Anna finds Annushka filling several half-filled cases.

ANNA:

Unpack everything. We're not going.

She lies down on the bed. Annushka would like to comfort her.

ANNUSHKA:

Anna Arkadyeva . . .

ANNA:

When Count Vronsky comes back, tell

him . . . I don't want to be disturbed.

INT. BEDROOM, HOTEL SUITE--NIGHT

Anna is listening for Vronsky's return. She hears him come in. She hears

him approach. Then she hears Annushka's voice, then Vronsky's voice. She

waits in suspense, disappointed as Vronsky's steps retreat.

INT. STUDY, HOTEL SUITE--NIGHT

Anna, holding a candle-lamp, finds Vronsky asleep on the couch. She hesi-

tates, but turns away.

INT. BEDROOM, HOTEL SUITE--DAY

Anna wakes. She re-collects herself. She looks at the bedside clock. In a sud-

den hurry she leaves the bed and the bedroom.

189

INT. OUTSIDE THE BEDROOM, HOTEL SUITE, SAME

TIME--DAY

Anna finds Annushka waiting.

ANNA:

Count Vronsky . . . ?

ANNUSHKA:

He went out early, to the stables, he said.

Anna collapses on a chair and weeps.

ANNA:

Oh, Annushka . . . I should have

died. Do you remember?

ANNUSHKA:

Don't take it to heart, Anna Arkadyeva . . .

ANNA:

I've made him hate me.

INT. CLOSE (HOTEL)--DAY

Anna's hand writes in a hurry: "I'm to blame. Come home. I'm

frightened."

INT. HOTEL SUITE, SAME TIME--DAY

Anna seals the note and gives it to Annushka.

190

ANNA:

Tell Michael to hurry.

Annushka runs out with the note.

INT. HOTEL SUITE--DAY

Anna is keeping watch at the window . . . and is rewarded by the return-

ing coach. She hurries out.

INT. STAIRS, HOTEL--DAY

Anna looks down into the entrance hall. Michael, the Coachman, comes in

and comes up the stairs to her. She sees that he is holding her note.

MICHAEL:

Count Vronsky had already left, Your Excel-

lency. He took a cab to the station . . . to the

Countess.

INT. LOCAL TRAIN--DAY

Anna clutches her red bag to her, sitting among passengers.

Anna looks about her. Across the carriage she sees through the window that

her train is overtaking another passenger train on the next line.

She looks at the windows of the other train "going by" . . . seeing the pas-

sengers inside.

Unexpectedly, she seems to see a Man who might be Vronsky sitting opposite

a laughing Woman who might be Princess Sorokina.

191

Anna's body jerks involuntarily. She half rises. The image, however, is

brief and is borne away, as her own train goes by, accelerating. The win-

dows opposite pick up speed as she leaves them behind--

And then she has the same illusion again-- a "Vronsky" and a "Sorokina"

glimpsed in the other train and snatched away in the instant.

Now she stands up and goes to the opposite window, where the windows

of the other train are flashing by in the (anachronistic) manner of pro-

jected film-frames, and she sees "Vronskys" and "Sorokinas" flashing by at

gathering speed. And then the train has gone and there's nothing going by

but the view.

Anna collapses into the nearest seat.

EXT. LOCAL STATION, SAME TIME--DAY

The train arrives at a small station.

Anna steps down from the train. The platform is well populated by people

Rate this script:3.0 / 1 vote

Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

All Tom Stoppard scripts | Tom Stoppard Scripts

0 fans

Submitted by acronimous on June 13, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Anna Karenina" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/anna_karenina_204>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Anna Karenina

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Fight Club"?
    A Johnny Depp
    B Brad Pitt
    C Matt Damon
    D Edward Norton