Anon Page #3
- TV-MA
- Year:
- 2018
- 100 min
- 1,123 Views
that you don't have a permit for that.
Turn around.
Look away.
Don't worry.
I'll get rid of everything of me
in your record
up until the last time you
looked at me.
Just now.
[gunshot]
Sal?
I got her fifth proxy.
I don't have her record.
Yet.
Why didn't she kill you?
Oh, sorry to disappoint you, Charlie.
Oh, that's right. She didn't f*** you.
Not her type, I guess.
What's to say she doesn't go
into your record
and see her stockbroker suddenly
become a cop?
I don't think so.
She said something.
She said,
"I only look at what you want me to see."
Principled serial killer.
I don't know why.
I believed her.
Reinforcements.
Tech specialist, CT unit.
Commissioner's personal recommendation.
My.
Sal, Cyrus Frear.
Hi.
Hi.
We're in.
What happens now?
-We watch.
-We can only see through her eyes,
We can't go back in her record
until we trace her chain of proxies.
Concentrate. Find a clue.
Just 'cause she doesn't use the recog,
doesn't stop us.
Eclectic taste. A lot of
mid-century modern, high end.
-Any read on the building?
-Loft. Downtown.
Only way to locate her record is when
she's active in the Ether.
Find the last proxy, we find her.
Matches the perp's.
Generally reload a gun
'cause you fired it.
Mind's Eye's got nothing on it.
I've got a feeling this girl
doesn't network.
She's careful where she looks.
She's in the Ether.
How did she get past the protocols?
Doesn't seem to be an issue.
She's logging into a record.
Whose eyes is she looking through?
Jesper Nix, a stupid
money-leading art dealer.
Two galleries on the Upper East Side.
Who is he?
Max Keener, 45.
Known forger, priors.
Paintings?
I know what they're supposed to be.
Naughty Jesper.
She's getting rid of Jesper's meeting
with the forger.
Replaces it with Jesper acting like he's
discovered these priceless works of art.
My God, exquisite.
She logged out already.
You trace her?
Twelve proxies.
The last one's anonymous.
Proxies hackers used to hide.
Nice job, connecting the dots.
Not 'til the end.
-What's Nix doing now?
-"You live to tell the tale."
Setting up appointments
to sell the fakes.
-[Sal] Keep tabs on him.
-Yes, sir.
Let me know if our agoraphobe
goes out on the town.
We watched her all night.
We still don't have her location.
[classical music plays]
Got to hand it to her.
She really is analog.
Wish she'd look out a window.
Finally.
Where'd she go?
We lost her.
The chain of proxies?
She broke the links.
Start a new chain.
Common practice.
Did she see us?
No.
At least we know she likes her eggs
sunny-side up.
Sir.
What's happened?
Nix sell one of his paintings?
We don't have to worry
about that anymore, sir.
Nix is dead.
Same M.O.?
Killer's POV.
What do you want?
Are you f***ing crazy?!
What do you want?
What do you want?
What do you want?
[gunshot]
They just posted from the crime scene.
This case...
it's become a priority for us.
[Sal] We understand, Commissioner.
I don't know if you do, Detective.
Five murders.
It's not the murders.
Sorry, Mr. Kenik.
This is a homicide case.
This level of anonymizing
makes all crime possible.
It hinders our expansion to sub-crime.
-Those lowlifes got what was coming...
-Victims.
Ghosts, ciphers...
call them what you will.
The integrity of the system
is compromised.
The integrity?
We rely on transparency.
We can't control what we can't see.
We require persistent identity.
This isn't an isolated case.
We believe there's a ring of individuals
who may or may not know each other.
They, like her, anonymize themselves
and others.
I don't care
I care that she doesn't.
In my mind, she's murdered herself.
Oh, I see.
Taking a life,
that's not important.
Her not having one, that is?
Yes.
Now you understand.
We need the first proxy in the new chain.
You're going back under cover.
Sitting in a police precinct
with the commissioner of police.
I think that's the definition
of blowing my cover.
It's only been three days.
We put a patch over it.
Make it look like you've been
in the brokerage house.
If, like you say, she doesn't look back,
she might go for it.
Loyal customer.
Maybe she does have a thing for you.
Yeah, she's also got a thing
for blowing people's brains out.
There's a f*** of a lot of commercial
interests at work here.
Way above our pay grade.
Anonymity is the enemy.
We got to find out how she does it and...
de-anonymize her.
Same deal.
We stay back, so she's not spooked.
Gentlemen...
when you make the patch...
try to make it half as good as hers.
You sure this isn't an excuse
to see me again?
You don't like repeat business?
Why haven't you done it?
Waiting for a special occasion.
Cut up some lines while I do this.
I can replace the dealer with a hooker.
-Dogs.
-I don't like dogs.
Or nothing at all.
You ever met anyone else
who can do what you do?
Who doesn't exist?
How could I?
No need to do the dealer's side.
He never laid eyes on you.
I love those guys who do it blind.
We close our eyes
to pray, cry, kiss, dream...
or break the law.
You can stay anonymous.
It's just really f***ing hard.
You do this why? Pay the bills?
Why else?
You might have an agenda.
You got the wrong girl.
It's simple.
They try to look, I try not to be seen.
But if you're asking
if I think it's f***ed up?
Yeah, I think it's f***ed up.
They say it's for our safety.
Why don't I feel safe?
How long have you not existed?
You ask a lot of questions.
You don't answer them.
Eighteen.
Once in a lifetime chance.
Started erasing.
I didn't stop until I was gone.
In a lot of ways, it's the analog evidence
that's harder to track down and destroy.
DFE.
Delete f***ing everything.
I never was happy in the big room.
The big room?
Outside world.
Flesh space.
Part of the planet
that's not cyberspace.
You know that's illegal.
You sure you have a girlfriend, Sol?
You sure act like a single guy.
Is there something else you'd like to do?
That I can erase?
[grunts, pants]
Gotta make that disappear.
Delete f***ing everything.
Especially the f***ing.
You really don't like to look back,
do you?
Like you.
[gunshot]
Hello, Sal Frieland,
Detective First Class.
What have you done?
It's not that you don't like to look back,
you can't.
Not without giving away
who you really are.
He's f***ing dead.
You should've thought about that.
Don't try to find me.
Look and you are dead.
[gunshot]
You let her escape.
And kill Lester on the way out.
I don't know
if you can walk that back, Sal.
She saw past our wall.
Her own records.
Go home.
Take some time.
[blows landing]
[barking, growling]
[growling, snarling]
I'm sorry.
I'm sorry.
I'm sorry.
I took my eyes off him for a second.
One second.
Yeah, that was him.
[brakes screech]
[brakes screech]
[baby cries, cuts off abruptly]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Anon" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/anon_2944>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In