Another Year Page #2

Synopsis: A married couple who have managed to remain blissfully happy into their autumn years, are surrounded over the course of the four seasons of one average year by friends, colleagues, and family who all seem to suffer some degree of unhappiness.
Genre: Comedy, Drama
Director(s): Mike Leigh
Production: Sony Classics
  Nominated for 1 Oscar. Another 22 wins & 53 nominations.
 
IMDB:
7.3
Metacritic:
80
Rotten Tomatoes:
92%
PG-13
Year:
2010
129 min
$3,200,000
Website
567 Views


I mean, I've got a little bit of money.

Not a lot, but enough.

But I'll have to cut back on, you know,

shoes, clothes, jewellery,

my knick-knacky things.

But that's OK because I've got loads of

clothes. My wardrobe isn't big enough.

In fact, I'm not doing anything this

weekend, so I'll get up really early,

sort my winter clothes into plastic bags

and shove them under the bed.

- Can I top you up?

- No, I'm going now, Mary.

- Won't you help me finish it?

- No, really.

- Oh, all right. Well, I think I'm going to

stay for a little while.

How's Joe?

Have you heard from him this week?

- No, but I'm sure he's fine.

- Still no girlfriend?

I've no idea.

He must have something on the go,

a good-looking boy like him.

- See you on Thursday.

- Oh!

You're coming for supper on Saturday.

Oh, lovely. Thank you, Gerri.

Give my love to that lovely Tom.

- I will. You take care.

- Yeah.

Sorry I'm late. I'm sorry.

What's for supper?

Arrabbiata. Are you hungry?

I'm starving.

Hello.

Have a taste.

I hope it's not too hot.

You can never tell with chillies.

- No.

- No?

Oh, it's coming out my ears.

Good. Glass of wine?

No, I've had a couple.

Oh, go on, just a smidgeon.

That's the spirit.

- How was your day?

- Good.

I was out and about, getting my hands dirty.

- How about you?

- Disappointing.

Pass me the parsley.

No breakthroughs?

I had my alcoholic tutor in again.

Yeah?

- He was pissed as a fart.

- Really?

It was very upsetting, actually.

How did you handle it?

I bought him a double Scotch.

No, I had to challenge him.

I told him it was up to him.

How did he take that?

Well, I don't know. We'll have to see.

- Well, at least he came.

- Hmm.

- Have we heard from Joe?

- No.

But I haven't checked my e-mails.

I'll ring him later. I'd love to see him.

He's all right.

Mr Gupta?

Joe Hepple, nice to meet you.

- I just came with him.

- Ah, good.

Just follow me this way, please.

This way.

Excuse the mess.

You sit there, Mr Gupta,

and... l'll pop you there.

OK, now we've opened all these letters,

and I've seen all I need to see

for the time being.

Obviously, it's a sizeable correspondence

and, understandably, Mr Gupta hasn't

exactly been in a position to open them,

seeing as he's been in hospital

for the past ten weeks.

But, you're looking fit and raring to go,

Mr Gupta.

Huh?

(mouths)

WOMAN:
Excuse me.

- Hm?

- How long will this take?

JOE:
Not too long.

It's just I have to get back to work.

What do you do?

Er, I'm... Restaurant family business.

Oh, tasty.

OK.

Erm... it's important for Mr Gupta

to understand that at this point

he's in no danger of being evicted.

(speaks Hindustani)

Acha?

(continues in Hindustani)

OK?

I'll take you briefly through

what is going to happen in court.

Erm... l'll be representing Mr Gupta

on the day.

We'll put the case to the judge...

- (phone rings)

...and...

he will agree to adjourn which will then

give us time to sort things out, OK?

So, I'll... Excuse me.

Hello?

(knocks on door)

- I'll get it!

TOM:
All right.

- Hello, Mary.

- Hi, Gerri.

- It's stopped raining, thank goodness.

- I know.

- Welcome.

- Oh, thank you.

I bought you a little present, some thyme.

- That's lovely. Thank you.

- It's nothing much.

- Oh, there he is.

- Hello, love.

Hello, Tom.

Oh! I'm sorry, I just had to have a cigarette

- and I know you don't like the smell.

- Don't be daft.

- I'm trying to give up, aren't I, Gerri?

- Oh, are you?

Only I've just had a bad experience

on the tube.

- What happened?

- There was this man.

- What did he do?

- Well, he was looking at me.

I mean, every time I looked up,

he was looking at me.

- Oh, dear.

- It was a bit unsettling, to be honest.

Well, you're here now.

Exactly, and I'm very happy

to be here with both of you.

This is for you, Tom.

- Ah!

- It's nothing special.

Buenos Aires.

Yeah, because I thought you went there,

didn't you, the two of you, Argentina?

- No, we didn't, no.

- No.

- Didn't you?

- No.

Tom's been to Brazil, digging his holes.

- Yeah.

- Oh, I'm so stupid sometimes.

- That's all right.

- Oh, honestly,

Pow! What are you going to do with me,

eh?

I'm just going to run upstairs.

Is that all right? I won't be a minute.

- I haven't seen you since Christmas.

- Really?

- Oh, it's just the three of us tonight?

- Yes.

- I did tell you.

- Did you?

- Mm.

- We wanted you all to ourselves, Mary.

Oh, thank you, Tom.

That's what all the boys say.

No, I wasn't sure what to wear.

I didn't know if it was going to be

one of your big dinner parties,

- or just us, you know, casual.

- I think you got it just about right, Mary.

- You look lovely.

- Oh, thank you, Gerri.

- (yawns) Oh... sorry.

- Did you have a late night?

Oh! I stayed up watching the film.

I couldn't wake up this morning.

No, but it was lovely having a lie-in

on my day off.

- We stayed in.

- Did you?

- We listened to some music.

- Amongst other things.

- I thought Joe might be coming.

- I don't think so.

- He's coming tomorrow.

- Oh, that's a shame. I won't see him.

Did Gerri tell you about me getting a car, Tom?

Yes.

- What do you think?

- Exciting. What are you going to get?

Oh, well, I don't know.

Something small and... red.

Small and red?

Well, that narrows it down.

- Yeah.

- I hope you're hungry.

- I'm starving, Gerri, you know me.

- We'll have to fatten you up.

Oh, it's lovely having your dinner cooked

for you.

You don't really bother

when you're by yourself.

- You look well.

- Oh, thank you, Tom.

You're nice and slim.

Am I?

Well, I've always been slim, haven't I?

- Unlike me. Middle-aged spread.

- Shut up.

You're perfect. Gorgeous in every way.

And you know it.

Sit yourself down, Mary.

Help yourself to another drink.

How is that dressing coming along?

As well as can be expected.

I hear you're going to the Emerald Isle again,

Tom.

That's correct. Rent a cottage, take the car.

- Put the tent in the back.

- And the sleeping bags.

- If it's nice we might do a bit of camping.

- Oh, no.

I wouldn't fancy sleeping in a tent,

thank you very much.

No, I never had you down

as one of nature's Girl Guides, Mary.

No, Tom.

But I am always prepared.

- Yes, but what for?

- For anything, Gerri.

- You know me.

- Yes, I do.

(laughter)

I'm not going to get a holiday this year.

But then I never do, do I, Gerri?

Because I haven't got anyone to go with.

It's all right for you two,

you've got each other.

We're going to the Ring of Kerry.

The what?

- The Ring of Kerry. It's an area.

GERRI:
Tralee,

- Dingle Bay.

- Oh, lovely.

You've been there before, haven't you?

- That was Donegal.

- Oh.

The geologist stands on the beach

with his back to the sea and looks at the cliffs

whilst the geologist's wife stands on the beach

with her back to the cliffs

looking at the sea.

You see, I can't afford to buy my car

and have a holiday.

But, if I had more money,

then I could do both.

Rate this script:3.0 / 1 vote

Mike Leigh

Mike Leigh (born 20 February 1943) is an English writer and director of film and theatre. He studied at the Royal Academy of Dramatic Art (RADA) before honing his directing skills at East 15 Acting School and further at the Camberwell School of Art and the Central School of Art and Design. He began as a theatre director and playwright in the mid-1960s. In the 1970s and 1980s his career moved between theatre work and making films for BBC Television, many of which were characterised by a gritty "kitchen sink realism" style. His well-known films include the comedy-dramas Life is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999), and the bleak working-class drama All or Nothing (2002). His most notable works are the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA and Palme d'Or-winning drama Secrets & Lies (1996), the Golden Lion winning working-class drama Vera Drake (2004), and the Palme d'Or nominated biopic Mr. Turner (2014). Some of his notable stage plays include Smelling A Rat, It's A Great Big Shame, Greek Tragedy, Goose-Pimples, Ecstasy, and Abigail's Party.Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present "emotional, subjective, intuitive, instinctive, vulnerable films." His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu. His films and stage plays, according to critic Michael Coveney, "comprise a distinctive, homogenous body of work which stands comparison with anyone's in the British theatre and cinema over the same period." Coveney further noted Leigh's role in helping to create stars – Liz Smith in Hard Labour, Alison Steadman in Abigail's Party, Brenda Blethyn in Grown-Ups, Antony Sher in Goose-Pimples, Gary Oldman and Tim Roth in Meantime, Jane Horrocks in Life is Sweet, David Thewlis in Naked—and remarked that the list of actors who have worked with him over the years—including Paul Jesson, Phil Daniels, Lindsay Duncan, Lesley Sharp, Kathy Burke, Stephen Rea, Julie Walters – "comprises an impressive, almost representative, nucleus of outstanding British acting talent." Ian Buruma, writing in The New York Review of Books in January 1994, noted: "It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh's London is as distinctive as Fellini's Rome or Ozu's Tokyo." more…

All Mike Leigh scripts | Mike Leigh Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Another Year" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/another_year_2966>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Another Year

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "on the nose" dialogue?
    A Dialogue that states the obvious or tells what can be shown
    B Dialogue that is poetic and abstract
    C Dialogue that is subtle and nuanced
    D Dialogue that is humorous and witty