Apartment 4E Page #2
- NOT RATED
- Year:
- 2012
- 88 min
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BUT THAT TH-TH-TH THIS-
SOMEHOW THIS WAS DIFFERENT.
MAYBE SHE WAS DIFFERENT.
BUT-BUT SHE SAID
TO MAKE SURE-
TO MAKE SURE YOU'RE SAFE.
TO MAKE SURE...
PIPER?
( gun shot )
GOD, PIPER!
( grunting )
SHUT THE DOOR.
( alarm rings )
( alarm continues )
? OH, MY LOVE
? WHAT ARE YOU TRYING TO PROVE
? SHOWING ME YOUR BLOOD
( alarm stops )
? YOU SAY THAT NOTHING HURTS
? LIKE THE TRUTH
? SO THAT'S WHAT I'LL USE
? FOR THE RECORD
? LIKE FOOLS DO
? WELL, I TRIED
? INSIDE
? WHEN I SAID
I COULDN'T GET ENOUGH?
? I LIED
? I THINK YOU SAW I ? IN MY EYES
Piper:
SHUT THE DOOR.( door slams )
( breathing heavily )
YOU'RE OKAY.
I JUST, UH...
I WASN'T SURE.
YOU DIDN'T ANSWER AND...
AND WHAT?
HEY. IS THAT REALLY NECESSARY?
NO, YOU'RE HERE
TO TELL ME ABOUT MOLLIE.
I AM?
YES, THAT'S WHY
I LET YOU IN.
YOU LET ME IN?
( chuckles )
I KIND OF JUS BROKE DOWN YOUR DOOR.
( laughing )
HOW'D IT FEEL?
WELL... IT, UH,
IT HURT ACTUALLY.
KIND OF POWERFUL, DIDN'T IT?
I MEAN, YOU WEREN' SURE, AND...
I DIDN'T ANSWER,
AND...
YOU SAVED ME.
HAPPY NOW?
IS IT STILL LOADED?
WHAT?
THE GUN.
( laughs )
NO.
BUT I EXAGGERATE.
YOU THINK ANYONE
WILL CALL THE POLICE?
WHY?
GUN SHOT.
NEIGHBORS.
WELL, THIS IS QUEENS,
NOBODY'S GOING TO CALL THE POLICE.
HUH?
YOU NEVER KNOW WHAT KIND OF PSYCHO'S
LURKING AROUND HERE.
YOU HAVE SOME EXPERIENCE
WITH THAT?
PSYCHOS?
OR PSYCHOSIS?
EITHER.
WHAT DO YOU THINK?
UH, MOLLIE SAYS YOU HAVEN' BEEN OUT IN A WHILE, IS THAT TRUE?
MOLLIE...
SINCE ANYONE HAD SEEN YOU.
SHE'S NEVER SEEN ME.
SHE SAYS IT'S BEEN WEEKS.
WHAT'S SHE LIKE?
I, UH, YOU KNOW HER
AS WELL AS I DO.
NO, I-I DON'T. I KNOW LITTLE BLACK
CHARACTERS ON A SCREEN.
I'VE GOT FOUR PICTURES
IN A BOOK.
FOUR FLAT LITTLE PICTURES.
ONE SMILING, ONE NO SMILE,
ONE KIND OF SEXY...
NOT DIRTY.
IT'S A SHAME.
REALLY THEY'RE
THE SAME REALLY,
FOR THE FLATNESS,
THERE'S NO FLESH...
OR BONE.
SHE SENT YOU PICTURES OF HERSELF.
THAT'S WHAT I SAID.
RIGHT THERE WHEN I SAID IT.
YEAH, I GUESS I JUS DIDN'T UNDERSTAND.
DIDN'T CATCH MY MEANING?
IT'S FUNNY...
THAT TO CATCH A MEANING-
CATCH A MEANING,
IT'S LIKE A KNIFE,
OR A HOT POTATO,
LIKE LITTLE BITS OF COLORED GLASS
BROKEN AND SCATTERED,
ALL READY TO BE:
PUT BACK TOGETHER.
ARE YOU LOST?
I'M STARTING
TO FEEL THAT WAY, YEAH.
( laughing )
SUCH A TINY PLACE
TO GET LOST,
WHEN'S THE LAST TIME
YOU WENT OUTSIDE?
OUT THERE-OUT THERE
IS WHERE YOU GET LOST.
IN HERE IT'S TINY.
IT'S TINNY.
ALL THE SOUNDS, THEY COME
BOUNCING BACK AT YOU.
WELL, MAYBE THAT'S
YOUR PROBLEM.
YOU DID WHEN YOU
WROTE MOLLIE.
WELL, YOU'RE NOT MOLLIE,
ARE YOU?
AND WHAT, DEAR JOHN,
IS MY PROBLEM?
WELL, UH, THIS
APARTMENT FOR ONE.
DON'T CONFLATE
ORDER AND HYGIENE.
DON'T YOU THINK
IT'S A BIT DEPRESSING?
HMM. DO I LOOK DEPRESSED?
I DON'T KNOW.
WHAT DOES:
THAT LOOK LIKE?
BI-POLAR WITH
OBSESSIVE COMPULSIVE DISORDER,
YOU SURE ABOUT THAT?
( chuckles )
I INTERNALIZE,
IT'S ALL UP HERE.
THE AFFECTED CHAOS
OF MY APARTMEN IS AN ACUTE MANIFESTATION
OF MY CURRENT MANIC PHASE.
IT'S IRONIC, I KNOW, BUT I ONLY
OBSESS COGNITIVELY.
AN AWFULLY COHERENT DIAGNOSIS
OF YOUR OWN DISORDER.
HMM, THANK YOU.
I ALSO HATE MY FATHER,
WANT TO TALK ABOUT THAT?
DO YOU?
YOU'RE THE GODDAMN THERAPIST.
RIGHT. OF COURSE, YEAH.
WELL, DO YOU WAN TO TALK ABOUT THAT?
NO.
ALL RIGHT.
QUITTER.
WHAT?
( laughs )
WHAT IS SHE LIKE?
MOLLIE?
MOLLIE, YES.
DESCRIBE HER FOR ME.
UH, DIDN'T SHE SEND YOU
PICTURES OF HERSELF?
FLAT LITTLE PICTURES.
SO, WHAT DO YOU
WANT FROM ME?
ALL THE BITS OF COLORED GLASS,
THE FLESH AND BONE.
I DIDN'T COME HERE
TO TALK ABOUT MOLLIE.
NO, I DIDN'T.
SHE'S THE ONLY THING
WITHOUT THA WHAT DO WE HAVE?
THE WEATHER- IS THAT WHA YOU WANT TO TALK ABOUT, JOHN?
THE WEATHER?
SURE, YEAH.
THAT'D BE A GREAT START.
I HAVEN'T BEEN OUTSIDE,
REMEMBER?
I DON'T KNOW ANYTHING
ABOUT THE WEATHER.
BESIDES, YOU GO WHAT YOU CAME FOR.
NOW, IT'S MY TURN.
YOU CAME HERE:
TO PLAY THE HERO.
HUH, HERE I AM.
I'M STILL KICKING.
NOW, I WANT MOLLIE.
HER LIFE FOR MINE.
IT'S A FAIR TRADE,
I SHOULD THINK.
PIPER, I CAN' GIVE YOU MOLLIE.
WELL, THEN GET OUT.
ISN'T IT ENOUGH
THAT SHE SENT-
NO, NO, NO.
I SAID GET OUT!
OR I CAN TELL YOU ABOUT MOLLIE.
WHAT CAN YOU TELL ME?
YOU KNOW, MAYBE YOU
DON'T KNOW HER AT ALL.
MAYBE SHE'S THE MEANING
THAT YOU CAN'T CATCH.
HURT, DIDN'T IT?
I TOLD YOU.
IT'S LIKE LITTLE BITS
OF GLASS, THEY ARE.
WHAT IS IT EXACTLY
EVERYTHING.
IT'S TOO MUCH.
NEARLY ENOUGH.
NO, I MEAN,
I DON'T KNOW...
HOW CAN YOU:
THEY SEEM TO SMALL
AND SHE TOO LARGE.
YEAH.
SOMETHING LIKE THAT.
THEN IT'S REALLY-
IT'S QUITE THE OPPOSITE.
IT'S THE WORDS
THAT ARE TOO... BIG.
THOUGH, I RATHER DOUB THAT SHE'S TOO SMALL.
YOU TAKE, UM...
THE WORD "PRETTY"...
IS SHE? PRETTY?
YES, SHE'S PRETTY.
DIFFERENT THINGS.
IS SHE ONLY ONE KIND OF PRETTY?
HER KIND OF PRETTY.
IT'S THE WORDS.
THEY'RE TOO BIG,
TOO BROAD.
TOO AVERAGE.
AND I DON'T THINK
SHE'S AVERAGE, DO YOU?
MOLLIE WAS NEVER AVERAGE.
SO, SHE FITS QUITE
NICELY INTO THE WORDS.
WELL, IT'S TOO EASY
SO, WHAT DO YOU WANT?
BE SPECIFIC.
ABOUT WHAT?
HER LAUGH...
THE WAY SHE SMELLS.
ANYTHING.
COME.
SIT.
YOU SPEAK, I LISTEN.
THE WAY SHE WALKS?
ABOUT THE WAY MY SISTER WALKS?
COME ON, PIPER.
I'M NOT GOING TO DO THAT.
I JUST DROVE...
CAN'T WE JUST TALK?
ABOUT SOMETHING ELSE?
SOMETHING LESS...
I DON'T KNOW.
SOMETHING...
PRESENT?
IS-IS THAT THE COMPUTER
YOU USE TO CHAT WITH MOLLIE?
YOU SIT RIGHT THERE WHEN YOU'RE...
YOU DON'T WANT TO TALK
ABOUT YOURSELF, THAT'S FINE. REALLY.
BUT THAT'S THE ONLY
REASON I'M HERE.
I MEAN, WE COULD
TALK ABOUT ME.
IF YOU'D LIKE.
BORN IN ARLINGTON OUTSIDE D.C.
IN THE SUBURBS.
STUDIED AT GEORGETOWN...
MARRIED, NO KIDS.
OUR PARENTS LIVE 30 MINUTES
AWAY, I HARDLY EVER SEE THEM.
PITY.
MOLLIE WALKED ON HER TOES.
LIKE-LIKE HER HEEL
AND WITH A LITTLE BOUNCE
AT EACH STEP.
I THINK IT CAME FROM DANCING.
SHE WAS A DANCER
WHEN SHE WAS YOUNGER.
BALLET MOSTLY.
SHE WANTED TO DANCE
PROFESSIONALLY,
BUT EVERYONE SAID THAT SHE
SHE WAS ALSO IN A LOT OF...
PAIN BECAUSE OF THE STRESS
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"Apartment 4E" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/apartment_4e_3013>.
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