Apocalypse Now Page #19
They are silent. We can HEAR the most ominous SOUND
COMING FROM THE BANKS. The GROANING, OR WAILING .. of
HUNDREDS OF MEN.
CHIEF:
They're on the banks of the
river.
Frantically, he swings the twin fifties around.
LANCE:
Jesus !
We can barely SEE him -- in and out of the fog.
CHIEF:
No, Lance. Not while you can't
see.
listening. The SOUND IS TERRIBLE, HORRIFYING.
CHIEF:
Will they attack?
WILLARD:
If they have boats ... or
canoes... they'd get lost in
the fog. We can't move either --
we'll end up on the shore.
CHEF:
God...
LANCE:
Sounds like hundreds of them.
WILLARD:
Shhhhhh.
The CHORUS OF GROANS in unbearable. But it is not ahostile
cahnt; or a war chant, but rather the SOUND OF HUMAN
ANGUISH.
WILLARD:
(continuing)
it sounds like they've seen us
coming and it sounds like --
I don't know, a funeral. I
don't understand.
A glimpse of him, almost in tears. We then SEE glimpses,
fog moving, of all the men on the P.B.R.
DISSOLVE TO :
MOVING THROUGH the thinning mist. The Navy craft proceeds
cautiously.
WILLARD (V.O.)
Two hours after the fog lifted,
thought was roughly a mile and
a half below Kurtz's camp. We
approached a long sand-bank
stretching down the middle of
the river.
CHIEF:
Which way? Right or left?
WILLARD:
Who knows? Right.
CHIEF:
Looks pretty shallow.
The P.B.R. moves toard the right-most channel. Chef
takes a long pole and begins sounding depth.
The men are really tense now -- Lances swivels his gun from
bank to bank. Chief keeps his fingers on an M-16. Willard
takes out the TOP SECRET packet he received at Do Lung.
Tears it open. We MOVE IN ON him.
WILLARD:
(reading)
Upon reaching objective. Target
key personnel and commence
operation. Should difficulty
arise from which extraction is
impossible, break radio silence
Com-Sec Command code Strong Arm --
indicate purgative air strike --
code -- Street Gang.
(pause)
Purgative air strike ! Purgative !
They'd kill me too !
Suddenly Chef lays out flat on the bow. Hundreds
and hundreds of slender sticks fly onto the P.B.R.
rattling against the boat.
CHIEF:
Sh*t ! F***ing arrows ! They're
shooting f***ing arrows at us.
looking toward the banks.
207 WILLARD'S POV
Frags of men -- naked limbs, arms, breasts, glaring eyes
entangled in the dense jungle gloom. And hundreds of
pathetic wooden arrows flying out toward them.
crazily zig-zagging up the river in the midst of the
childish assault.
WILLARD:
Steer her right.
arrows hitting the deck. The men open up everything
they've got. Lance is FIRING the two fifties wildly.
WILLARD:
Keep going.. keep going.
They're just f***ing sticks !
Chief, stay at the helm.
But Chief seems out of control -- he lets the clip of his
M-16 go. Then slowly lets the rifle fall out of his hands,
and falls to Willard's feet, a primitive spear having
caught him right through the ribs. Willard looks down in
horror.
laying at Willard's feet -- the long spear through him,
bleeding onto Willard's boots. He looks up at Willard,
about to say something.
CHIEF:
A spear?
He dies.
The men are still crazily FIRING into the empty jungle
long after those who attacked beat their retreat.
WILLARD:
Stop it. Stop it !
Slowly he pulls his boots from under Chief. They are
absolutely soaked in blood. He is stunned -- sits down
and begins to unlace the bloody boots, and take them off.
LANCE:
Chief's dead.
Willard unlaces the other boot, and holds the bloody boot
in his hand.
WILLARD (V.O.)
I don't know that I can explain
it. Two of my men dead, and all
Kurtz was dead too. That's all
I wanted:
to see Kurtz, to hearKurtz.
He starts to wipe the blood off the boot.
WILLARD (V.O.)
(continuing)
Somehow, in the middle of this ...
carnival, Kurtz had grown into
something -- a gifted officer;
a great man.
Somehow, he was the only light
in this hopeless, hopeless
darkness.
And now I was too late --
he was probably gone, disappeared...
tent -- or by some spear on the head.
Christ, I felt like howling like
those animals in the fog.
212 EXT. THE BOAT AT MARINA DEL REY - NIGHT
The people at Charlie's cocktail party on the boat.
Some flashbulbs are going off. Some people are dancing
to the MUSIC. OUR VIEW MOVES SLOWLY TOWARD Willard, on
the edge of the party.
WILLARD (V.O.)
Here they are in Los Angeles.
Everything is safe. There's a
supermarket around the corner,
other. It would seem ridiculous
to them that I was shot to hell
because I had lost the privilege
of listening to the mysterious
Colonel Kurtz.
(pause)
Of course I was wrong. He was
waiting for me. Kurtz was alive
and he was waiting for me.
DISSOLVE TO :
213 EXT. THE RIVER - P.B.R. DAY
The P.B.R. moving up the river. The men are practically
in a trance now, looking at the banks of the river. They
don´t even make an effort to touch their weapons.
Hundreds and hundreds of Montagnard natives -- dressed
in the most ornate and primitive manner: feathers, parts
of birds and animals; cod-pieces -- all in body and face
paint of the most savage nature. But there is a purity
about them, men and boys, standing passively watching
the small Navy craft flying the strange flag of red,
white and blue.
The men of the crew are not the same men who began this
voyage. Their manner is lifeless as though in a trance.
The various decorations and paraphenelia that they have
picked up along the way seem oddly relevant to the
savages that stand before them. The Chef has made a
hat of birdfeathers; Lance's face has been painted with
mud under the eyes to block the glare of the sun. He
wears certain animal skins; trinkets; some animal teeth.
Their uniforms have been torn and patched throughout the
difficult journey. They start to move to their gun
positions.
WILLARD:
Just stand here with me where
they can see us. Do nothing.
216 VIEW FROM BEHIND THE P.B.R.
MOVING SLOWLY TOWARD the fantastic human wall of feathers
and war paint, standing on canoes across the river. The
men on the crew stand in a group, their hands visibly
without weapons. The natives standing across the river
make no hostile gestures as they approach. They accept
the small boat moving toward them with a sort of inevi-
tability. The boat moves closer, approaches the wall of
feathers -- which slowly and automatically gives away, in
almost a ritual of birth, undulating, allowing the little
boat to penetrate.
Mus on his face (to protect it from the sun), the palms
of some jungle vegetation protecting his head, he looks
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"Apocalypse Now" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/apocalypse_now_80>.
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