Apocalypse Now Redux Page #17
- Year:
- 2001
- 1,080 Views
CHEF:
Can I get some Panama Red?
SERGEANT:
Panama Red? Yeah, I'll get you
Panama Red.
CLEAN:
Sergeant.
SERGEANT:
Destination?
CLEAN:
I don't have a destination.
SERGEANT:
You can't get a goddamn thing
without a destination.
Willard steps in.
WILLARD:
Sergeant.
SERGEANT:
I need a destination. I can't do
WILLARD:
Hey, Sarge, these guys are with
me. Destination classified. I
carry priority papers from Com-Sec
Intelligence, II Corps.
SERGEANT:
Listen, sir, it's a real big night-
(to another soldier)
Eight dollars for that camera-
With unexpected rage, Willard suddenly reaches up and grabs
the Sergeant by the collar, pulling him down across a table,
really frightening him. Everybody is quite surprised.
WILLARD:
Just give them some fuel.
SERGEANT:
You got it.
Willard lets go of the sergeant, almost embarrassed for
the show of temper. The sergeant goes back behind his
desk and starts signing papers.
SERGEANT:
Listen, Captain...I'm really sorry
about tonight. It's really bad
around here. Just take this over
to the man at the supply desk and
you got it.
He tears off a requisition and hands it to one of the trio.
SERGEANT:
(to crew)
Listen, would you guys like some
press box seats for the show? You
want those? The show, man, out
here. The bunnies.
LANCE:
The Playboy bunnies?
The sergeant finally leaves the trio, grabs a bottle of
cognac, and moves to Willard. Hands him the bottle.
SERGEANT:
Hey, listen, Captain...on the house.
No hard feelings.
Willard looks down at the bottle in his hand and then up
at the stage.
DISSOLVE TO:
The SOUND of ENGINES is heard. A HUEY and TWO LOCHES
descend from the clouds. The Loches hover and circle,
while the Huey descends onto the platform stage. There is
a large black-and-white PLAYBOY INSIGNIA painted on the
nose.
EXT. STAGE - FULL SHOT - NIGHT
The entire area around the stage and right up to the barbed
wire is mobbed with hundreds of seething American men.
Some of these boys have just gotten here, others have been
in the jungle for months. It's the Vietnam military version
of a happening. Guys from all walks of life, from the
cities, guys with flowers in their hair and peace signs
around their necks, other guys with their short-time sticks
and war medallions around their necks. Black G.I.s
congregate together with their clenched-fist black power
medallions. There are signs and posters and graffiti
everywhere. Some guys have guitars, everyone seems to
have a camera. Rummaging, sitting, waiting expectantly,
before the enormous stage, which is protected by rings of
concertina wire, a moat, and M.P.s every three feet at
riot control positions. Many joints and pipes are being
passed around. Snapshots are being taken. It has a strong
resemblance to a love-in or even Woodstock. Except that
they're all in various degrees of combat fatigues, and
they're all men.
CHEF, CLEAN, LANCE, WILLARD AND THE CHIEF move down an
aisle to their seats. It is through WILLARD'S EYES that
we see this spectacle, bad every so often we will see an
enthusiastic Lance, Chef, and Clean. The Chief remains
noncommittal, and somewhat bored. To the others, it's a
wonder of wonders.
Over by the dock, behind the chain-link fence, there is a
group of VIETNAMESE who have gathered to watch the show.
They have brought rice, food, etc. They will watch and
react throughout, along with the American soldiers who are
standing guard in front of them.
The Playboy copter descends onto the stage. The door of
the Huey slides open and TWO YOUNG GREEN BERETS step out
with their M16s to varied CATCALLS. When this abates, a
young and extremely well-dressed man emerges. He is the
epitome of the Hollywood agent. He's informal, high-strung,
and good at what he does. His presence causes some stirring
and occasional shouts of "ripoff" from the men. He gets a
microphone from the stage, then walks to the front and
addresses the men.
AGENT:
How you doing out there?
(beat and reaction)
I said how you doing out there?
(beat and reaction)
Wanna say hello to you from all of
us up here, to all of you out there,
who work so goddamn hard on
Operation Brute Force. Hello, all
you Paratroopers out there! And
the Marines! And the Sailors! We
wanna let you know that we're proud
of you, 'cause we know how tough
and how hard it's been! Yeah!
And to prove it, we're gonna give
you some entertainment we know
you're gonna like!
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Apocalypse Now Redux" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/apocalypse_now_redux_463>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In