
Argo Page #20
She stands and stares at the line of REFUGEES still *
waiting to cross: WOMEN balancing blankets tied up with *
all they own. An OLD MAN being helped by his SON. A *
couple of KIDS, a SEVEN YEAR-OLD shushing an INFANT in *
her arms. Lives that have become another tableau of *
refugees. *
Sahar, now one of them, walks into Iraq. *
323 INT. CIA (LANGLEY) - NIGHT 323
The celebration is quieter and drunker now.
LAMONT:
(a couple of beers
along)
We are the good guys! *
ROSSI:
Six down, fifty to go.
LAMONT:
Call the Times, nail it to
the f***ing door. The CIA
are the good guys.
MALINOV:
The Canadians are the good guys.
LAMONT:
-- we.’re not greedy -- them too --
MALINOV:
Only. Canada takes the credit, or
they.’ll retaliate against the
hostages. Great Satan wasn.’t
involved. No CIA.
LAMONT:
Is that right, Jack?
O.’DONNELL
Involved in what? We.’re as
surprised as anybody. Thank you,
Canada.
Jack raises a glass of Scotch and takes a drink.
324 ARCHIVE FOOTAGE 324
A homemade sign that reads: .“THANK YOU CANADA!.”*
(*Homecoming ceremony for Houseguests 2/1980.) Hundreds
are gathered to welcome the six back.
ARGO - Final 116.
322A CONTINUED:
322A(CONTINUED)
TED KOPPEL (V.O.)
Finally, a sliver of really good
news.
*AMERICA HELD HOSTAGE, DAY 87, BROADCAST (1/29/80).
CUT TO:
325 CANADIAN MINISTER OF EXTERNAL AFFAIRS 325
FLORA MacDONALD, late 60.’s. (*A.H.H. 1/29/80)
FLORA MacDONALD (V.O.)
It was a simple operation, really.
326 INT. STATE DEPARTMENT - LOBBY - DAY 326
The Houseguests arrive in the State Department lobby.
Television lights everywhere.
TED KOPPEL (V.O.)
The six fled the country posing as
Canadian diplomats. They simply
walked away.
Camera flashes, wild cheers. Banners: .“WELCOME HOME
CORA AND MARK!.” .“IDAHO LOVES YOU, LEE!.” .“WELCOME HOME,
BOB ANDERS!.” It.’s the first moment of national
celebration since the beginning of the crisis.
327 ARCHIVE FOOTAGE 327
IRANIAN FOREIGN MINISTER SADEQ GHOTBZADEH speaks angrily
into a microphone.
SADEQ GHOTBZADEH (V.O.)
Sooner or later, here or anywhere
in the world, Canada will pay for
this violation of the sovereignty
of Iran. (*News conference
1/29/80.)
328 MORE ARCHIVE FOOTAGE (*1/30/1980) 328
Of the State Department WELCOME HOME CEREMONY.
Ambassador KEN TAYLOR is presented with a HUGE FLORAL
BOUQUET. Cheering crowds all around him.
329 OMITTED 329 *
ARGO - Final 117.
324 CONTINUED:
324330 EXT. BY LESTER.’S POOL - DAY 330
Siegel in a bathrobe, looking out over L.A., holding
The New York Times in front of him: SIX U.S. DIPLOMATS,
HIDDEN BY CANADA, LEAVE IRAN SAFELY. Next to that, an
article about Ken Taylor: DIPLOMAT DIRECTED ESCAPE IN
IRAN. (Front page, *NYT 1/30/80.)
SIEGEL:
She said, .‘Why couldn.’t we pull
off something like that?.’ You
know what I said to her?
331 INT. CIA (LANGLEY) - THE PIT - DAY 331
Mendez stands at a desk on the main floor.
MENDEZ:
Wha.’d you say to her?
332 EXT. BY LESTER.’S POOL - DAY 332
SIEGEL:
I said, .‘Argo f*** yourself..’
333 INT. CIA ARCHIVES - DAY 333
And suddenly it.’s dead-quiet. We.’re in a vault inside a
vault in the basement of the main building.
Mendez.’s suitcase is laying on a low counter, an ARCHIVES
OFFICER toe-tagging and cataloging various items.
Separating Mendez.’s personal things from material related
to the operation.
Mendez empties his briefcase and the officer puts a
sticker on the VARIETY featuring the ARGO ad. Another on
the ARGO script. He.’s putting things into a box that
reads:
USCIA CLASSIFIED MATERIAL.Mendez opens his accordion folder -- flips through it --
it.’s empty -- no. There.’s something inside.
In one of the compartments is a STORYBOARD FROM ARGO.
One that the Komiteh missed. While the Archives Officer
is turned around, Mendez slips the storyboard back into
the accordion folder and puts it back with his personal
things.
ARGO - Final 118.
334 EXT. CIA - FRONT PARKING LOT - AFTERNOON 334
O.’Donnell is on his way out, heading toward Tony who is
heading in. Seeing Mendez, he stops dead.
O.’DONNELL
And I left my autograph book at *
home. His Eminence called me. He *
wants to see you.
MENDEZ:
He wants to fire me himself.
O.’DONNELL
He wants to give you the
Intelligence Star. You.’re getting
the highest award of merit of the
Clandestine Services of these
United States. Ceremony.’s two
weeks from today.
Mendez stops walking. A beat.
MENDEZ:
If they push it a week, I can *
bring Ian. That.’s his winter *
break.
O.’DONNELL
The op was classified so the
ceremony.’s classified. He can.’t
know about it. Nobody can know
about it.
MENDEZ:
They.’re gonna hand me an award,
then they.’re gonna take it back?
O.’DONNELL
If we wanted applause, we would
have joined the circus.
MENDEZ:
I thought we did.
O.’Donnell claps Tony on the shoulder. Tony walks towards
the entrance and Jack heads to his car.
O.’DONNELL
(yelling to Tony; an
afterthought)
Carter said you were a great
American.
ARGO - Final 119.
(CONTINUED)
MENDEZ:
(yelling back)
A great American what?
O.’DONNELL
He didn.’t say.
335 INT. ARGO PRODUCTION OFFICE - ANGLE ON A POSTER - DAY 335
on the wall. ARGO: A COSMIC CONFLAGRATION.
A hand takes the poster down.
ANOTHER ANGLE:
Chambers is disassembling the office. Boxes packed.
Everything now off the walls.
A PRODUCER walks by, sees Chambers in the door.
PRODUCER:
What happened to your picture?
CHAMBERS:
It.’s in turnaround.
He turns out the lights.
336 EXT. ROAD UP TO CHRISTINE.’S HOUSE - LATE AFTERNOON 336
Mendez.’s car heads up the road, past a mailbox. Pulls up
to the house.
337 EXT. CHRISTINE.’S HOUSE - LATE AFTERNOON 337
Mendez, a duffel bag on his shoulder, knocks on the door.
He waits. After a moment, Christine opens the door.
MENDEZ:
Hi.
CHRISTINE:
Hi.
They look at each other.
Before she can speak, he.’s embraced her. Holds tight. *
It.’s something in between romantic and fraternal. Not
reconciliation, necessarily, but warmth. She
reciprocates. It feels right, and good.
ARGO - Final 120.
334 CONTINUED:
334(CONTINUED)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Argo" Scripts.com. STANDS4 LLC, 2025. Web. 4 Mar. 2025. <https://www.scripts.com/script/argo_554>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In